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#1
Posted to rec.audio.pro
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What am I missing?
I know everyone here uses expensive pro monitors and everything, but I
haven't been. I have a ~200 dollar sony stereo receiver and ~300 dollar Onkyo speakers left and right. Anyway I am doing midi-synth stuff, and mixing / overdubbing tracks from an HD-24 from my band's recording space. I should also add that I work (at work) with nice HR-824s and have a lot of experience with those. My point, finally--is that the mixes I do at home with my retrofitted consumer stereo system are awesome. I have gotten to know them and know it will sound good in the car, sound good on other people's stereos, and in general is the final pre-master that I'm totally into and comfortable with. I'm wondering why more people don't do this. the only place these recordings don't sound great is on these nearfield monitors my band-buddy has--M-audio BX8s. There is extra bass response built into the Onkyo speakers, but every decent consumer system also has an extended bass by default too. So I'm not trying to gloat or anything. I want to know what's wrong continuing on the way I am. |
#2
Posted to rec.audio.pro
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What am I missing?
"Blacktick" wrote in message ... I'm wondering why more people don't do this. the only place these recordings don't sound great is on these nearfield monitors my band-buddy has--M-audio BX8s. People DO do this. Usually as a subset of mixing/mastering on higher quality systems. If you know that sort of stereo is what all your valued clients are only ever going to listen on, there is no problem. If not, there may not necessarily be any problem either, if you are lucky. geoff |
#3
Posted to rec.audio.pro
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What am I missing?
You said "do do".
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#4
Posted to rec.audio.pro
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What am I missing?
Jay wrote: You said "do do". But not "doo doo". ;-) Graham |
#5
Posted to rec.audio.pro
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What am I missing?
"Blacktick" wrote in
: So I'm not trying to gloat or anything. I want to know what's wrong continuing on the way I am. As long as you know what to listen for in your speakers to make a mix that translates well, that's all you need. The only time you'll have problems is when the mix has content that your speakers don't reproduce (well). Mixing mostly MIDI and generic rock band instruments, that probably won't happen. |
#6
Posted to rec.audio.pro
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What am I missing?
"Jay" wrote in message oups.com... You said "do do". Risque, eh. geoff |
#7
Posted to rec.audio.pro
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What am I missing?
On Thu, 1 Dec 2005 14:02:56 -0500, "Blacktick"
wrote: So I'm not trying to gloat or anything. I want to know what's wrong continuing on the way I am. What is wrong is that you are being un-patriotic to the point of treason. Our economy depends of folks buying ever increasing amounts of stuff that someone else has convinced them that they need. If we fall into a recession, it is on your head. |
#8
Posted to rec.audio.pro
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What am I missing?
"Willie K. Yee, MD" wrote in message ... On Thu, 1 Dec 2005 14:02:56 -0500, "Blacktick" wrote: So I'm not trying to gloat or anything. I want to know what's wrong continuing on the way I am. What is wrong is that you are being un-patriotic to the point of treason. Our economy depends of folks buying ever increasing amounts of stuff that someone else has convinced them that they need. If we fall into a recession, it is on your head. I'm totally shocked I didn't get a host of reasons that this is stupid. Spending my money on $300 software plugins is the way to go then! |
#9
Posted to rec.audio.pro
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What am I missing?
There are no rules for any of this stuff...
It ain't rocket surgery...(Thanks Fletcher) Steven Sena Dig Recording Portland Oregon "Blacktick" wrote in message ... I know everyone here uses expensive pro monitors and everything, but I haven't been. I have a ~200 dollar sony stereo receiver and ~300 dollar Onkyo speakers left and right. Anyway I am doing midi-synth stuff, and mixing / overdubbing tracks from an HD-24 from my band's recording space. I should also add that I work (at work) with nice HR-824s and have a lot of experience with those. My point, finally--is that the mixes I do at home with my retrofitted consumer stereo system are awesome. I have gotten to know them and know it will sound good in the car, sound good on other people's stereos, and in general is the final pre-master that I'm totally into and comfortable with. I'm wondering why more people don't do this. the only place these recordings don't sound great is on these nearfield monitors my band-buddy has--M-audio BX8s. There is extra bass response built into the Onkyo speakers, but every decent consumer system also has an extended bass by default too. So I'm not trying to gloat or anything. I want to know what's wrong continuing on the way I am. |
#10
Posted to rec.audio.pro
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What am I missing?
"Steven Sena" wrote in
: There are no rules for any of this stuff... Agreed It ain't rocket surgery...(Thanks Fletcher) Ya, Fletcher made that one up rolls eyes What are you, his fart-catcher? |
#11
Posted to rec.audio.pro
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What am I missing?
"Blacktick" wrote in
: "What am I missing?" Everything below 60 Hz. probably....a symphony of midrange wot. |
#12
Posted to rec.audio.pro
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What am I missing?
Joe Blough wrote:
"Steven Sena" wrote: There are no rules for any of this stuff... Agreed It ain't rocket surgery...(Thanks Fletcher) Ya, Fletcher made that one up rolls eyes What are you, his fart-catcher? No, Bloughjob, he's Steven Sena. -- ha |
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