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#1
Posted to rec.audio.pro
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tips to get a smaller sound
Hello again
i'm mixing a rock track but found it difficult to get everything in place. everything sounds too big... and there are a lots of arrangements which doesn't help. i'm trying to get a more "professional" sound where every elements sounds quite thin, "little", yet exactly in place, perfectly mixed, and not agressive. i know mixing engineers spend hours EQing and compressing and panning and so on... but how do they get this "fat free" sound ? any tips & tricks to get everything sound "smaller" but still present and musical ? thanks |
#2
Posted to rec.audio.pro
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tips to get a smaller sound
I had exactly this complaint when mixing the sound for a commercial many
years ago - the room was jammed full of "producers" and when one complained that everything sounded too big for the pictures they all agreed. I turned the monitors down a few clicks and they all went home delighted. What you're trying to do has to be the vision at the production/arrangement/recording stage first. If the cast'n'crew on the session were after big'n'fat (as they often are) your pretty well stuffed. (what on earth does lots of arrangements mean?) wrote in message oups.com... Hello again i'm mixing a rock track but found it difficult to get everything in place. everything sounds too big... and there are a lots of arrangements which doesn't help. i'm trying to get a more "professional" sound where every elements sounds quite thin, "little", yet exactly in place, perfectly mixed, and not agressive. i know mixing engineers spend hours EQing and compressing and panning and so on... but how do they get this "fat free" sound ? any tips & tricks to get everything sound "smaller" but still present and musical ? thanks |
#3
Posted to rec.audio.pro
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tips to get a smaller sound
Dobbin wrote:
wrote in message oups.com... Hello again i'm mixing a rock track but found it difficult to get everything in place. everything sounds too big... and there are a lots of arrangements which doesn't help. Compress less. Open the stereo image more. I had exactly this complaint when mixing the sound for a commercial many years ago - the room was jammed full of "producers" and when one complained that everything sounded too big for the pictures they all agreed. I turned the monitors down a few clicks and they all went home delighted. Yees, good point. Listening too loud is bad for ya and bad for the balance. What you're trying to do has to be the vision at the production/arrangement/recording stage first. If the cast'n'crew on the session were after big'n'fat (as they often are) your pretty well stuffed. (what on earth does lots of arrangements mean?) Strings probably. Kind regards Peter Larsen |
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