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#1
Posted to rec.audio.high-end
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Fuse Dilemma
Hi all!
I have a concern regarding fuses in my Adcom GSA-560 amp. The orginal fuses blew and I was out of backups. I went to Rat Shack but they did not have any more in that size except for slo-blo. I searched the internet for them and came up empty handed. So, I contacted Adcom, who sent me fuses, but they are slo-blo. Adcom's original manual states not to use slo-blo on this unit. So being cautious, I called Adcom and the person (non-tech) I spoke with assured me the technicians say using slo-blo is fine. I'm still not certain if I should use the new fuses. Any input on this? Am I just being overly cautious? Or should I be wary of slo-blo causing more damage to my unit? Thanks! `Casper |
#2
Posted to rec.audio.high-end
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Fuse Dilemma
On Jul 24, 9:26 pm, Casper wrote:
Hi all! I have a concern regarding fuses in my Adcom GSA-560 amp. The orginal fuses blew and I was out of backups. I went to Rat Shack but they did not have any more in that size except for slo-blo. I searched the internet for them and came up empty handed. So, I contacted Adcom, who sent me fuses, but they are slo-blo. Adcom's original manual states not to use slo-blo on this unit. So being cautious, I called Adcom and the person (non-tech) I spoke with assured me the technicians say using slo-blo is fine. I'm still not certain if I should use the new fuses. Any input on this? Am I just being overly cautious? Or should I be wary of slo-blo causing more damage to my unit? YOu have a couple of issues: let's settle each in turn. First, who do you think is going to give you better advice on the detailed technical workings of your Adcom amplifier: the technical department of Adcom, or members of a general forum on audio? If your answer is members of the forum, how might you deal with answers that contradict one another? If it were my amplifier, I'd be far more inclined to trust the advice of the manufacturer than some otherwise unknown collection of advice from the web, but that's satisfying my criteria. If you want, get a statement in writing from the manufacturer stating their recommendation is to use the slo-blo fuses and, if your amp blows up, you have a legal leg to stand on if it can be shown the amplifier failed as a direct consequence of using the wrong fuse. The second point is putely technical and has a couple of parts to it. Part 2a is to determine exactly why the fuses blew to begin with. A blown fuse is an indication of something gone wrong. Replacing the fuse is akin to ignoring a symptom. Why did the fuses blow? Part 2b is an understanding of the technical properties of fuses. The terms "fast-blow" and "slow-blow" are relative. A slow-blow fuse blows slower than a fast blow, and, guess what, a fast blow fuse blows faster than a slow blow.. You migt be surprised to learn that at twice the rated current, a fast blow fuse will hold for a LONG time, as will a slow-blow fuse. A long time can mean an hour. If you have a fault in your amplifier, the time it takes for even the fastest fuse to blow is FAR longer than it could take to damage a curcuit. With these two broad issues in mind, my course, if it were me, would be to a) find out why the fuses blew to begin with and b) trust the people who designed the amp to begin with to be the best source of technical advice on the amp and its operation. |
#3
Posted to rec.audio.high-end
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Fuse Dilemma
On Jul 25, 5:51*pm, wrote:
If you have a fault in your amplifier, the time it takes for even the fastest fuse to blow is FAR longer than it could take to damage a curcuit. With these two broad issues in mind, my course, if it were me, would be to a) find out why the fuses blew to begin with and b) trust the people who designed the amp to begin with to be the best source of technical advice on the amp and its operation. Mpfffff... good advice as far as it goes, but it does not go nearly far enough. For the sake of this discussion, there are three types of fuses commonly used in audio stuff: a) Standard (fast-blow) fuse: A simple current-limiting device with a very specific failure point and very limited capacity for over-current and a quick failure mode. Typically used for situations where there is no need for surge protection and no expectation for over-current tolerance. Most often used for speaker-fuse applications where a hard upper limit to speaker current is required or desired. Very rarely (but not -never-) used as mains-fuses. Most often seen fusing individual internal elements in audio equipment. b) Slow-Blow fuses: As above, except that the fuse element is heat- sinked such that it can tolerate a variable amount of over-current for a variable period of time - depending on the amount of over-current. Also used for speaker applications where the upper limit is not so hard, but the amount of over-current the speakers can tolerate is a time-over-current calculation. Sometimes seen as mains-fuses in audio equipment, but typically the better the equipment design, the less likely a slow-blow fuse will be used for mains protection. c) Dual-Element fuses: An entirely different beast than either of the above. A D/E fuse will tolerate a very high INITIAL SURGE, but then revert to "fast-blow" behavior after that surge. These fuses are (relatively) expensive and (relatively) hard to find at places like Radio Shack or the equivalents. But they are easy to find at Mouser, Digikey, Newark and the like. And they are much, much cheaper than fried equipment - and have half-a-chance of protecting that equipment where the other fuses will not. Notes: 1. A fast-blow fuse capable of handing turn-on surges for most audio equipment, especially tube equipment, need to be rated somewhere between 2 and 4 X the normal operating current requirements of that equipment. So, a failure within that equipment that is expressed as heat but only draws 20% more than the normal operating current will cook that equipment until something _other_ than the fuse fails. Fast- Blow fuses in this application are to protect the real-estate, not the equipment. 2. Slow-Blow fuses can address some of this. They are designed to fail on a curve where a small over-current will be tolerated for a (sometimes very long) period of time, large over-currents for less time, and dead-shorts not at all. Same issue as above, but there is _at least_ some hope that the fuse will fail before the equipment is thoroughly cooked. 3. Dual-Element fuses are the answer for this. Their rating can be tailored very close to the actual operating current, yet tolerate a 2 to 10 X starting surge. They come in 1/10A through ManyA ratings in tiny increments as little as 0.02A. And, they are $1 fuses vs. $0.15 fuses from legitimate, quality manufacturers in small quantities. They also do not tolerate rapid cycling (so should not be used for speaker applications) - they need to cool down between cycles or they will fail at turn-on, they age over time and will fail due to age - but all that is a function of their design and the fact that they actually do protect *BOTH* the equipment and the real-estate. I use them exclusively for mains-fuses - more on this later. I will bet that ADCOM did not state that Slow-Blow fuses were OK, but more likely stated that you could use them in place of much-higher rated Fast-Blow types. I also expect that they responded to your need to procure them locally vs. purchasing more apt fuses by mail-order. My personal habit with these things is to set up the equipment on a metered variac, determine the maximum current draw under load and install a Dual-Element fuse at/slightly below that rating. Quite often, I have installed D/E fuses at 1/3 to 1/2 the "nameplate" rating with excellent results and no trouble with false-failures. Funny how with the well-designed (and made) stuff, the rating is quite close to the actual - and most came with D/E fuses "from the factory". Enjoy. Peter Wieck Melrose Park, PA |
#4
Posted to rec.audio.high-end
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Fuse Dilemma
YOu have a couple of issues: let's settle each in turn.
First, who do you think is going to give you better advice on the detailed technical workings of your Adcom amplifier: the technical department of Adcom, or members of a general forum on audio? If your answer is members of the forum, how might you deal with answers that contradict one another? If it were my amplifier, I'd be far more inclined to trust the advice of the manufacturer than some otherwise unknown collection of advice from the web, but that's satisfying my criteria. You ever hear the phrase, "get a second opinion"? Your point is a valid, but not complete. As a person who has genuinely experienced severe failures with professional and expert advise (I won't expound on those unless necessary), I can assure you I take everything I hear or read with a large grain of salt. I am not an electrical or electronic engineer. I asked my question to see if anyone else has experienced this problem, either with Adcom or other brands, and hear what were their remedies, if any. There appears to be some fairly knowledgeable people posting in the newsgroup. If you want, get a statement in writing from the manufacturer stating their recommendation is to use the slo-blo fuses and, if your amp blows up, you have a legal leg to stand on if it can be shown the amplifier failed as a direct consequence of using the wrong fuse. Thanks for pointing that out but I can assure you I am already well aware of this process. The second point is putely technical and has a couple of parts to it. Part 2a is to determine exactly why the fuses blew to begin with. A blown fuse is an indication of something gone wrong. Replacing the fuse is akin to ignoring a symptom. Why did the fuses blow? Without trying to sound sarcastic, I imagine a fuse blowing would be an indication of something wrong. I would love to determine that cause. This unit only has two fuses,which blow randomly, meaning there appears to be no consistancy in the timing of their failure. Increasing volume, changing tone or any other alterations to the system cannot 'cause' the fuses to blow. At times they will operate for months without a problem before a sudden failure, while other times a second set might blow almost immediately. I have even noted local brown-outs, spikes and surges which do not coincide with any failures. And yes, I do have this unit on a power protection unit. I have read that some people have experienced fuse failures with the GSP-560 but none of those reviews stated even a potential cause. If you know how I can determine the cause, I am open to suggestions. (Example: http://www.audiokarma.org/forums/arc.../t-160172.html) Part 2b is an understanding of the technical properties of fuses. The terms "fast-blow" and "slow-blow" are relative. A slow-blow fuse blows slower than a fast blow, and, guess what, a fast blow fuse blows faster than a slow blow.. You migt be surprised to learn that at twice the rated current, a fast blow fuse will hold for a LONG time, as will a slow-blow fuse. A long time can mean an hour. If you have a fault in your amplifier, the time it takes for even the fastest fuse to blow is FAR longer than it could take to damage a curcuit. Interesting. As I said, I am not an electrical engineer, but I have been told by several that slo-blo fuses can cause damage to various electronics if not configured to use those types of fuses. With these two broad issues in mind, my course, if it were me, would be to a) find out why the fuses blew to begin with and b) trust the people who designed the amp to begin with to be the best source of technical advice on the amp and its operation. Again, if you have suggestions on how I can isolate the cause, I'm all ears. As to the second, I hold to hearing "second opinions" (third, fourth and so on) per personal experience with deceptive manufacturers. It's part of my criteria before jumping in feet first. I like to make as much of an informed decision as I can where some things are concerned, and costly equipment is one of those areas. `Casper Train your mind to test every thought, ideology, train of reasoning, and claim to truth. |
#5
Posted to rec.audio.high-end
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Fuse Dilemma
"Casper" wrote in message
... Hi all! I have a concern regarding fuses in my Adcom GSA-560 amp. The orginal fuses blew and I was out of backups. I went to Rat Shack but they did not have any more in that size except for slo-blo. I searched the internet for them and came up empty handed. So, I contacted Adcom, who sent me fuses, but they are slo-blo. Adcom's original manual states not to use slo-blo on this unit. So being cautious, I called Adcom and the person (non-tech) I spoke with assured me the technicians say using slo-blo is fine. I'm still not certain if I should use the new fuses. Any input on this? Am I just being overly cautious? Or should I be wary of slo-blo causing more damage to my unit? Thanks! `Casper Question: Why did the original fuses blow? Whenever a fuse blows there has to be a reason and you haven't even mentioned the reason. Are you sure that the conditions that blew the fuse are OK and all you need do is replace a fuse(s)? I'd dig deeper if it were my amp. Why not get the right fuse(s)? If rat shack doesn't have them get them from Mouser, Digikey or other electronic distributor. I personally would never take the word of some bimbo out in the front office unless she got the replacement spelled put in the manual or provided a service bulletin for the change. The way you talk about this, being out of back-up fuses suggests that this amp may blow fuses all of the time? Maybe the originals were under rated and the engineers decided to go to a slow blow to fix a problem with the product. If so, it would be nice to get this in writing as a service bulletin on the amp. If the amps are still in warrantee, don't do anything that might void the warrantee. |
#6
Posted to rec.audio.high-end
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Fuse Dilemma
Question: Why did the original fuses blow? Whenever a fuse blows there has
to be a reason and you haven't even mentioned the reason. Are you sure that the conditions that blew the fuse are OK and all you need do is replace a fuse(s)? *I'd dig deeper if it were my amp. I wish I knew the cause. If I knew the reason I would have stated it. This is the only piece of gear that blow fuses. Adcom offered no answer except to examine the unit. Why not get the right fuse(s)? If rat shack doesn't have them get them from Mouser, Digikey or other electronic distributor. When I searched for this size, I found a distributor but they would only sell in quantity. I don't need hundreds of fuses. I personally would never take the word of some bimbo out in the front office unless she got the replacement spelled put in the manual or provided a service bulletin for the change. The type of fuses required are marked directly on the board in the amp. The replacements were directly from Adcom, per their tech. The way you talk about this, being out of back-up fuses suggests that this amp may blow fuses all of the time? Maybe the originals were under rated and the engineers decided to go to a slow blow to fix a problem with the product. If so, it would be nice to get this in writing as a service bulletin on the amp. The unit did not come with 'back-up' fuses. I don't keep spares around as I've never had a need. I have replaced the fuses a few times, meaning more than a package of three and far less than a case. [3-10 times?] Fuses under-rated? Or Adcom error? I had hoped it was already a bulletin but it appears Adcom has had, or has, no interest in doing so, neither have they, as far as I can find, issued a reason for the failure. If the amps are still in warrantee, don't do anything that might void the warrantee. Long past warranty, which is why I doubt Adcom would issue any further info on problems with the unit. It's called EoF (End of Life). |
#7
Posted to rec.audio.high-end
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Fuse Dilemma
On Jul 28, 7:51*pm, Casper wrote:
You ever hear the phrase, "get a second opinion"? "Get a second opinion" ... from responsible sources. Finish the quote. After visting your doctor, do you get a second opinion from a fortune teller's crystal ball? You have a second opinion. The unit came with the correct fuses. Your second opinion is the tech manual that also says those fuses must be installed. How may hearsay opinions do you also want? Meanwhile, go to someplace that will always have these fuses if available: www.digikey.com www.mouser.com www.alliedelec.com www.newark.com www.jamesco.com No reason to waste times asking sooth sayers in the newgroup what they think. They are not designers who installed the original fuses AND who wrote the tech manual. This is not rocket science. Everyone who disputed the tech manual is also been a source of hearsay. To discover a cure for cancer, go find a priest. He is just as reliable as a doctor specializing in cancer treatments? And finally, was the design found defective. Was the design changed because fast blow fuses tripped too often? A tech support rep who is responsible would say so. But one who is being politically correct might not or could not bother to learn what he was supposed to know. |
#8
Posted to rec.audio.high-end
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Fuse Dilemma
Thank you for the additional information on fuses, it was very
informative. I will bet that ADCOM did not state that Slow-Blow fuses were OK, but more likely stated that you could use them in place of much-higher rated Fast-Blow types. I also expect that they responded to your need to procure them locally vs. purchasing more apt fuses by mail-order. Perhaps I should clarify this better. Adcom supplied me with the fuses. I have both the name of the gentleman I spoke with and a letter from Adcom. The GSP-560 has four fuse sockets, all labeled 4A/250V fast-acting 250v, 5x20mm GMA-Type fuses. The only fuses I was able to obtain, until Adcom's package arrived, were 3A/250v FA (Fast-Acting). The paperwork from Adcom states they sent me 4A AL Mini (2CM) GMA fuses but the actual fuses in the package are 5A/250v slo-blo. I initially thought perhaps Adcom made an error sending me the wrong fuses (wrong pick-bin?), but they said those are the fuses they use and will work fine in the amp. I realize these 5A fuses will take longer to blow than the 4A and am merely concerned that the unit may incur damage in the time it takes these fuses to blow as opposed to the original prescribed ones, expecially as this is an older unit. After reading reports of other GSP-560 owners having the same fuse problem, it begs the question what is the cause, especially since they do not blow frequently. I am personally neither equipped or knowledgeable enough in this area to attempt a technical determination. I had considered sending the amp out but the cost of that, plus any repairs, may be considerably more than the amp is worth. Given newer technology, it may be more practical to completely replace. So I guess perhaps my question should be, " .. is it worth it?" My personal habit with these things is to set up the equipment on a metered variac, determine the maximum current draw under load and install a Dual-Element fuse at/slightly below that rating. Quite often, I have installed D/E fuses at 1/3 to 1/2 the "nameplate" rating with excellent results and no trouble with false-failures. Funny how with the well-designed (and made) stuff, the rating is quite close to the actual - and most came with D/E fuses "from the factory". Unfortunately those tests are beyond my means. The only local repair place who still does in-house repairs advised me they will most likely be unable to define the cause. However with the additional detailed information about fuses, I feel a bit more confident about substitutions. I got some 5A250v FA and am currently using them in two of the slots and they have yet to fail. The other two slots still have the original 4A250v FA and have not yet failed. Enjoy. Peter Wieck Melrose Park, PA Thanks for all the information and advice. I've been quielty reviewing this newsgroup for some time and slowly adding to my knowledge in hi- fi, especially in areas I do not normally tread. With music making it's changes from LP to CD to digital files (mp3, lossless, etc,.), I have started thinking it might be time for me to do the same, ergo my interest in this group and 'news' in this ever progressive arena. While I still haven't completely convinced myself to part from my old audio habits, I am open to change. I started many years ago by passing on my LPs to go to tape and then to CD, which is the current majority of my collection. At this time I have yet to convince myself to give up my CDs, but I have been converting them over to the computer since I spend much of my time there. In pondering my present listening habits, I've been looking at my existing setups and considering making the changes in them to suit my current needs. Thus I have been spending more time with my older equipment in consideration of what I use, what I really don't, what can stand an upgrade, and, if so, to what? I suspect, from what I have been reading here, this is a perpetual question for those of us in love with music .. or audio-nirvana. |
#9
Posted to rec.audio.high-end
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Fuse Dilemma
On Jul 29, 9:41*pm, Casper wrote:
I realize these 5A fuses will take longer to blow than the 4A and am merely concerned that the unit may incur damage in the time it takes these fuses to blow as opposed to the original prescribed ones, expecially as this is an older unit. YIKES!! A 5A slow-blow fuse may _never_ blow as compared to a 4A FA-type - all the while letting the magic smoke out of your amp. I do not get a warm- and-fuzzy feeling about what you have written, what ADCOM has told you or anything else going on around this discussion. Fuses are simple in concept, not-quite-but-very-nearly as simple in application. Get the correct fuses. http://www.mouser.com/Search/Product...n4RteGlA%3d%3d The voltage rating is not relevant if you in the USA and operating at standard wallplate voltage. Much more on fuses he http://www.circuitprotection.ca/fuseology.html There is no need to upgrade vintage equipment if it is otherwise operating properly and you are otherwise happy with it. It, like anything else, does require the correct care-and-feeding however. Just an aside: if the factory-specified fuses keep blowing *AND* this seems to be a problem with the species in general *AND* there are no apparent collateral problems *AND* there has been no degredation in performance *AND* no apparent signs of trouble - smells, heat, buzzes, smoke - it could simply be that the original specified fuse was too light for the circuit in actual practice. And with the general increase in line-voltage in parts of the US over the last 10 years, a marginal design *COULD* cause trouble. *SO* - get the correctly rated fuses - buy a box of them - and at least attempt to protect the equipment rather than just the real-estate. But leaping from a 4A FA to a 5A Slow-Blow - well, you may as well cut a piece of 5mm copper to the correct dimensions and drop that in place as far as the equipment is concerned. Peter Wieck Melrose Park, PA |
#10
Posted to rec.audio.high-end
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Fuse Dilemma
"Casper" wrote in message
... Question: Why did the original fuses blow? Whenever a fuse blows there has to be a reason and you haven't even mentioned the reason. Are you sure that the conditions that blew the fuse are OK and all you need do is replace a fuse(s)? I'd dig deeper if it were my amp. I wish I knew the cause. If I knew the reason I would have stated it. This is the only piece of gear that blow fuses. Adcom offered no answer except to examine the unit. Why not get the right fuse(s)? If rat shack doesn't have them get them from Mouser, Digikey or other electronic distributor. When I searched for this size, I found a distributor but they would only sell in quantity. I don't need hundreds of fuses. I personally would never take the word of some bimbo out in the front office unless she got the replacement spelled put in the manual or provided a service bulletin for the change. The type of fuses required are marked directly on the board in the amp. The replacements were directly from Adcom, per their tech. The way you talk about this, being out of back-up fuses suggests that this amp may blow fuses all of the time? Maybe the originals were under rated and the engineers decided to go to a slow blow to fix a problem with the product. If so, it would be nice to get this in writing as a service bulletin on the amp. The unit did not come with 'back-up' fuses. I don't keep spares around as I've never had a need. I have replaced the fuses a few times, meaning more than a package of three and far less than a case. [3-10 times?] Fuses under-rated? Or Adcom error? I had hoped it was already a bulletin but it appears Adcom has had, or has, no interest in doing so, neither have they, as far as I can find, issued a reason for the failure. If the amps are still in warrantee, don't do anything that might void the warrantee. Long past warranty, which is why I doubt Adcom would issue any further info on problems with the unit. It's called EoF (End of Life). All of that being the case, just stick in the Adcom supplied slo-blo's and keep your fingers crossed. No point in beating a dead horse! |
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