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#1
Posted to rec.audio.tubes
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Measuring Audio sound levels in a constrained space
I have a problem which this group may be able to shed light on.
I'm currently working on the design of a medical product which could best be described as an electronic stethoscope on steroids. One of the problems to solve is how to accurately profile the system response at each point--which includes microphones, low level amplifiers, 13.2mm speakers for reproduction, acoustic tubes, sampling engines, DSP filters, displays, and so on. Profiling the electronic components is simple, but creating corrected driver response for the speaker which puts the test signal into the microphone is the question. I'm using a heart sound simulator from Andries to drive test tones, heart sound files, and sweeps. To calibrate the Andries speaker I used an Exotech 407764 Sound Level Meter data logger in A weighted mode and coupled the input of the meter directly through a sealed stethoscope bell to the speaker. This is how the system is connected in the product, and I duplicated the conditions. To created the proper speaker correction factor, multiple averaged frequency sweeps were done. When I applied the correction factor to the system the results were believable as they duplicated the manufacturers spec sheet for the microphone (Panasonic Electret) response. However, I'm not yet completely convinced it is correct. The manufacturers spec sheet is for the mic measured in an anechoic chamber, and I am sealing it in a bell. Also, the sound meter is being used in a sealed manner as well--and repeated emails to Extech about my manner of using their equipment are ignored. I suspect that the sealed method of measuring is OK since their factory calibration method uses a sealed 94db 1KHz tone generator in A weighted mode. (although at 1KHz A and C weighting are essentially the same.) Almost all sound measurements are done in open air or anechoic chambers--and I am sealing everthing in a tiny volume. Any experience or wisdom from the group would be appreciated. .. |
#2
Posted to rec.audio.tubes
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Measuring Audio sound levels in a constrained space
coffeedj wrote: I have a problem which this group may be able to shed light on. I'm currently working on the design of a medical product which could best be described as an electronic stethoscope on steroids. One of the problems to solve is how to accurately profile the system response at each point--which includes microphones, low level amplifiers, 13.2mm speakers for reproduction, acoustic tubes, sampling engines, DSP filters, displays, and so on. Profiling the electronic components is simple, but creating corrected driver response for the speaker which puts the test signal into the microphone is the question. I'm using a heart sound simulator from Andries to drive test tones, heart sound files, and sweeps. To calibrate the Andries speaker I used an Exotech 407764 Sound Level Meter data logger in A weighted mode and coupled the input of the meter directly through a sealed stethoscope bell to the speaker. This is how the system is connected in the product, and I duplicated the conditions. To created the proper speaker correction factor, multiple averaged frequency sweeps were done. When I applied the correction factor to the system the results were believable as they duplicated the manufacturers spec sheet for the microphone (Panasonic Electret) response. However, I'm not yet completely convinced it is correct. The manufacturers spec sheet is for the mic measured in an anechoic chamber, and I am sealing it in a bell. Also, the sound meter is being used in a sealed manner as well--and repeated emails to Extech about my manner of using their equipment are ignored. I suspect that the sealed method of measuring is OK since their factory calibration method uses a sealed 94db 1KHz tone generator in A weighted mode. (although at 1KHz A and C weighting are essentially the same.) Almost all sound measurements are done in open air or anechoic chambers--and I am sealing everthing in a tiny volume. Any experience or wisdom from the group would be appreciated. I am not sure what the hell you are actually doing because your long explanation doesn't say what you are doing in a nutshell. But I use pink noise in rooms in which sound systems are set up for test. Testing in a shoe box would perhaps restrict the range of frequencies possible, and inside a tennis ball the range would even be less. Using sine waves whose frequency is gradually adjusted gives a totally meaningless indication of the level of audio ebergies liberated into room from a transducer because of reinforcing and nulling resonances, hence the use of pink noise and filtering of bands of frequencies. Patrick Turner. . |
#3
Posted to rec.audio.tubes
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Measuring Audio sound levels in a constrained space
"coffeedj" Almost all sound measurements are done in open air or anechoic chambers--and I am sealing everthing in a tiny volume. ** I got news for you - Mr Caffeine Addict. Microphones do NOT respond to the SPL in a room or an open space !!!! An omni mic ( as used for SPL meters and speaker testing ) responds to the actual SPL impinging on its diaphragm at any instant - the output signal results only from oscillating air pressure in that tiny region of space adjacent to the diaphragm. Maybe that answers your ambiguous Q and maybe not. It's your problem to get your head around the physics. ........ Phil |
#4
Posted to rec.audio.tubes
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Measuring Audio sound levels in a constrained space
On Fri, 27 Apr 2007 15:26:37 -0700, "coffeedj"
wrote: Profiling the electronic components is simple, but creating corrected driver response for the speaker which puts the test signal into the microphone is the question. I'm using a heart sound simulator from Andries to drive test tones, heart sound files, and sweeps. To calibrate the Andries speaker I used an Exotech 407764 Sound Level Meter data logger in A weighted mode and coupled the input of the meter directly through a sealed stethoscope bell to the speaker. This is how the system is connected in the product, and I duplicated the conditions. A question arises: Are the results intended to be slavishly fidelic or to be medically useful? In neither case does anyone here have *any* competence. Ignore anything you read here. ("Including this." - Mark Twain) Seriously, you need better council. This group is, within a medical context) for bull****. Not for medical instruments. All good fortune, Chris Hornbeck "But of course, when you need it, it ain't headroom any more." - Don Pearce |
#5
Posted to rec.audio.tubes
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Measuring Audio sound levels in a constrained space
Well, from the comments recieved it looks like I'm on my own. Tried to keep
it short enough to be readable, but evidently more information would have helped some. The size constraints convert this to a system that measures pressure, not sound per se. That is how standard stethoscopes work. A doctor listening for an S3 gallop (very bad news indeed) at 30Hz can't hear the sound--he must feel the puff of air in his ear canal. None of the standard pink noise/white noise tests are useful. Unlike music--stethoscopes are really listening for only a few very narrow bands of frequencies. Fidelity is never the concern for medical products--only diagnostic yield matters. And that has to be proven in clinical trials. Thanks anyway. "coffeedj" wrote in message . .. I have a problem which this group may be able to shed light on. I'm currently working on the design of a medical product which could best be described as an electronic stethoscope on steroids. One of the problems to solve is how to accurately profile the system response at each point--which includes microphones, low level amplifiers, 13.2mm speakers for reproduction, acoustic tubes, sampling engines, DSP filters, displays, and so on. Profiling the electronic components is simple, but creating corrected driver response for the speaker which puts the test signal into the microphone is the question. I'm using a heart sound simulator from Andries to drive test tones, heart sound files, and sweeps. To calibrate the Andries speaker I used an Exotech 407764 Sound Level Meter data logger in A weighted mode and coupled the input of the meter directly through a sealed stethoscope bell to the speaker. This is how the system is connected in the product, and I duplicated the conditions. To created the proper speaker correction factor, multiple averaged frequency sweeps were done. When I applied the correction factor to the system the results were believable as they duplicated the manufacturers spec sheet for the microphone (Panasonic Electret) response. However, I'm not yet completely convinced it is correct. The manufacturers spec sheet is for the mic measured in an anechoic chamber, and I am sealing it in a bell. Also, the sound meter is being used in a sealed manner as well--and repeated emails to Extech about my manner of using their equipment are ignored. I suspect that the sealed method of measuring is OK since their factory calibration method uses a sealed 94db 1KHz tone generator in A weighted mode. (although at 1KHz A and C weighting are essentially the same.) Almost all sound measurements are done in open air or anechoic chambers--and I am sealing everthing in a tiny volume. Any experience or wisdom from the group would be appreciated. . |
#6
Posted to rec.audio.tubes
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Measuring Audio sound levels in a constrained space
An omni mic ( as used for SPL meters and speaker testing ) responds to the actual SPL impinging on its diaphragm at any instant - the output signal results only from oscillating air pressure in that tiny region of space adjacent to the diaphragm. That is correct. Turns out the biggest physics problem to solve is the relationshipof the mass of vibrating air with respect to the diaphragm (weight and material) used. Littman used this concept to create a "tunable" stethoscope back in the '40s. |
#7
Posted to rec.audio.tubes
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Measuring Audio sound levels in a constrained space
"coffeedj" An omni mic ( as used for SPL meters and speaker testing ) responds to the actual SPL impinging on its diaphragm at any instant - the output signal results only from oscillating air pressure in that tiny region of space adjacent to the diaphragm. That is correct. Turns out the biggest physics problem to solve is the relationshipof the mass of vibrating air with respect to the diaphragm (weight and material) used. ** The diaphragms of condenser / electret mics is so thin it weighs less than a mm or two of air each side. Total non issue and irrelevant to my post. ........ Phil |
#8
Posted to rec.audio.tubes
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Measuring Audio sound levels in a constrained space
coffeedj wrote: Well, from the comments recieved it looks like I'm on my own. Tried to keep it short enough to be readable, but evidently more information would have helped some. The size constraints convert this to a system that measures pressure, not sound per se. That is how standard stethoscopes work. A doctor listening for an S3 gallop (very bad news indeed) at 30Hz can't hear the sound--he must feel the puff of air in his ear canal. None of the standard pink noise/white noise tests are useful. Unlike music--stethoscopes are really listening for only a few very narrow bands of frequencies. Well OK, the doc listens and feels to understand. The best docs hear and feel more than the worst, and kill less patients. But say you know the bandwidth you need to know about, then why not have a spectrum analyser which gives a bar graph display of all F present, and then all docs don't need to be so great, and can see the display beside a bed without using a stethoscope because there is a mic on the patient's chest. BTW, sure, there is a lotta BS on any news group, with a large amount of immaturity displayed by men who should know better. But all gatherings of men display this aspect of human behaviour from Parliament to medical conferences to employer groups or trade union meetings. So when at first its seems we are of no help, try again, expect the noise, but ignore it, OK, and persuade ppl to see your problem. Perhaps someone with a small amount of intelligence will say something useful. This group is supposed to be about tube craft, and once tubes were the basis of electronics in medical diagnostic work, but not any more, and solid state and computer gear dominates the entire medical gear scene, and nobody here has any experience with its special design requirements. Acoustic phenomena is little known amoung us. Most ppl here stay to learn to build a power amp at age 50, then leave, never to be seen or heard of again; they don't have a deep interest in electronics and the related fields, such as speaker design and acoustic, or microphone use. Some universities have private discussion groups operate away from the inane behaviours of unqualified BS artists, and crazy/difficult ppl who abound in public access unmoderated Usernet groups. If you want answers, look further afield. Grandpa told me, "If yer don't look, yer won't know!" Patrick Turner. Fidelity is never the concern for medical products--only diagnostic yield matters. And that has to be proven in clinical trials. Thanks anyway. "coffeedj" wrote in message . .. I have a problem which this group may be able to shed light on. I'm currently working on the design of a medical product which could best be described as an electronic stethoscope on steroids. One of the problems to solve is how to accurately profile the system response at each point--which includes microphones, low level amplifiers, 13.2mm speakers for reproduction, acoustic tubes, sampling engines, DSP filters, displays, and so on. Profiling the electronic components is simple, but creating corrected driver response for the speaker which puts the test signal into the microphone is the question. I'm using a heart sound simulator from Andries to drive test tones, heart sound files, and sweeps. To calibrate the Andries speaker I used an Exotech 407764 Sound Level Meter data logger in A weighted mode and coupled the input of the meter directly through a sealed stethoscope bell to the speaker. This is how the system is connected in the product, and I duplicated the conditions. To created the proper speaker correction factor, multiple averaged frequency sweeps were done. When I applied the correction factor to the system the results were believable as they duplicated the manufacturers spec sheet for the microphone (Panasonic Electret) response. However, I'm not yet completely convinced it is correct. The manufacturers spec sheet is for the mic measured in an anechoic chamber, and I am sealing it in a bell. Also, the sound meter is being used in a sealed manner as well--and repeated emails to Extech about my manner of using their equipment are ignored. I suspect that the sealed method of measuring is OK since their factory calibration method uses a sealed 94db 1KHz tone generator in A weighted mode. (although at 1KHz A and C weighting are essentially the same.) Almost all sound measurements are done in open air or anechoic chambers--and I am sealing everthing in a tiny volume. Any experience or wisdom from the group would be appreciated. . |
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