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#1
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Speaking of Audition
I have been a CoolEdit owner since the first versions of the stereoapp and
the multitrack app. I made sure I upgraded to audtion to stay current. But the few times I have tried to run the system in sync with a deck or use it with an AVI for film work it has fallen miserably far from the mark. I can't recall the myriad of problems now.. but it was pretty much unusable. I use Nuendo here for most everything but I like Audition's interface and wanted to have it availble for some things.. like noise removal.. or having someone working on fx scenes while the Nuendo rigs are tied up. Same for everyone? |
#2
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Speaking of Audition
Recently, Jona Vark posted:
I have been a CoolEdit owner since the first versions of the stereoapp and the multitrack app. I made sure I upgraded to audtion to stay current. But the few times I have tried to run the system in sync with a deck or use it with an AVI for film work it has fallen miserably far from the mark. I can't recall the myriad of problems now.. but it was pretty much unusable. I use Nuendo here for most everything but I like Audition's interface and wanted to have it availble for some things.. like noise removal.. or having someone working on fx scenes while the Nuendo rigs are tied up. Same for everyone? Nope. My CEP/Audition system is synced via an RME HDSP9652 to an AW4416 where I do most of my tracking. I have no problems with it following the time code in either direction. The keys are the quality of sync capabilities of the sound card and the speed of the computer. Neil |
#3
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Speaking of Audition
"Neil Gould" wrote in message ... Recently, Jona Vark posted: I have been a CoolEdit owner since the first versions of the stereoapp and the multitrack app. I made sure I upgraded to audtion to stay current. But the few times I have tried to run the system in sync with a deck or use it with an AVI for film work it has fallen miserably far from the mark. I can't recall the myriad of problems now.. but it was pretty much unusable. I use Nuendo here for most everything but I like Audition's interface and wanted to have it availble for some things.. like noise removal.. or having someone working on fx scenes while the Nuendo rigs are tied up. Same for everyone? Nope. My CEP/Audition system is synced via an RME HDSP9652 to an AW4416 where I do most of my tracking. I have no problems with it following the time code in either direction. The keys are the quality of sync capabilities of the sound card and the speed of the computer. Neil I was referring to TC / Deck control and syncing to AVIs for post work. |
#4
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Speaking of Audition
Jona Vark wrote:
"Neil Gould" wrote in message ... Recently, Jona Vark posted: I have been a CoolEdit owner since the first versions of the stereoapp and the multitrack app. I made sure I upgraded to audtion to stay current. But the few times I have tried to run the system in sync with a deck or use it with an AVI for film work it has fallen miserably far from the mark. I can't recall the myriad of problems now.. but it was pretty much unusable. I use Nuendo here for most everything but I like Audition's interface and wanted to have it availble for some things.. like noise removal.. or having someone working on fx scenes while the Nuendo rigs are tied up. Same for everyone? Nope. My CEP/Audition system is synced via an RME HDSP9652 to an AW4416 where I do most of my tracking. I have no problems with it following the time code in either direction. The keys are the quality of sync capabilities of the sound card and the speed of the computer. Neil I was referring to TC / Deck control and syncing to AVIs for post work. Might want to check the Adobe forums and Video suite (which is one reason adobe bought CE in the first place). Dean |
#5
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Speaking of Audition
Recently, Jona Vark posted:
"Neil Gould" wrote in message Recently, Jona Vark posted: [...] But the few times I have tried to run the system in sync with a deck or use it with an AVI for film work it has fallen miserably far from the mark. [...] Same for everyone? Nope. My CEP/Audition system is synced via an RME HDSP9652 to an AW4416 where I do most of my tracking. I have no problems with it following the time code in either direction. The keys are the quality of sync capabilities of the sound card and the speed of the computer. I was referring to TC / Deck control and syncing to AVIs for post work. It shouldn't matter. TC is TC, and if the signal and TC interface is good, CEP/Audition will chase it just fine. IOW, I haven't had a problem with this even as long as a decade ago syncing to video decks via extenal TC gear. Syncing AVIs should be even more reliable than that. Neil |
#6
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Speaking of Audition
Recently, Jona Vark posted:
I was referring to TC / Deck control and syncing to AVIs for post work. Hmmm... take two: ;-) So, your problem is strictly internal? Perhaps your disc is fragmented or the cpu just can't keep up with the extent of live edits. Neil |
#7
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Speaking of Audition
On Thu, 27 Oct 2005 23:52:19 GMT, Jona Vark wrote:
I was referring to TC / Deck control and syncing to AVIs for post work. Are you importing the AVI into Audition? That works fine for me. Cheers James. |
#8
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Speaking of Audition
"Neil Gould" wrote in message ... Recently, Jona Vark posted: I was referring to TC / Deck control and syncing to AVIs for post work. Hmmm... take two: ;-) So, your problem is strictly internal? Perhaps your disc is fragmented or the cpu just can't keep up with the extent of live edits. Neil Oh.. I am not trying to trouble shoot it anymore.. it's just the way it is.. on any PC.. I also had a lot of trouble trying to use AVIs for different parts of a scene.. Seems the TC offset feature was disfuctional. Still is, here anyway.. Audition was just simply not ready for prime time yet. |
#9
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Speaking of Audition
"Neil Gould" wrote in message ... Recently, Jona Vark posted: "Neil Gould" wrote in message Recently, Jona Vark posted: [...] But the few times I have tried to run the system in sync with a deck or use it with an AVI for film work it has fallen miserably far from the mark. [...] Same for everyone? Nope. My CEP/Audition system is synced via an RME HDSP9652 to an AW4416 where I do most of my tracking. I have no problems with it following the time code in either direction. The keys are the quality of sync capabilities of the sound card and the speed of the computer. I was referring to TC / Deck control and syncing to AVIs for post work. It shouldn't matter. TC is TC, and if the signal and TC interface is good, CEP/Audition will chase it just fine. IOW, I haven't had a problem with this even as long as a decade ago syncing to video decks via extenal TC gear. Syncing AVIs should be even more reliable than that. Well.. not really true.. there is certainly a difference when getting it over a serial port as opposed to TC / MIDI TC hardware with a sync interface. Nonetheless.. syncing decks and systems is not hard.. been doing it since the 70's with all kinds of gear so numerous it's like a blur. From Servo sync to TC etc.. So it is easy to evaluate a particular software's capabilities failry quickly. I have Nuendo running on all of the same PCs that Audition is installed on. No deck control problems and I can place AVI start times anywhere with repeatable, dependable results. I am pretty sure that these tests were also done with the current builds of Audition. Don't get me wrong.. I am not down on the app.. for what it costs, compared to Nuendo's price tag, it is fine. I did have hopes of expanding a couple of systems for less demanding work using Audition but I may have to wait.. I did address this problem at the time with Adobe, thoroughly.. they admitted it was a problem and , as usual, said that fixes might be coming.. Neil |
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