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#1
Posted to rec.audio.high-end
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Subjective Fact or Objective Fantasy?
Our own editor has the last word it seems. In a republish of an article
this week with the title of the subject line he takes another bite at the apple after his recent visit to this news group. Of course things are a bit more controlled one observes as to what responses will appear. http://www.stereophile.com/asweseeit/891awsi/ The subtitle offers a familiar bit: "The proponents of double-blind testing use science as a drunkard uses a lamppost: for support rather than illumination 8.26.08 | John Atkinson" This is an article preceeding the Robert Harley AES presentation which spurred our editor's most recent postings. Here is the nubb of his remarks: "The BBC's Hilary Lawson summed it up in 1985: "Science is there to be used, not to dictate what is true." The basis of scientific method is to look at how things are, then to design experiments to try to find the reasons why they are that way. In audio, many insist that such experiments are only valid when performed double-blind; ie, when neither experimenter nor subject is aware of the component under test. The problems with double-blind listening-test techniques are twofold: First, the subject does not judge the object under test directly--as in wine tasting, or in the testing of drugs--but only indirectly through its effect on an information-bearing, emotionally loaded stimulus--music. Second, the result of any scientific experiment can only be regarded as valid if all potentially misleading variables have been eliminated. This, of course, includes those introduced by the testing technique itself. As Robert Harley convincingly argued in his July 1990 "As We See It," the nature of listening under double-blind conditions is sufficiently different from the natural state of listening to music that results gained under those conditions are at worst meaningless, at best of limited transportability" First an appeal to science is made and then we are told why it does not apply to hifi unless one is sighted during the confirmation phase of the scientific process because music is involved . What possible difference would his first point above make if sighted or blind while listening using that logic? So much for lampposts. Second a recitation of possible confounding testing artifacts does not in drawing our attention to them excuse sighted testing on the same grrounds. In fact it fails to mention that any that might exist blinded are only a small part of the additional factors sighted testing is known to introduce. Those possible blinded can be controlled, those sighted can not. One presumes we are left only to throw up our hands and rely on - I hear it I really really do, don't you believe me? This done all the while with writers whose ears are calibrated and confirmed by blind testing, our editor is quick to assure us in another context. As for the Robert Harley remark, does he suggest that if one merely close one's eyes while listening it is sufficient to distort how one experiences the perception events in the brain? Would closed eyes prevent him from detecting a switch to a different bit of hifi gear which while sighted he would have declared profoundly clear in how it is different? Thus we have the old pulling of science about one's shoulders for legitimacy, declaring science flawed in its ability to answer questions where audio reproduction is concerned, and then declaring that a known confounding factor producing sighted testing method suffices while a blind one does not because it could produce confounding factors. But there is worth one assumes to having the last word in a forum where other voices can be easily controlled and the hard questions ignored with the blue pencil readily to hand. |
#2
Posted to rec.audio.high-end
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Subjective Fact or Objective Fantasy?
wrote in message
om... snip First an appeal to science is made and then we are told why it does not apply to hifi unless one is sighted during the confirmation phase of the scientific process because music is involved . You've lost all credibility here, as John said no such thing in his article. snip Second a recitation of possible confounding testing artifacts does not in drawing our attention to them excuse sighted testing on the same grrounds. In fact it fails to mention that any that might exist blinded are only a small part of the additional factors sighted testing is known to introduce. Those possible blinded can be controlled, those sighted can not. The point John was making there, and has tried t make here, is that setting up a test that is supremely well designed and run to eliminate all confounding variables is extremely hard to do because we need to meaure indirect effect, not direct results. And such design and attention to detail is not evident in the valst majority of tests that claim to debunk audible differences. In fact some of those tests themselves, ABX in particular, are in their very design intervening and confounding variables by changing the end goal of the "listening". And if you don't think that is important, we'll have another thread where I'll bring you up to date on some recent testing done in an allied field. One presumes we are left only to throw up our hands and rely on - I hear it I really really do, don't you believe me? This done all the while with writers whose ears are calibrated and confirmed by blind testing, our editor is quick to assure us in another context. No, we are left to read the reviewers opinions, and then if our interest is aroused, to go listen for ourselves. Why do you find that so threatening? As for the Robert Harley remark, does he suggest that if one merely close one's eyes while listening it is sufficient to distort how one experiences the perception events in the brain? Would closed eyes prevent him from detecting a switch to a different bit of hifi gear which while sighted he would have declared profoundly clear in how it is different? Closed eyes do alter perception....which is why I and a lot of others do this at concerts. And this is supported by scientific study. Thus we have the old pulling of science about one's shoulders for legitimacy, declaring science flawed in its ability to answer questions where audio reproduction is concerned, and then declaring that a known confounding factor producing sighted testing method suffices while a blind one does not because it could produce confounding factors. Again, this is your strawman. You must wake up in cold sweats at night after dreaming that somebody actually listened with their eyes open and preferred one amplifier over another. But there is worth one assumes to having the last word in a forum where other voices can be easily controlled and the hard questions ignored with the blue pencil readily to hand. Gosh, and here I thought I was somebody with at least partial free will. Now to find I've been controlled all along by John Atkinson. I suppose the fact that I grew up in a house with a serious hi-fi system at the birth of the industry in 1948-52, and that I helped "launch" The Abso!ute Sound" (rather than "following" it) might be a flaw in this logic? |
#4
Posted to rec.audio.high-end
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Subjective Fact or Objective Fantasy?
Harry Lavo wrote:
No, we are left to read the reviewers opinions, and then if our interest is aroused, to go listen for ourselves. Why do you find that so threatening? It's not 'threatening', but it is certainly an inadequate way to determining difference, since the 'confounding factors' are very much in evidence. Thus the reviews run a strong possibility of describing *imaginary* effecs. Regardless of your's and Atkinsons red-herring 'concerns' about blind testing, it is an indisputable fact that sighted evaluation of audio -- the standard for audio reviews -- is scientifically bankrupt. As for the Robert Harley remark, does he suggest that if one merely close one's eyes while listening it is sufficient to distort how one experiences the perception events in the brain? Would closed eyes prevent him from detecting a switch to a different bit of hifi gear which while sighted he would have declared profoundly clear in how it is different? Closed eyes do alter perception....which is why I and a lot of others do this at concerts. And this is supported by scientific study. You know what really alters it? Cupping your hands beind your ears. That actually changes the sound reaching your ears. Closing your eyes doesn't. Do you or the high-end care a whit about separating effects that are subjective, from objective changes to the sound waves? -- -S A wise man, therefore, proportions his belief to the evidence. -- David Hume, "On Miracles" (1748) |
#5
Posted to rec.audio.high-end
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Subjective Fact or Objective Fantasy?
"Steven Sullivan" wrote in message
... Harry Lavo wrote: No, we are left to read the reviewers opinions, and then if our interest is aroused, to go listen for ourselves. Why do you find that so threatening? It's not 'threatening', but it is certainly an inadequate way to determining difference, since the 'confounding factors' are very much in evidence. Thus the reviews run a strong possibility of describing *imaginary* effecs. Regardless of your's and Atkinsons red-herring 'concerns' about blind testing, it is an indisputable fact that sighted evaluation of audio -- the standard for audio reviews -- is scientifically bankrupt. Funny then, that so many people have systems they enjoy. All without blind testing. As for the Robert Harley remark, does he suggest that if one merely close one's eyes while listening it is sufficient to distort how one experiences the perception events in the brain? Would closed eyes prevent him from detecting a switch to a different bit of hifi gear which while sighted he would have declared profoundly clear in how it is different? Closed eyes do alter perception....which is why I and a lot of others do this at concerts. And this is supported by scientific study. You know what really alters it? Cupping your hands beind your ears. That actually changes the sound reaching your ears. Closing your eyes doesn't. Strawman alert! Did I say it did? I said it changed "perception". Do you or the high-end care a whit about separating effects that are subjective, from objective changes to the sound waves? What I care about, at least, is how musically satisfying the reproduction is, so that I can suspend disbelief enough to close my eyes and reconstruct the group in front of me. How much of it is objective and how much subjective is only of theoretical importance to me; what IS important is that it exist. |
#6
Posted to rec.audio.high-end
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Subjective Fact or Objective Fantasy?
"Harry Lavo" wrote in message
wrote in message om... snip First an appeal to science is made and then we are told why it does not apply to hifi unless one is sighted during the confirmation phase of the scientific process because music is involved . You've lost all credibility here, as John said no such thing in his article. Actually, its quite clear that he did exactly that. Worship on, dude! ;-) |
#7
Posted to rec.audio.high-end
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Subjective Fact or Objective Fantasy?
First an appeal to science is made and then we are told why it does not
apply to hifi unless one is sighted during the confirmation phase of the scientific process because music is involved . You've lost all credibility here, as John said no such thing in his article. Read again his first of two points, it is clearly there. Second a recitation of possible confounding testing artifacts does not in drawing our attention to them excuse sighted testing on the same grrounds. In fact it fails to mention that any that might exist blinded are only a small part of the additional factors sighted testing is known to introduce. Those possible blinded can be controlled, those sighted can not. The point John was making there, and has tried t make here, is that setting up a test that is supremely well designed and run to eliminate all confounding variables is extremely hard to do because we need to meaure indirect effect, not direct results. And such design and attention to detail is not evident in the valst majority of tests that claim to debunk audible differences. In fact some of those tests themselves, ABX in particular, are in their very design intervening and confounding variables by changing the end goal of the "listening". And if you don't think that is important, we'll have another thread where I'll bring you up to date on some recent testing done in an allied field. I'm weary of this strawman point being thrown up as the first line defense. Show us in specific detail for all previous testing where they fail specifically in those areas you evoke. Account also for the results being similar regardless of method used, including simple cloth over connections. Explain why the only common variable to all is being a blind test. Explain why if numerous confounding variables were at work that results were not random among the various instances. More appeal to speculative could be confounders will not serve. One presumes we are left only to throw up our hands and rely on - I hear it I really really do, don't you believe me? This done all the while with writers whose ears are calibrated and confirmed by blind testing, our editor is quick to assure us in another context. No, we are left to read the reviewers opinions, and then if our interest is aroused, to go listen for ourselves. Why do you find that so threatening? I don't, I find your comment a rhetorical sidestep to the point. He wants us to accept his writers bald face subjective assertions as having some reality about the signal reaching their ears because he does blind testing on them. The irony is too much after his pains to bad mouth blind testing. As for the Robert Harley remark, does he suggest that if one merely close one's eyes while listening it is sufficient to distort how one experiences the perception events in the brain? Would closed eyes prevent him from detecting a switch to a different bit of hifi gear which while sighted he would have declared profoundly clear in how it is different? Closed eyes do alter perception....which is why I and a lot of others do this at concerts. And this is supported by scientific study. Interesting but irrelevant to the point, During the switch as above the closed eyes effect would be common to both and not a varible affecting results. Thus we have the old pulling of science about one's shoulders for legitimacy, declaring science flawed in its ability to answer questions where audio reproduction is concerned, and then declaring that a known confounding factor producing sighted testing method suffices while a blind one does not because it could produce confounding factors. Again, this is your strawman. You must wake up in cold sweats at night after dreaming that somebody actually listened with their eyes open and preferred one amplifier over another. Smile, preferred is not the same as demonstrated difference by listening alone. If the preference is retained during the blind test then we are onto something about audible differences, if not we have but only another now boring demonstration of the brain's ready ability to produce perception artifacts in sighted contexts. Those same artifacts our editor experienced when they appeared as predictable when he placed himself in a subjective context known to readily produce them. But there is worth one assumes to having the last word in a forum where other voices can be easily controlled and the hard questions ignored with the blue pencil readily to hand. Gosh, and here I thought I was somebody with at least partial free will. Now to find I've been controlled all along by John Atkinson. I suppose the fact that I grew up in a house with a serious hi-fi system at the birth of the industry in 1948-52, and that I helped "launch" The Abso!ute Sound" (rather than "following" it) might be a flaw in this logic? Interesting but irrelevant, again. Such a crock of red herrings one would never encounter if indeed "logic" were at hand. On the other hand, with that legacy one might wonder at the personal investment coloring one's judgement and supporting denial in the face of the testing pulling out the rug from under such views since the late '40's. |
#8
Posted to rec.audio.high-end
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Subjective Fact or Objective Fantasy?
On Sep 6, 4:50*am, "Harry Lavo" wrote:
snip Closed eyes do alter perception....which is why I and a lot of others do this at concerts. *And this is supported by scientific study. Could you provide the bibliographic data of such studies, preferably ones where music was used? Klaus |
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