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#1
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Plug mono into stereo jack
I just have a simple question: Can I just put a mono plug into a stereo
jack, or do I need to use a mono/stereo adapter plug? |
#2
Posted to rec.audio.pro
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Plug mono into stereo jack
"Jeffrey" wrote ...
I just have a simple question: Can I just put a mono plug into a stereo jack, or do I need to use a mono/stereo adapter plug? Maybe it will work, and maybe it will blow up in your face. Critical dependencies on the context here. What is the equipment? Source and destination? |
#3
Posted to rec.audio.pro
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Plug mono into stereo jack
I have a simple question: Can I just put a mono plug into a
stereo jack, or do I need to use a mono/stereo adapter plug? You'll need an adapter. Why? Because the mono plug will give you only the left channel, _and_ the right channel of the source will be shorted to ground. Let's confuse this a bit further... Simply paralleling L and R might not work, because the sources (whatever they are) might not like "looking into" each other. So a series resistor on each channel might be needed. |
#4
Posted to rec.audio.pro
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Plug mono into stereo jack
On 24 Nov 2006 17:44:52 -0800, "Jeffrey"
wrote: I just have a simple question: Can I just put a mono plug into a stereo jack, or do I need to use a mono/stereo adapter plug? The question was TOO simple :-) Is this a stereo headphone output, a stereo line signal or a balanced mono signal? |
#5
Posted to rec.audio.pro
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Plug mono into stereo jack
Jeffrey wrote: I just have a simple question: Can I just put a mono plug into a stereo jack, or do I need to use a mono/stereo adapter plug? It depends on what's coming out of a jack. If it's a headphone jack and you want to hear both channels, you'll need an adapter. If you're content with hearing just the left channel, you can us a mono plug and you'll probalby not blow up anything. Of you can stick it in half way and hear just the right channel. |
#6
Posted to rec.audio.pro
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Plug mono into stereo jack
Jeffrey wrote:
I just have a simple question: Can I just put a mono plug into a stereo jack, or do I need to use a mono/stereo adapter plug? There are ambiguities in your question. In most of the replies that you've received already, the writers have tried to guess your situation, and they didn't all guess the same way. The only way to give you a reliable answer is to ask you first: [1] Is the stereo jack [a] an input or is it [b] an output? [2] Does the stereo jack carrying [c] a pair of signals (e.g. left and right channels, as with stereo headphones or a stereo microphone) or does it carry [d] a single balanced signal (as with a professional microphone or line input)? Depending on your answers, there are four possible situations to consider: [a] + [c]: Only one side or channel of the device will receive a signal. That's not harmful but it may seem a little strange or uncomfortable. You can use an adapter to feed both channels in parallel if you prefer. [a] + [d]: This will usually work, but the arrangement may be vulnerable to hum and RFI pickup. To many people's surprise, you can generally reduce the interference by using balanced cabling, even though you're driving the cable in a single-ended manner. [b] + [c]: For this case, use an adapter--otherwise you receive only one channel while short-circuiting the other. You'll get acceptable results in some cases, but in others the short circuit will cause distortion in the channel that you receive--and sometimes damage may even occur. [b] + [d]: Similar to the preceding except that it's the two "legs" of a single channel rather than two separate channels; same possible range of outcomes if you don't use an adapter: Everything may work just fine (there may be a reduction in output level), there may be distortion, or the short circuit might break something. --best regards |
#7
Posted to rec.audio.pro
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Plug mono into stereo jack
David Satz wrote: There are ambiguities in your question. In most of the replies that you've received already, the writers have tried to guess your situation, and they didn't all guess the same way. That's what makes life interesting. To most people who don't have the perception to provide all the information, "jack" means a headphone jack, so it's worth a guess. But sometimes it means a plug. And sometimes they'll come back and tell you that they work in IT and have a degree in computer science and just had a simple question. |
#8
Posted to rec.audio.pro
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Plug mono into stereo jack
Mike Rivers wrote: David Satz wrote: There are ambiguities in your question. In most of the replies that you've received already, the writers have tried to guess your situation, and they didn't all guess the same way. That's what makes life interesting. To most people who don't have the perception to provide all the information, "jack" means a headphone jack, so it's worth a guess. But sometimes it means a plug. And sometimes they'll come back and tell you that they work in IT and have a degree in computer science and just had a simple question. Jacks are female recepticles for male plugs. In this world, Jacks are really Jills. |
#9
Posted to rec.audio.pro
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Plug mono into stereo jack
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#10
Posted to rec.audio.pro
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Plug mono into stereo jack
Chevdo wrote:
In article . com, says... David Satz wrote: There are ambiguities in your question. In most of the replies that you've received already, the writers have tried to guess your situation, and they didn't all guess the same way. That's what makes life interesting. To most people who don't have the perception to provide all the information, "jack" means a headphone jack, so it's worth a guess. But sometimes it means a plug. And sometimes they'll come back and tell you that they work in IT and have a degree in computer science and just had a simple question. Which would be an understandable response after having been told twice by two different people that something could possibly 'blow up', which is ridiculous. Last time I checked neither jacks nor plugs are packed with explosives. Some amps do not like being shorted to ground, which is what happens when you have a male mono 1/4" headphone jack plugged into a female stereo trs headphone output. These amps *will* start to crackle after being run this way for a few minutes, shut down and finally will fail - "blow up" so to speak - although perhaps not in as exciting a manner as when you insert a capacitor into a circuit backward. I think I had a Tascam 234 or something once upon a time that plainly warned against doing this in the manual. Modern amp design is more tolerant of this kind of treatment, but older gear often isn't. Another example, when you plug in say floor monitors, connected with 1/4" jacks. You momentarily short out the amp inserting or pulling out the jacks (with neutrik or banana connectors of course you wouldn't short anything out.) A lot of older amps will blow up if you "hot plug" them - certain "Phase Linear"s come to mind - but modern amps are a lot more tolerant of momentary abuse like that. Still, using jacks that do not short out are the preferred, better method of interfacing monitor speakers and amps. Will Miho NY TV/Audio Post/Music/Live Sound Guy "The live sound giveth and the small print taketh away..." Tom Waits |
#11
Posted to rec.audio.pro
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Plug mono into stereo jack
Which would be an understandable response after having been
told twice by two different people that something could possibly "blow up", which is ridiculous. Last time I checked neither jacks nor plugs are packed with explosives. If you're trying to be funny, make jokes about something you know about. It's not ridiculous. Some amplifiers (both line-level and power) might be damaged if they're shorted. This isn't common, but it's possible. Inserting a mono plug into a stereo jack shorts the right channel to ground. |
#12
Posted to rec.audio.pro
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Plug mono into stereo jack
Chevdo wrote: Which would be an understandable response after having been told twice by two different people that something could possibly 'blow up', which is ridiculous. An exaggeration, perhaps, but some outputs don't like to be driven, and some outputs don't like being shorted. While the walls of the building may not collapse, it's possible that after some abuse, the shorted output might cease to be an output until it's repaired. |
#13
Posted to rec.audio.pro
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Plug mono into stereo jack
"Jeffrey" wrote in message ps.com... I just have a simple question: Can I just put a mono plug into a stereo jack, or do I need to use a mono/stereo adapter plug? If you plug a mono (Tip Sleeve) connector into a "stereo" (Tip Ring Sleeve) jack it depends on a few factors as to what the result will be... For a stereo output jack, like a headphone amp, a mono Tip-Sleeve connector plugged in will short out one channel or "side" of the output. In such an instance, you will certainly get signal through the un-shorted channel, but may actually damage or at least put stress on the other output channel, though this would depend on the circuit design and how hard you're driving the headphone amplifier. I wouldn't recommend doing this, but instead would advise using an adapter plug or cord. On the other hand, there are cases where one might be using a mono Tip Sleeve connector to take the output of some piece of gear and plug it into the input of a mixer, say for example. If the input is balanced and uses a Tip Ring Sleeve jack, you may end up with the problem of creating a secondary signal path and picking up unwanted hum and noise, since plugging the mono connector into the stereo jack in such an instance would serve to short the negative side of the input to the shield. In most cases I've encountered, using a mono plug to route signal into a balanced input jack will work and not produce hum though. It's pretty safe to try. Schuy |
#14
Posted to rec.audio.pro
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Plug mono into stereo jack
For a stereo output jack, like a headphone amp, a mono Tip-Sleeve connector plugged in will short out one channel or "side" of the output. In such an instance, you will certainly get signal through the un-shorted channel, but may actually damage or at least put stress on the other output channel, though this would depend on the circuit design and how hard you're driving the headphone amplifier. I wouldn't recommend doing this, but instead would advise using an adapter plug or cord. A proper adapter would involve the use of a stereo or Tip Ring Sleeve plug in order to route one side of it to where ever you wanted to go with it. Sometimes people will combine the left and right sides by simply shorting them together or using a "Y" adapter, but this can result in unwanted distortion. It's better to sum the outputs of a headphone amp for instance, by using summing resistors for isolation or by going into a little mixer or something with two input buffer stages. If all you need is one channel, it would be generally safe to take signal from just one side though, either Tip or Ring, with Sleeve as the common. Schuy |
#16
Posted to rec.audio.pro
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Plug mono into stereo jack
Chevdo wrote:
says... If you're trying to be funny, make jokes about something you know about. It's not ridiculous. Some amplifiers (both line-level and power) might be damaged if they're shorted. This isn't common, but it's possible. Only if you're retarded, like you. If your advice to the orginal poster is don't worry about shorting an amp to ground, it's very bad advice, the practice should be avoided. And I don't know how much more gingerly we could have tried to expand your lack of understanding on the subject. If you can't deal gracefully with being wrong, maybe avoid the situation by not offering opinions on subjects you don't really know anything about. Will Miho NY TV/Audio Post/Music/Live Sound Guy "The large print giveth and the small print taketh away..." Tom Waits |
#17
Posted to rec.audio.pro
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Plug mono into stereo jack
Only if you're retarded, like you.
I don't know who you are, or what makes you think you're justified in posting comments to this group, but all I can say is... Get a life. Find something productive to do with your time. I will no longer respond to any of Chevdo's comments, and I urge others in this group not to respond, either. |
#18
Posted to rec.audio.pro
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Plug mono into stereo jack
"Jeffrey" wrote ...
I just have a simple question: Can I just put a mono plug into a stereo jack, or do I need to use a mono/stereo adapter plug? As you can see, this is anything but a "simple question". Unless you reveal the details (what equipment, what you are doing, etc.) you will never get a satisfactory answer. |
#19
Posted to rec.audio.pro
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Plug mono into stereo jack
"Richard Crowley" wrote in message
... "Jeffrey" wrote ... I just have a simple question: Can I just put a mono plug into a stereo jack, or do I need to use a mono/stereo adapter plug? As you can see, this is anything but a "simple question". I do like to see it as a simple question, with a simple answer: yes you can. Why? Because of the fact that both plugs exist and are physically interchangeable if feel that any equipment designed with jacks, should be able to cope with a mono plug into a stereo (balanced) output. If that equipment cannot cope with it, I consider the design as flawed. If it breaks, I will return it to the supplier and tell him that the design is flawed and claim a warrantee replacement with a better device. Simple. Meindert |
#20
Posted to rec.audio.pro
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Plug mono into stereo jack
Meindert Sprang wrote:
"Richard Crowley" wrote in message ... "Jeffrey" wrote ... I just have a simple question: Can I just put a mono plug into a stereo jack, or do I need to use a mono/stereo adapter plug? As you can see, this is anything but a "simple question". I do like to see it as a simple question, with a simple answer: yes you can. Why? Because of the fact that both plugs exist and are physically interchangeable if feel that any equipment designed with jacks, should be able to cope with a mono plug into a stereo (balanced) output. If that equipment cannot cope with it, I consider the design as flawed. If it breaks, I will return it to the supplier and tell him that the design is flawed and claim a warrantee replacement with a better device. Simple. Meindert And if the gear is no longer covered by warrantee? What then? Will *YOU* fix the gear for the orginal poster, at your own expense because the guy was foolish enough to actually follow your bad advice? Your advice is ill conceived and poorly reasoned. Better to learn what the hell you're talking about, before you start issing opinions - or at least learn to qualify your statements. Try wording your statements as questions, that might help you keep your foot out of your mouth. BTW, the sockpuppet thing is pretty lame. Will Miho NY TV/Audio Post/Music/Live Sound Guy "The large print giveth and the small print taketh away..." Tom Waits |
#21
Posted to rec.audio.pro
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Plug mono into stereo jack
Meindert Sprang wrote: I do like to see it as a simple question, with a simple answer: yes you can. Why? Because of the fact that both plugs exist and are physically interchangeable if feel that any equipment designed with jacks, should be able to cope with a mono plug into a stereo (balanced) output. You're mixing your metaphors here. Stereo and balanced are totally different. As are gozintas and gozoutas. Thanks mostly to Mackie, what have been called "impedance balanced" or "balanced/unbalanced" outputs have become pretty common on studio equipment (and not just cheap equipment) and are perfectly happy with either a TRS or TS plug inserted. That's because there's only signal on the tip. There's nothing but a resistor with only (negligably small) common mode noise current flowing through it to short out if the ring contact gets grounded. There is also a differential output configuration that deals with grounding the ring by essentially putting the two outputs in series and no harm is done. And you can get the same results (with no harm) by grounding the ring side of a transformer output. But there's another output configuration, fortunately one that's not often used any more, where both the tip and ring are driven by independent ICs, and ICs don't always like being shorted out. While it's rare that there will be enough power to damage the IC, because of the way the ICs are interconnected (generally one is simply an inverter connected to the output of the other) dragging down the output with a short circuit causes the signal that manages to push through anyway to be distorted, and since this is connected to the IC that you want to use, distortion is added to what would be a perfectly usable unbalanced output. So, while there's not likely to be smoke and fire, there's likely to be distortion where there was none with a proper plug. The way to connect to this output is to use a TRS plug and just not use the ring contact (or a special plug that has an insulator where the ring normally is - but I haven't seen one of those in a long time). If the output has some power behind it, you might actually get smoke, or at least electrical damage. Again, it's not very likely simply because it's just not very common to put signal power greater than headphone level on to both the tip and ring of a 1/4" TRS jack. But people do all sorts of dumb things. If that equipment cannot cope with it, I consider the design as flawed. If it breaks, I will return it to the supplier and tell him that the design is flawed and claim a warrantee replacement with a better device. Simple. If the user can't cope with it, I consider the user as flawed, and perhaps he should return the equipment. Because of the way our commerce works, you probably will get away with this once. But after you return the second or third unit damaged in the same way, any dealer with any smarts at all will ask you what you're doing with these things to damage them? |
#22
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Plug mono into stereo jack
"WillStG" wrote in message
oups.com... And if the gear is no longer covered by warrantee? What then? One should then try that before the warranty expires. Will *YOU* fix the gear for the orginal poster, at your own expense because the guy was foolish enough to actually follow your bad advice? Your advice is ill conceived and poorly reasoned. I think not. Read below. Better to learn what the hell you're talking about, before you start issing opinions - or at least learn to qualify your statements. Ok, I do know what the hell I'm talking about, because I design an build electronic equipment. albeit digital equipment, the problem is the same: I have a balanced output which in many cases is shorted to ground because some installer doesn't grasp the difference between balanced and single ended outputs. So I therefore design all balanced outputs to be short-circuit proof. That's why I think I have 'the right' to claim it a design flaw when some equipment cannot stand grouding of one or both balanced output terminals. And I know that most modern mixers and other audio equipment is indeed short circuit proof on the line outputs. I can read the schematics..... Meindert www.shipmodul.com www.customware.nl |
#23
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Plug mono into stereo jack
Meindert Sprang wrote: I design an build electronic equipment. albeit digital equipment, the problem is the same: I have a balanced output which in many cases is shorted to ground because some installer doesn't grasp the difference between balanced and single ended outputs. So I therefore design all balanced outputs to be short-circuit proof. That's why I think I have 'the right' to claim it a design flaw when some equipment cannot stand grouding of one or both balanced output terminals. Yeah, but is the equipment that you design bottom-shelf, cheap-so-people-who-have- no-business-using-it-can-easily-afford-it cheap? When you want to cut costs, idiot protection, as long as it doesn't compromise user safety, is one of the first things to go. And most of the audio equipment that we talk about here, sadly, is cost-cut designed. And I know that most modern mixers and other audio equipment is indeed short circuit proof on the line outputs. I can read the schematics..... That's true, because the "low" side doesn't have any voltage on it. And there isn't enough power behind the "high" side to do any permanent damage. But you can't do that with a stereo headhpone jack which is unbalanced. Short out one side of that and you're shorting out an output that can deliver some power. Short it to the other side and you'll be feeding an output with some power. Instant descruction isn't guareanteed. It's just not a good idea to stress equipment like that. It won't work right anyway, so why force it? |
#24
Posted to rec.audio.pro
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Plug mono into stereo jack
Meindert Sprang wrote:
Ok, I do know what the hell I'm talking about, because I design an build electronic equipment. albeit digital equipment, the problem is the same: I have a balanced output which in many cases is shorted to ground because some installer doesn't grasp the difference between balanced and single ended outputs. So I therefore design all balanced outputs to be short-circuit proof. That's why I think I have 'the right' to claim it a design flaw when some equipment cannot stand grouding of one or both balanced output terminals. That's fine. Now, give me an output that can sink ten watts into a 50 ohm headphone load and will behave that way. You can do it, but it's a pain and nobody much does. And I know that most modern mixers and other audio equipment is indeed short circuit proof on the line outputs. I can read the schematics..... Who ever said that we were dealing with line outputs? --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
#25
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Plug mono into stereo jack
"Mike Rivers" wrote in message
oups.com... Yeah, but is the equipment that you design bottom-shelf, cheap-so-people-who-have- no-business-using-it-can-easily-afford-it cheap? When you want to cut costs, idiot protection, as long as it doesn't compromise user safety, is one of the first things to go. And most of the audio equipment that we talk about here, sadly, is cost-cut designed. That might be true, but you forget one thing: a company could save a fraction of a cent per resistor left out, but that would mean that much more equipment will be sent back for repair, which is very bad for the manufacturers' reputation. So what would you choose? And I know that most modern mixers and other audio equipment is indeed short circuit proof on the line outputs. I can read the schematics..... That's true, because the "low" side doesn't have any voltage on it. And there isn't enough power behind the "high" side to do any permanent damage. Depends. The older Behringer mixers for example, had a single ended output and a resistor to ground on the ring. But the newer ones (UB series) have true balanced outputs, delivering a voltage on both + and - lines. I checked that. But you can't do that with a stereo headhpone jack which is unbalanced. Short out one side of that and you're shorting out an output that can deliver some power. Short it to the other side and you'll be feeding an output with some power. Really? You must know the famous trick of inserting a TRS first click into a mixer insert socket. It works because the tip shorts both hot contacts of the socket. The same happens if you insert a stereo headphone jack into the heaphone output: left and right get shorted together. No damage done. I can tell you it is much in the manufacturers interest to spend a few extra cents when that prevents a massive return of damaged equipment. Meindert |
#26
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Plug mono into stereo jack
"Scott Dorsey" wrote in message
... Meindert Sprang wrote: Ok, I do know what the hell I'm talking about, because I design an build electronic equipment. albeit digital equipment, the problem is the same: I have a balanced output which in many cases is shorted to ground because some installer doesn't grasp the difference between balanced and single ended outputs. So I therefore design all balanced outputs to be short-circuit proof. That's why I think I have 'the right' to claim it a design flaw when some equipment cannot stand grouding of one or both balanced output terminals. That's fine. Now, give me an output that can sink ten watts into a 50 ohm headphone load and will behave that way. You can do it, but it's a pain and nobody much does. You're not realistic here. No headphone output would need that much power. And I know that most modern mixers and other audio equipment is indeed short circuit proof on the line outputs. I can read the schematics..... Who ever said that we were dealing with line outputs? See my reply to Mike about heaphone outputs getting shorted when you plug in the stereo jack of a heaphone. Meindert |
#27
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Plug mono into stereo jack
Meindert Sprang wrote: That might be true, but you forget one thing: a company could save a fraction of a cent per resistor left out, but that would mean that much more equipment will be sent back for repair, which is very bad for the manufacturers' reputation. So what would you choose? If I was selling 1,000 mixers a month, I'd take the chance and save the couple of cents on the resistor. You can always tell the customer that he shouldn't have done that. And besides, most people don't actually send this stuff back for repair because it's too cheap. They sell it on eBay and get something else. Or they ask if anyone has a schematic and then you never hear from them again. Cheap gear doesn't last long enough to worry about reputation. Depends. The older Behringer mixers for example, had a single ended output and a resistor to ground on the ring. But the newer ones (UB series) have true balanced outputs, delivering a voltage on both + and - lines. I checked that. And how did they do that? If they used an inverter to get the - side, that can be shorted out. And even if it doesn't fry, it can cause distortion in the + side. The Mackie Onyx 1220 (as well as the VLZ/Pro series) have the main outputs with that configuration. The Onyx 1620 and 1640 use a cross-coupled balanced stage that's perfectly happy having one side grounded. They're kind of sleazy about it though and the open circuit output levels aren't very accurately balanced. So with one model, when connecting the output to an unbalanced input, you should leave the low side floating, and on the other side, you should ground it. Ya gotta read the instructions if you want to do it right. But you can't do that with a stereo headhpone jack Really? You must know the famous trick of inserting a TRS first click into a mixer insert socket. It works because the tip shorts both hot contacts of the socket. Nope. But first off, I was talking about a headphone jack (by which I meant a jack fed from a headphone outpu, not a generic jack. I can see where a digital designer can make that mistake. When all you have is on and off, you don't need to worry about what's generating the voltage. An insert jack has one output and one input, and normalling contacts that connect the output to the input so the signal will flow through the channel path. When you insert the plug all the way, you break that normal connection. If you don't connect something to the insert input (return) you don't hear whatever went into the channel input. When you put the plug in halfway, it doesn't go in far enough to open the normalling contacts, so, yes, the tip and ring contacts of the jack are indeed "shorted" together, which is their normal state. The tip of the plug actually connects to the ring contact of the jack, but since there's signal on it, you can tap it off. The same happens if you insert a stereo headphone jack into the heaphone output: left and right get shorted together. No damage done. Want to try that one again? If you insert a stereo headphone PLUG into a stereo headphone JACK (output) you'll connect the left headphone to one output and the right hedphone to the other output. No damage done, because that's the way you're supposed to connect it. Now if you plug in a TS (unbalanced) plug, you'll short one output. If you have a 50 watt headphone amplifier, you probalby will damage it. You probalby won't damage a 50 milliwatt amplifier. I can tell you it is much in the manufacturers interest to spend a few extra cents when that prevents a massive return of damaged equipment. Don't tell me, tell the manufacturer. And ask how much damaged equipment he gets back. You don't see to understand that there's a difference between damage to equipment and something not working right. because the user didn't hook it up right. |
#28
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Plug mono into stereo jack
Meindert Sprang wrote:
That's fine. Now, give me an output that can sink ten watts into a 50 ohm headphone load and will behave that way. You can do it, but it's a pain and nobody much does. You're not realistic here. No headphone output would need that much power. My old Studio-Z console can throw about 20 watts out into the headphone jack, using stacked 2N3055s on the headphone amp circuit. This USED to be pretty common. It's starting to go the way of outputs capable of properly driving 600 ohm loads, though. It's still fairly common for consumer receivers to power the headphones from the power amplifier stage, usually through safety resistors. And usually these safety resistors are not rated for enough dissipation to deal with a dead short for too long, although they are usually overrated enough that occasional momentary shorts won't kill them. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
#29
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Plug mono into stereo jack
"Meindert Sprang" wrote ...
Ok, I do know what the hell I'm talking about, because I design an build electronic equipment. albeit digital equipment, the problem is the same: I have a balanced output which in many cases is shorted to ground because some installer doesn't grasp the difference between balanced and single ended outputs. So I therefore design all balanced outputs to be short-circuit proof. That's why I think I have 'the right' to claim it a design flaw when some equipment cannot stand grouding of one or both balanced output terminals. Go ahead and do whatever you want. Apparently Mr. Sprang is offering to fix it if anything breaks. Riiiiiight. |
#30
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Plug mono into stereo jack
"Mike Rivers" wrote in message
oups.com... If I was selling 1,000 mixers a month, I'd take the chance and save the couple of cents on the resistor. Seriously, you don't. If you sell 1000 mixers a month, these extra resistors would cost you maybe 10 cents per mixer, so you'd save $100 a month. Two warranty repairs would consume that profit. You can always tell the customer that he shouldn't have done that. That doesn't work. The customer is always right. If a plug fits into a socket, it should not damage his equipment. That's how customers think. And besides, most people don't actually send this stuff back for repair because it's too cheap. Not in my experience. The devices I sell start at $150 and they are sent back when broken. Depends. The older Behringer mixers for example, had a single ended output and a resistor to ground on the ring. But the newer ones (UB series) have true balanced outputs, delivering a voltage on both + and - lines. I checked that. And how did they do that? If they used an inverter to get the - side, that can be shorted out. And even if it doesn't fry, it can cause distortion in the + side. Why? If the inverter is protected with a resistor, it will just drive more current into that resistor. The isolation from an op-amps' output to input is huge. Really? You must know the famous trick of inserting a TRS first click into a mixer insert socket. It works because the tip shorts both hot contacts of the socket. Nope. But first off, I was talking about a headphone jack (by which I meant a jack fed from a headphone outpu, not a generic jack. I can see where a digital designer can make that mistake. When all you have is on and off, you don't need to worry about what's generating the voltage. An insert jack has one output and one input, and normalling contacts that connect the output to the input so the signal will flow through the channel path. When you insert the plug all the way, you break that normal connection. If you don't connect something to the insert input (return) you don't hear whatever went into the channel input. When you put the plug in halfway, it doesn't go in far enough to open the normalling contacts, so, yes, the tip and ring contacts of the jack are indeed "shorted" together, which is their normal state. The tip of the plug actually connects to the ring contact of the jack, but since there's signal on it, you can tap it off. Indeed. I was pretty wrong there.... have to think before typing..... The same happens if you insert a stereo headphone jack into the heaphone output: left and right get shorted together. No damage done. Want to try that one again? If you insert a stereo headphone PLUG into a stereo headphone JACK (output) you'll connect the left headphone to one output and the right hedphone to the other output. No damage done, because that's the way you're supposed to connect it. I always understood that inserting whatever jack into whatever socket (TRS or TS), there's always a moment where contacts get shorted. but I never actually measured that. You don't see to understand that there's a difference between damage to equipment and something not working right. because the user didn't hook it up right. Now, don't tell me that even professionals never hook something up wrong in the heat of the moment and in tons of cables...... Meindert |
#31
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Plug mono into stereo jack
Meindert Sprang wrote:
"WillStG" wrote in message oups.com... And if the gear is no longer covered by warrantee? What then? One should then try that before the warranty expires. And again if it fails Sir, will YOU fix the gear for the man at your own expense because he followed your operating advice? Will you supply a replacement for his gear when it fails during a session with a paying client? There is a much larger world out there where apparently you have had little responsibility for, a world in which "the show must go on..." is more than a slogan. Ok, I do know what the hell I'm talking about, because I design an build electronic equipment. albeit digital equipment, the problem is the same: I have a balanced output which in many cases is shorted to ground because some installer doesn't grasp the difference between balanced and single ended outputs. So I therefore design all balanced outputs to be short-circuit proof. That's why I think I have 'the right' to claim it a design flaw when some equipment cannot stand grouding of one or both balanced output terminals. Your arrogance is self serving. If you give bad advice and gear fails, it just shows your superiority as a designer, huh? But other guys have to deal with the mess that's left behind, and that's the actual audio operators, maintanance and installation engineers. And I know that most modern mixers and other audio equipment is indeed short circuit proof on the line outputs. I can read the schematics..... Meindert www.shipmodul.com www.customware.nl And you have no way of knowing whether the gear the original poster was asking about was "modern", by your standards, or not. He may own a large format late 80's mixing console for example. I know for a fact from personal experience that that if you short stereo phone outputs to ground on many of these, they start to sputter and will fail. He may have been asking about a stereo jack on a studio headphone box, driven by a power amp. You advice could well blow the studio power amps, depending on the amps. This could cause downtime during a tracking session - do YOU want to cover that cost for the studio owner, for following your advice? And you have no way of knowing if the manufacturer of his gear, even if new, would accept responsibility for their gear having a "design flaw" just because *you* said it was so. What you call bad design was once pretty typical. Again, real woprld experience, in the 80's my brother had to continually replace the transistors on the Phase Linear amps that drove our band's monitors, because they got pulled during a tear down while the amps were still hot, or the banana plugs got kicked out during a show, which only shorted the amps to ground for an instant. What is obvious is you have never had to be responsible for other people's property - or if you have, you are not very good at it or are just not a very careful person. As a designer, this is "design flaw" of your very own, to be theoretical and callous about the real world impact this could have on other people. Come down off your Ivory tower Dude. Will Miho NY TV/Audio Post/Music/Live Sound Guy "The large print giveth and the small print taketh away..." Tom Waits |
#32
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Plug mono into stereo jack
WillStG wrote:
in the 80's my brother had to continually replace the transistors on the Phase Linear amps that drove our band's monitors, because they got pulled during a tear down while the amps were still hot, or the banana plugs got kicked out during a show, which only shorted the amps to ground for an instant. I meant 1/4' jacks of course. Bananas are easier to kick, but don't short out when inserted or pulled out like 1/4" jacks do. That's why they make Neutriks... Will |
#33
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Plug mono into stereo jack
On Wed, 29 Nov 2006 09:14:58 +0100, "Meindert Sprang"
wrote: You can always tell the customer that he shouldn't have done that. That doesn't work. The customer is always right. If a plug fits into a socket, it should not damage his equipment. That's how customers think. Indeed. I lent a small PA to a musician friend once. The mic inputs were 1/4" jacks. So were the speaker outputs. (This used to be common practice, oh Best Beloved.) Yes, they tried to pump 100 watts through a SM58. |
#34
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Plug mono into stereo jack
Over 20 years ago, I reviewed a bunch of headphones for Stereophile. Because
headphones were (and still are) commonly used with portable equipment, I auditioned them on a Sony Discman as well. Why? Well, the schematics of a lot of portable electronics of that era showed a resistor -- from 10 to 100 ohms -- at the output of the driver chip. (The resistance would convert variations in headphone impedance into variations in headphone respone.) The designer must have been worried about the output being shorted, either because "too much" current for an extended period, or even a brief short, would damage the chip. I can't think of any other plausible reason. |
#35
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Plug mono into stereo jack
I lent a small PA to a musician friend once. The mic inputs
were 1/4" jacks. So were the speaker outputs. Yes, they tried to pump 100 watts through a SM58. Did he ask you to replace the mic because your amp damaged it? |
#36
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Plug mono into stereo jack
"Laurence Payne" lpayne1NOSPAM@dslDOTpipexDOTcom wrote in message
... On Wed, 29 Nov 2006 09:14:58 +0100, "Meindert Sprang" wrote: You can always tell the customer that he shouldn't have done that. That doesn't work. The customer is always right. If a plug fits into a socket, it should not damage his equipment. That's how customers think. Indeed. I lent a small PA to a musician friend once. The mic inputs were 1/4" jacks. So were the speaker outputs. (This used to be common practice, oh Best Beloved.) Yes, they tried to pump 100 watts through a SM58. "Smoke gets in your eyes...." Meindert |
#37
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Plug mono into stereo jack
"WillStG" wrote in message
oups.com... And again if it fails Sir, will YOU fix the gear for the man at your own expense because he followed your operating advice? Will you supply a replacement for his gear when it fails during a session with a paying client? Yeah yeah, next time your're gonna take me to court because what I said, right? Meindert |
#38
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Plug mono into stereo jack
"William Sommerwerck" wrote in message
. .. Over 20 years ago, I reviewed a bunch of headphones for Stereophile. Because headphones were (and still are) commonly used with portable equipment, I auditioned them on a Sony Discman as well. Why? Well, the schematics of a lot of portable electronics of that era showed a resistor -- from 10 to 100 ohms -- at the output of the driver chip. (The resistance would convert variations in headphone impedance into variations in headphone respone.) The designer must have been worried about the output being shorted, either because "too much" current for an extended period, or even a brief short, would damage the chip. I can't think of any other plausible reason. That's exactly the reason why this resistor is there. Meindert |
#39
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Plug mono into stereo jack
On Wed, 29 Nov 2006 03:11:13 -0800, "William Sommerwerck"
wrote: I lent a small PA to a musician friend once. The mic inputs were 1/4" jacks. So were the speaker outputs. Yes, they tried to pump 100 watts through a SM58. Did he ask you to replace the mic because your amp damaged it? No. But I required HIM to replace the microphone because his stupidity had damaged it. I'd given full instructions. No wriggle-room :-) |
#40
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Plug mono into stereo jack
Meindert Sprang wrote: If you sell 1000 mixers a month, these extra resistors would cost you maybe 10 cents per mixer, so you'd save $100 a month. Two warranty repairs would consume that profit. Unfortunately that's not really the way it works. The mixer isn't a dime more expensive to the customer. And if it's $50 more expensive (perhaps a more realistic figure), in a competitive market, they'll lose a few dozen sales. That costs more than a warranty repair. The devices I sell start at $150 and they are sent back when broken. Perhaps you design them to be repaired. Have you tried repairing a $150 Behringer mixer? And are your $150 devices as complex? Let's compare apples to apples, not an unnamed digital device compared to a cheap mixer. If the inverter is protected with a resistor, it will just drive more current into that resistor. The isolation from an op-amps' output to input is huge. Remember that an op-amp inverter has the output connected to the input, usually through a 50 ohm resistor if they're not too cheap. Since the input of the "low" op amp is tied directly to the input of the "high" op amp, which is fed from something else, the shorted output is putting a 50 ohm load across whatever is feeding the output stage. Again, not likely to go up in flames, but quite likely to reduce the available headroom, which leads to distortion. I always understood that inserting whatever jack into whatever socket (TRS or TS), there's always a moment where contacts get shorted. but I never actually measured that. The tip of the plug can contact the sleeve of the jack (and PLEASE - the jack is the think with the hole in it, the plug is the thing that goes into the hole) on the way in. It can also contact the sleeve. But unless you stop and contemplate what you're doing, this "short" is momentary and rarely does damage. And since you probably aren't going to be listening to the audio during the brief time during which you're inserting the plug, you probably won't notice distortion or a brief mute. One place where there has been trouble is when people use a TRS patchbay for patching microphones, and have phantom power switched on. Shorting out one side of a phantom powered input (like when the tip of the plug momentarily touches the sleeve on the way in to the jack) can put the full 48V on to one side of the mic input. ICs don't like that and there were a few popular mixers that had their front end blown out as a result of "hot plugging" mic inputs. There's a pretty standard circuit that came out of that experience that clamps the inputs with a pair of diodes and just about everyone does that now. It's an example of where it's worth spending an extra dime a channel - not to avoid making warranty repairs, but to improve the reliability of the equipment. But this is a special case where there's a pretty good chance of component damage rather than increased distortion. Now, don't tell me that even professionals never hook something up wrong in the heat of the moment and in tons of cables...... Sure. But they don't buy equipment that breaks when it's hooked up wrong. People hook S/PDIF outputs to phono inputs and blow out their speakers, too. Whose problem is that? |
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