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#1
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A Comparison
Krell 350 Watt monoblocks @ $17,500.00 per pair
350 watts wpc @ 8 Ohms 700 wpc @4 Ohms 1400 wpc @ 2 Ohms Signal to noise = 118db 95 db @ 2.83 V THD = .05% 20 Hz - 20 kHz Input Impedance = 100 K Ohms Input Sensitivity = 2.6v RMS for max power Voltage gain = 26.4 db --------------------------------------------------------------------------------- QSC PLX 3402 Stereo amp $1200.00 700 wpc @ 8 Ohms 1100 wpc @ 4 ohms 1700 wpc @ 2 ohms Signal to noise 107 db THD = .03% 20 Hz - 20 kHz Input Impedance = 6 K ohms Input sensitivity = 1.9 Volts @ 8 ohms Voltage gain = 32 db I figure you get the QSC and either modify it by adding heat sinks or replacing the fans with very quiet ones, and still have saved around $15,000.00 and not be able to hear any difference. If you have a difference of opinion, please provide the technical reason why you disagree that would account for any differences in sound quality. Go ahead Robert, get technical, I'm sure I can find someone to translate if it gets to technical for what you think is my lack of brainpower. |
#2
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A Comparison
On Thu, 20 Oct 2005 07:39:07 GMT, "
wrote: Krell 350 Watt monoblocks @ $17,500.00 per pair 350 watts wpc @ 8 Ohms 700 wpc @4 Ohms 1400 wpc @ 2 Ohms Signal to noise = 118db 95 db @ 2.83 V THD = .05% 20 Hz - 20 kHz Input Impedance = 100 K Ohms Input Sensitivity = 2.6v RMS for max power Voltage gain = 26.4 db --------------------------------------------------------------------------------- QSC PLX 3402 Stereo amp $1200.00 700 wpc @ 8 Ohms 1100 wpc @ 4 ohms 1700 wpc @ 2 ohms Signal to noise 107 db THD = .03% 20 Hz - 20 kHz Input Impedance = 6 K ohms Input sensitivity = 1.9 Volts @ 8 ohms Voltage gain = 32 db I figure you get the QSC and either modify it by adding heat sinks or replacing the fans with very quiet ones, and still have saved around $15,000.00 and not be able to hear any difference. If you have a difference of opinion, please provide the technical reason why you disagree that would account for any differences in sound quality. Go ahead Robert, get technical, I'm sure I can find someone to translate if it gets to technical for what you think is my lack of brainpower. As a staunch objectivist, don't you consider your own statement pretty absurd? Please tell us how you can make a statement about difference between these two components without a dbt? |
#3
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A Comparison
"dave weil" wrote in message news On Thu, 20 Oct 2005 07:39:07 GMT, " wrote: Krell 350 Watt monoblocks @ $17,500.00 per pair 350 watts wpc @ 8 Ohms 700 wpc @4 Ohms 1400 wpc @ 2 Ohms Signal to noise = 118db 95 db @ 2.83 V THD = .05% 20 Hz - 20 kHz Input Impedance = 100 K Ohms Input Sensitivity = 2.6v RMS for max power Voltage gain = 26.4 db --------------------------------------------------------------------------------- QSC PLX 3402 Stereo amp $1200.00 700 wpc @ 8 Ohms 1100 wpc @ 4 ohms 1700 wpc @ 2 ohms Signal to noise 107 db THD = .03% 20 Hz - 20 kHz Input Impedance = 6 K ohms Input sensitivity = 1.9 Volts @ 8 ohms Voltage gain = 32 db I figure you get the QSC and either modify it by adding heat sinks or replacing the fans with very quiet ones, and still have saved around $15,000.00 and not be able to hear any difference. If you have a difference of opinion, please provide the technical reason why you disagree that would account for any differences in sound quality. Go ahead Robert, get technical, I'm sure I can find someone to translate if it gets to technical for what you think is my lack of brainpower. As a staunch objectivist, don't you consider your own statement pretty absurd? What's absurd is bad mouthing a brand of amps without any kind of comparison. Please tell us how you can make a statement about difference between these two components without a dbt? I don't think you honestly do that for any amp, yet people do it here all the time. I do think it would be a great test to do, since the cost of the QSC is not out of reach for someone with a bit of discipline, the way a Krell is, and you don't have to hire a forklift to move the QSC which is made for touring and therefore ruggedly built and has twice the power, there's no reason at all to assume it wouldn't be as transparent as the Krell. |
#4
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A Comparison
On Thu, 20 Oct 2005 16:26:57 GMT, "
wrote: "dave weil" wrote in message news On Thu, 20 Oct 2005 07:39:07 GMT, " wrote: Krell 350 Watt monoblocks @ $17,500.00 per pair 350 watts wpc @ 8 Ohms 700 wpc @4 Ohms 1400 wpc @ 2 Ohms Signal to noise = 118db 95 db @ 2.83 V THD = .05% 20 Hz - 20 kHz Input Impedance = 100 K Ohms Input Sensitivity = 2.6v RMS for max power Voltage gain = 26.4 db --------------------------------------------------------------------------------- QSC PLX 3402 Stereo amp $1200.00 700 wpc @ 8 Ohms 1100 wpc @ 4 ohms 1700 wpc @ 2 ohms Signal to noise 107 db THD = .03% 20 Hz - 20 kHz Input Impedance = 6 K ohms Input sensitivity = 1.9 Volts @ 8 ohms Voltage gain = 32 db I figure you get the QSC and either modify it by adding heat sinks or replacing the fans with very quiet ones, and still have saved around $15,000.00 and not be able to hear any difference. If you have a difference of opinion, please provide the technical reason why you disagree that would account for any differences in sound quality. Go ahead Robert, get technical, I'm sure I can find someone to translate if it gets to technical for what you think is my lack of brainpower. As a staunch objectivist, don't you consider your own statement pretty absurd? What's absurd is bad mouthing a brand of amps without any kind of comparison. So, you think that his statement means that the world is free to make comments on sound quality without even listening to the products in question? Making value judgments on sound based solely on a short spec sheet? Does his statement give you a free pass to make the same sort of error? Please tell us how you can make a statement about difference between these two components without a dbt? I don't think you honestly do that for any amp, yet people do it here all the time. So, as my mom would have said, "If your friend jumps off the top of a building, you're going to do the same"? I do think it would be a great test to do, since the cost of the QSC is not out of reach for someone with a bit of discipline, the way a Krell is, and you don't have to hire a forklift to move the QSC which is made for touring and therefore ruggedly built and has twice the power, there's no reason at all to assume it wouldn't be as transparent as the Krell. Maybe you should talk to Stewart, who claims to have done such testing with his Krell and other amps. Still, you have fallen into the same trap that you accuse OTHERS of making. But because you think you're on the "right side of the angels", it's OK for you to do so. Bad form. |
#5
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A Comparison
"dave weil" wrote in message ... On Thu, 20 Oct 2005 16:26:57 GMT, " wrote: "dave weil" wrote in message news On Thu, 20 Oct 2005 07:39:07 GMT, " wrote: Krell 350 Watt monoblocks @ $17,500.00 per pair 350 watts wpc @ 8 Ohms 700 wpc @4 Ohms 1400 wpc @ 2 Ohms Signal to noise = 118db 95 db @ 2.83 V THD = .05% 20 Hz - 20 kHz Input Impedance = 100 K Ohms Input Sensitivity = 2.6v RMS for max power Voltage gain = 26.4 db --------------------------------------------------------------------------------- QSC PLX 3402 Stereo amp $1200.00 700 wpc @ 8 Ohms 1100 wpc @ 4 ohms 1700 wpc @ 2 ohms Signal to noise 107 db THD = .03% 20 Hz - 20 kHz Input Impedance = 6 K ohms Input sensitivity = 1.9 Volts @ 8 ohms Voltage gain = 32 db I figure you get the QSC and either modify it by adding heat sinks or replacing the fans with very quiet ones, and still have saved around $15,000.00 and not be able to hear any difference. If you have a difference of opinion, please provide the technical reason why you disagree that would account for any differences in sound quality. Go ahead Robert, get technical, I'm sure I can find someone to translate if it gets to technical for what you think is my lack of brainpower. As a staunch objectivist, don't you consider your own statement pretty absurd? What's absurd is bad mouthing a brand of amps without any kind of comparison. So, you think that his statement means that the world is free to make comments on sound quality without even listening to the products in question? Making value judgments on sound based solely on a short spec sheet? Does his statement give you a free pass to make the same sort of error? Please tell us how you can make a statement about difference between these two components without a dbt? I don't think you honestly do that for any amp, yet people do it here all the time. So, as my mom would have said, "If your friend jumps off the top of a building, you're going to do the same"? I think sometimes it good to illustrate absurdity by being a bit absurd. I do think it would be a great test to do, since the cost of the QSC is not out of reach for someone with a bit of discipline, the way a Krell is, and you don't have to hire a forklift to move the QSC which is made for touring and therefore ruggedly built and has twice the power, there's no reason at all to assume it wouldn't be as transparent as the Krell. Maybe you should talk to Stewart, who claims to have done such testing with his Krell and other amps. I have seen his posts about comaparing other amps to his own Krell. Still, you have fallen into the same trap that you accuse OTHERS of making. But because you think you're on the "right side of the angels", it's OK for you to do so. Bad form. I think I'm on the side that has the best most reliable evidence and that does not as a habit make personal attacks on those who disagree with alternate viewpoints. The bad form is from those who make such posts personal, and who while knowing that a certain test protocol is widely accepted by those doing genuine scientific research into audio differences, still claim it is an unproven protocol. Then there are those who trash a peice of gear without any sort of bias controlled listening comparisons, and those who claim to defend preference trashing one they don't agree with. I simply posted some figures to see if anyone could give a hint of why they might not think it could compete with a well known and well respected piece of equipment from an audiophile approved manufacturer. So far no one has given any intelligent reason why this QSC amp couldn't go head to head with any audiophile amp ever made. It is a very high power amp with low noise and low distortion that used in a normal listening environment should be as good or better than any other SS amp. As I said, it would be very interesting to do a blind comparison of the QSC amp against a Krell or any other amp approved for home listening. I doubt that there will be any way someone will be offering up a Krell or something in that price range for comparison, but there are other amps that are reputed to sound great which don't cost Krell kind of money that might be used for such a comparison. I just like the idea of being able to get the most bang for one's buck, and using a pro amp that has a very low price and very high power compared to any similar powered audiophile amp would be one way to enlighten consumers as to how they can do that. |
#6
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A Comparison
" said:
As I said, it would be very interesting to do a blind comparison of the QSC amp against a Krell or any other amp approved for home listening. I doubt that there will be any way someone will be offering up a Krell or something in that price range for comparison, but there are other amps that are reputed to sound great which don't cost Krell kind of money that might be used for such a comparison. I just like the idea of being able to get the most bang for one's buck, and using a pro amp that has a very low price and very high power compared to any similar powered audiophile amp would be one way to enlighten consumers as to how they can do that. If you can agree to split the shipping costs, I can send you one of mine to try. The component cost is about ‚¬800, when everything is bought new - (assuming one *can* buy the 2SK135/2SJ50 anywhere today. I have a stash of them reserved for future projects, hah!). It is not a Krell, but it has some current reserve (which, if I'm informed correctly, should be of no consequence for the comparison to, say, a Pioneer receiver or even a QSC ampplifier). It would probably be a nice idea to compare it to your Acoustat, since that amp most likely uses the same output devices, but in a different configuration. -- "Audio as a serious hobby is going down the tubes." - Howard Ferstler, 25/4/2005 |
#7
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A Comparison
" wrote in message link.net... Snip... So far no one has given any intelligent reason why this QSC amp couldn't go head to head with any audiophile amp ever made. It is a very high power amp with low noise and low distortion that used in a normal listening environment should be as good or better than any other SS amp. How about the noise from the fan? I sold a Hafler 500 years ago because I found the noise from the fan to be bothersome in my quiet listening room. As I said, it would be very interesting to do a blind comparison of the QSC amp against a Krell or any other amp approved for home listening. I doubt that there will be any way someone will be offering up a Krell or something in that price range for comparison, but there are other amps that are reputed to sound great which don't cost Krell kind of money that might be used for such a comparison. I just like the idea of being able to get the most bang for one's buck, Whatever floats your boat. and using a pro amp that has a very low price and very high power compared to any similar powered audiophile amp would be one way to enlighten consumers as to how they can do that. Just curious, do you own the QSC amp or have you even listened to one in a home environment? If not, you are recommending an amp based strictly on specs which I don't think "enlightens" anyone. John |
#8
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A Comparison
On Sat, 22 Oct 2005 20:00:40 GMT, "
wrote: I don't think you honestly do that for any amp, yet people do it here all the time. So, as my mom would have said, "If your friend jumps off the top of a building, you're going to do the same"? I think sometimes it good to illustrate absurdity by being a bit absurd. So, we shouldn't take your comments that started this whole thread seriously at all then. You were just wasting everyone's time... |
#9
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A Comparison
" wrote in message ink.net... Krell 350 Watt monoblocks @ $17,500.00 per pair QSC PLX 3402 Stereo amp $1200.00 I figure you get the QSC and either modify it by adding heat sinks or replacing the fans with very quiet ones, and still have saved around $15,000.00 Ever heard of opportunity cost? It is obvious that you have none but there are folks who will make more than $15K in the time it takes to fiddle with their amp. Even worse they'll be left with no warranty and if the amp ever, for any reason, starts a fire and burns down the building, chances are that insurance won't cover it. These are real choices for some people, just not for you. |
#10
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A Comparison
"Margaret von B."
wrote in message " wrote in message ink.net... Krell 350 Watt monoblocks @ $17,500.00 per pair QSC PLX 3402 Stereo amp $1200.00 I figure you get the QSC and either modify it by adding heat sinks or replacing the fans with very quiet ones, and still have saved around $15,000.00 Neither are required. QSC amp fans aren't *that* noisy, and if they are a problem its easier just to put them out of ear shot. Since they aren't $15k amps, the *need* to put them on display is vastly reduced. Of course this shoots the $#@!! out of what $15k amps are *really* about, and that's bragging rights. Ever heard of opportunity cost? It is obvious that you have none but there are folks who will make more than $15K in the time it takes to fiddle with their amp. Good thing that there's no need to fiddle with QSC amps. |
#11
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A Comparison
Arny Krueger wrote: snip (spray monitor with FDS before continuing) Ever heard of opportunity cost? It is obvious that you have none but there are folks who will make more than $15K in the time it takes to fiddle with their amp. Good thing that there's no need to fiddle with QSC amps. Better we should ask, Why does QSC not simply make a variant of their existing amp in a more cosmetically attractive case with bigger, much bigger, heatsink, and sell it under a badge engineered name to the high end market? Probably they thought about it and realized no one will buy it. The QSC amp is economically and reliably designed to give good service at high sustained power levels. Any home installation that uses sustained power levels in these regions means either you have a very big house, very inefficient speakers, or are or will shortly be turning hearing-impaired. |
#12
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A Comparison
"Bret Ludwig" wrote in message oups.com... Arny Krueger wrote: snip (spray monitor with FDS before continuing) Ever heard of opportunity cost? It is obvious that you have none but there are folks who will make more than $15K in the time it takes to fiddle with their amp. Good thing that there's no need to fiddle with QSC amps. Better we should ask, Why does QSC not simply make a variant of their existing amp in a more cosmetically attractive case with bigger, much bigger, heatsink, and sell it under a badge engineered name to the high end market? You'd have to ask them. They used to make the USA line that had no fan and were perfectly fine for home use also. Maybe they just don't want to have to deal with the whacko contingent. Probably they thought about it and realized no one will buy it. Probalbly they have thought about and with a business that is sound and thriving after 30 years, they don't need to. I've seen tehir facility in Orange County and it's huge. By comnparison, Sumo when it was in business, occupied just a small area in an industrial strip, as does Hsu subvwoofers the last time I saw their faciltiy. The QSC amp is economically and reliably designed to give good service at high sustained power levels. Any home installation that uses sustained power levels in these regions means either you have a very big house, very inefficient speakers, or are or will shortly be turning hearing-impaired. Or just want to have an econmical amp that can drive any speaker you might ever wish to own and still have tons of reserve power, to help insure you never clip. Some tranisents when listening at live levels can require enourmous amounts of reserve power. Something like the PLX I mentioned has that in abundance. I also have seen IB subwoofers that use such amps to drive 3,4,5,as many as 24 drivers to get real bass down to 8 HZ. Real audiohiles know how to get bass and what sort of power that requires. |
#13
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A Comparison
"Bret Ludwig" wrote in message
oups.com Arny Krueger wrote: snip (spray monitor with FDS before continuing) Ever heard of opportunity cost? It is obvious that you have none but there are folks who will make more than $15K in the time it takes to fiddle with their amp. Good thing that there's no need to fiddle with QSC amps. Better we should ask, Why does QSC not simply make a variant of their existing amp in a more cosmetically attractive case with bigger, much bigger, heatsink, and sell it under a badge engineered name to the high end market? Good question. BTW their competitor Behringer already does: http://www.behringer.com/A500/index.cfm?lang=ENG Probably they thought about it and realized no one will buy it. I get this feeling that Behringer's product will sell briskly. The QSC amp is economically and reliably designed to give good service at high sustained power levels. Any home installation that uses sustained power levels in these regions means either you have a very big house, very inefficient speakers, or are or will shortly be turning hearing-impaired. QSC makes smaller amps, you know. |
#14
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A Comparison
On Sun, 23 Oct 2005 07:05:21 -0400, "Arny Krueger"
wrote: Better we should ask, Why does QSC not simply make a variant of their existing amp in a more cosmetically attractive case with bigger, much bigger, heatsink, and sell it under a badge engineered name to the high end market? Good question. BTW their competitor Behringer already does: http://www.behringer.com/A500/index.cfm?lang=ENG Probably they thought about it and realized no one will buy it. I get this feeling that Behringer's product will sell briskly. Well, at $229 ex shipping and customs, it probably should. Odd that you think it's being marketed to the high end market. |
#15
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A Comparison
"Arny Krueger" wrote in message ... "Bret Ludwig" wrote in message oups.com Arny Krueger wrote: snip (spray monitor with FDS before continuing) Ever heard of opportunity cost? It is obvious that you have none but there are folks who will make more than $15K in the time it takes to fiddle with their amp. Good thing that there's no need to fiddle with QSC amps. Better we should ask, Why does QSC not simply make a variant of their existing amp in a more cosmetically attractive case with bigger, much bigger, heatsink, and sell it under a badge engineered name to the high end market? Good question. BTW their competitor Behringer already does: http://www.behringer.com/A500/index.cfm?lang=ENG Probably they thought about it and realized no one will buy it. I get this feeling that Behringer's product will sell briskly. I'm tremendously impressed. Behringer has made an excellent amplifier at an extremely low price. 50 cents/watt for a fully packaged design is dirt cheap. I'm ready to buy! Norm Strong |
#16
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A Comparison
"Margaret von B." wrote in message ... " wrote in message ink.net... Krell 350 Watt monoblocks @ $17,500.00 per pair QSC PLX 3402 Stereo amp $1200.00 I figure you get the QSC and either modify it by adding heat sinks or replacing the fans with very quiet ones, and still have saved around $15,000.00 Ever heard of opportunity cost? I must admit I've not heard that phrase. Explain please. It is obvious that you have none but there are folks who will make more than $15K in the time it takes to fiddle with their amp. How smart do you need to be to connect an amp to a preamp? Even worse they'll be left with no warranty and if the amp ever, for any reason, starts a fire and burns down the building, chances are that insurance won't cover it. These are real choices for some people, just not for you. The QSC has a 6 year warranty, their products have been favored by pros for 30 years, so I doubt that a fire is a very real consideration. What kind of cheap ass insurance company would not cover such an event? |
#17
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A Comparison
Mikey wrote:
Maggie wrote: Ever heard of opportunity cost? I must admit I've not heard that phrase. Explain please. Yes, Mags, do explain the concept of "opportunity cost" and after that, please expound on "utility theory" and then wrap things up with "Schumpeterian profits." For an encore, dazzle us with an analogousness of "Gresham's Law" as applicable to rao. Cheers, GeoSynch |
#18
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A Comparison
I wrote:
Mikey wrote: Maggie wrote: Ever heard of opportunity cost? I must admit I've not heard that phrase. Explain please. Yes, Mags, do explain the concept of "opportunity cost" and after that, please expound on "utility theory" and then wrap things up with "Schumpeterian profits." For an encore, dazzle us with an analogousness of "Gresham's Law" as applicable to rao. Lack of response indicative Mag's economic capabilities are as substantive as cotton candy. GeoSynch |
#19
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A Comparison
" wrote in message nk.net... "Margaret von B." wrote in message ... " wrote in message ink.net... Krell 350 Watt monoblocks @ $17,500.00 per pair QSC PLX 3402 Stereo amp $1200.00 I figure you get the QSC and either modify it by adding heat sinks or replacing the fans with very quiet ones, and still have saved around $15,000.00 Ever heard of opportunity cost? I must admit I've not heard that phrase. Explain please. Mine was a rhetorical question and I actually cannot believe you'd be *that* ignorant. The only parallel I can think of would be Geoeunuch in a whorehouse. LOL! It is obvious that you have none but there are folks who will make more than $15K in the time it takes to fiddle with their amp. How smart do you need to be to connect an amp to a preamp? Instant memory loss? Go up 10 lines, read your own drivel, and try again. Even worse they'll be left with no warranty and if the amp ever, for any reason, starts a fire and burns down the building, chances are that insurance won't cover it. These are real choices for some people, just not for you. The QSC has a 6 year warranty, their products have been favored by pros for 30 years, so I doubt that a fire is a very real consideration. What kind of cheap ass insurance company would not cover such an event? Major companies won't cover damages caused by hacked equipment. Call your rep if you got one. Cheers, Margaret |
#20
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A Comparison
Maggie the Fleahole vamped:
Mine was a rhetorical question and I actually cannot believe you'd be *that* ignorant. The only parallel I can think of would be Geoeunuch in a whorehouse. LOL! If you were the only whore in the house, old girl, the eunuchs would breathe a sigh of relief. GeoSynch |
#21
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A Comparison
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#22
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A Comparison
"ScottW" wrote in message
ups.com Origional document reference: http://www.qscaudio.com/products/amps/plx/plx.htm 6K ohm input impedance isn't ideal and may cause problems with many a source. Other than older vacuum tubed preamps, its hard to think of any. Most modern (less than 20 year old) vacuum tube and SS preamps will handle 2 volts into a 6 K ohm just fine. Most will put out upwards of 10 volts into a 10K load, for example. But most disconcerting is the very strange input sensitivity spec. 1.9V @ 8 ohms? Are they implying that input sensitivity varies with output load impedance? That will cause FR variance with any speaker having a non-flat impedance curve (virtually all but active speakers). What they are saying that this is the input sensivitity for rated output with a 4 ohm load. The rated output power varies with load impedance, and the rest follows. So that begs the question already raised... why isn't FR specified? It is, in a part of the original document that Mike didn't post. |
#24
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A Comparison
"ScottW" wrote in message ups.com... wrote: Krell 350 Watt monoblocks @ $17,500.00 per pair 350 watts wpc @ 8 Ohms 700 wpc @4 Ohms 1400 wpc @ 2 Ohms Signal to noise = 118db 95 db @ 2.83 V THD = .05% 20 Hz - 20 kHz Input Impedance = 100 K Ohms Input Sensitivity = 2.6v RMS for max power Voltage gain = 26.4 db --------------------------------------------------------------------------------- QSC PLX 3402 Stereo amp $1200.00 700 wpc @ 8 Ohms 1100 wpc @ 4 ohms 1700 wpc @ 2 ohms Signal to noise 107 db THD = .03% 20 Hz - 20 kHz Input Impedance = 6 K ohms Input sensitivity = 1.9 Volts @ 8 ohms Voltage gain = 32 db I figure you get the QSC and either modify it by adding heat sinks or replacing the fans with very quiet ones, and still have saved around $15,000.00 and not be able to hear any difference. If you have a difference of opinion, please provide the technical reason why you disagree that would account for any differences in sound quality. 6K ohm input impedance isn't ideal and may cause problems with many a source. One will have to be careful in selecting a preamp to insure compatibility and probably will need to avoid any passives or autoformer types. This excessive input load may also lead to... gasp... interconnect cable type sensitivity if the source is load sensitive. But most disconcerting is the very strange input sensitivity spec. 1.9V @ 8 ohms? Are they implying that input sensitivity varies with output load impedance? That will cause FR variance with any speaker having a non-flat impedance curve (virtually all but active speakers). So that begs the question already raised... why isn't FR specified? ScottW Because I was late and it was tired. As you can see I posted the web address where it could be found, and later the entire spec list for their PLX line. The FR is typical of any decent amp. |
#25
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A Comparison
" said:
Krell 350 Watt monoblocks @ $17,500.00 per pair 350 watts wpc @ 8 Ohms 700 wpc @4 Ohms 1400 wpc @ 2 Ohms Signal to noise = 118db 95 db @ 2.83 V THD = .05% 20 Hz - 20 kHz Input Impedance = 100 K Ohms Input Sensitivity = 2.6v RMS for max power Voltage gain = 26.4 db --------------------------------------------------------------------------------- QSC PLX 3402 Stereo amp $1200.00 700 wpc @ 8 Ohms 1100 wpc @ 4 ohms 1700 wpc @ 2 ohms Signal to noise 107 db THD = .03% 20 Hz - 20 kHz Input Impedance = 6 K ohms Input sensitivity = 1.9 Volts @ 8 ohms Voltage gain = 32 db One of the things that I noticed immediately is the ability of the Krell to deliver twice the power (meaning current) in half the load, up to 2 ohms. I suspect that even in 1 ohm the figure would be close to the required 2800W, be it for a brief period of time. The QSC has only marginally more power into 2 ohms (not that those insanely high wattages have any meaningful use, you will note). Also, the current doesn't double with half the load. This means the Krell has a stiffer power supply, despite the lower average wattage. It is a true constant voltage source. The input impedance of the QSC amp is rather low, something to keep in mind when driving it directly from an opamp's output. The input sensitivity should have nothing to do with the output load impedance, is this a typo, a mistake or does the amp use such a high amount of global feedback that the load has influence on the input? In the latter case, problems might arise with strongly reactive loads, and this may make for a different sounding amplifier. I also noticed the DF isn't specified. There are more issues to discuss, but that would require more information about both amps, and, preferably, the schematics. -- "Audio as a serious hobby is going down the tubes." - Howard Ferstler, 25/4/2005 |
#26
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A Comparison
"Sander deWaal" wrote in message
" said: Krell 350 Watt monoblocks @ $17,500.00 per pair 350 watts wpc @ 8 Ohms 700 wpc @4 Ohms 1400 wpc @ 2 Ohms Signal to noise = 118db 95 db @ 2.83 V THD = .05% 20 Hz - 20 kHz Input Impedance = 100 K Ohms Input Sensitivity = 2.6v RMS for max power Voltage gain = 26.4 db --------------------------------------------------------------------------------- QSC PLX 3402 Stereo amp $1200.00 700 wpc @ 8 Ohms 1100 wpc @ 4 ohms 1700 wpc @ 2 ohms Signal to noise 107 db THD = .03% 20 Hz - 20 kHz Input Impedance = 6 K ohms Input sensitivity = 1.9 Volts @ 8 ohms Voltage gain = 32 db One of the things that I noticed immediately is the ability of the Krell to deliver twice the power (meaning current) in half the load, up to 2 ohms. I suspect that even in 1 ohm the figure would be close to the required 2800W, be it for a brief period of time. The QSC has only marginally more power into 2 ohms (not that those insanely high wattages have any meaningful use, you will note). Also, the current doesn't double with half the load. This means the Krell has a stiffer power supply, despite the lower average wattage. It is a true constant voltage source. Just shows that Sander is easily snowed by raw specsmanship. It's pretty well known in the industry that the Krell ratings sheet has been juggled by Krell. The 8 ohm power rating was backed off, to create the impression that it is an ideal amp and puts out twice the power into 4 ohms. If the Krell amp were rated more conventionally based on those tests that Sander's buddy Middius hates, there would be a different story. The input impedance of the QSC amp is rather low, something to keep in mind when driving it directly from an opamp's output. Most conventional audio-grade opamps have absolutely no problem driving a 1K load to 5 volts rms, let alone just 2. Ditto for modern preamps, whether vacuum tube or SS. The input sensitivity should have nothing to do with the output load impedance, is this a typo, a mistake or does the amp use such a high amount of global feedback that the load has influence on the input? In the latter case, problems might arise with strongly reactive loads, and this may make for a different sounding amplifier. I also noticed the DF isn't specified. Shows that Sander can't see that the amps input sensitivity is scaled to its output ratings into various load impedances. There are more issues to discuss, but that would require more information about both amps, and, preferably, the schematics. Looks like having Sander comment on power amps is like engaging the proverbial loose cannon. Taking technical comments about SS amps at face value from a tube advocate like Sander is very risky. |
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A Comparison
Arny Krueger wrote: "Sander deWaal" wrote in message " said: Krell 350 Watt monoblocks @ $17,500.00 per pair 350 watts wpc @ 8 Ohms 700 wpc @4 Ohms 1400 wpc @ 2 Ohms Signal to noise = 118db 95 db @ 2.83 V THD = .05% 20 Hz - 20 kHz Input Impedance = 100 K Ohms Input Sensitivity = 2.6v RMS for max power Voltage gain = 26.4 db --------------------------------------------------------------------------------- QSC PLX 3402 Stereo amp $1200.00 700 wpc @ 8 Ohms 1100 wpc @ 4 ohms 1700 wpc @ 2 ohms Signal to noise 107 db THD = .03% 20 Hz - 20 kHz Input Impedance = 6 K ohms Input sensitivity = 1.9 Volts @ 8 ohms Voltage gain = 32 db One of the things that I noticed immediately is the ability of the Krell to deliver twice the power (meaning current) in half the load, up to 2 ohms. I suspect that even in 1 ohm the figure would be close to the required 2800W, be it for a brief period of time. The QSC has only marginally more power into 2 ohms (not that those insanely high wattages have any meaningful use, you will note). Also, the current doesn't double with half the load. This means the Krell has a stiffer power supply, despite the lower average wattage. It is a true constant voltage source. Just shows that Sander is easily snowed by raw specsmanship. It's pretty well known in the industry that the Krell ratings sheet has been juggled by Krell. The 8 ohm power rating was backed off, to create the impression that it is an ideal amp and puts out twice the power into 4 ohms. If the Krell amp were rated more conventionally based on those tests that Sander's buddy Middius hates, there would be a different story. The input impedance of the QSC amp is rather low, something to keep in mind when driving it directly from an opamp's output. Most conventional audio-grade opamps have absolutely no problem driving a 1K load to 5 volts rms, What good is that if 1.7 V will drive the QSC to clipping into a 4 ohm load? let alone just 2. Ditto for modern preamps, whether vacuum tube or SS. But not all. I have a CD that didn't like it. As I said before (and Arny snipped cuz he couldn't address it), that low input impedance probably leaves the passive attenuator pres out. The input sensitivity should have nothing to do with the output load impedance, is this a typo, a mistake or does the amp use such a high amount of global feedback that the load has influence on the input? In the latter case, problems might arise with strongly reactive loads, and this may make for a different sounding amplifier. I also noticed the DF isn't specified. Shows that Sander can't see that the amps input sensitivity is scaled to its output ratings into various load impedances. BS... Sander's right and only cheap ass amps whose max output voltage diminishes as a function of load need do this. You say Krell underrates their 8 ohm capability... I say QSC overrates theirs. Which would you prefer.. an underrated amp or an overrated amp? ScottW |
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A Comparison
On 20 Oct 2005 15:00:13 -0700, "ScottW" wrote:
BS... Sander's right No, he's not. and only cheap ass amps whose max output voltage diminishes as a function of load need do this. What a moron. Essentially ALL audio power amps do that, since essentially NONE of them have regulated high-voltage rails. It's only a question of "how much" does the output voltage droop. You say Krell underrates their 8 ohm capability... You're wrong. Have you ever seen a review of a Krell when their power output is actually measured? Sheesh, the ignorance! I say QSC overrates theirs. What an idiot like you says means nothing. Which would you prefer.. an underrated amp or an overrated amp? We should not be surprised you'd ask such a stupid question. |
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A Comparison
"dizzy" wrote in message ... On 20 Oct 2005 15:00:13 -0700, "ScottW" wrote: BS... Sander's right No, he's not. and only cheap ass amps whose max output voltage diminishes as a function of load need do this. What a moron. Essentially ALL audio power amps do that, since essentially NONE of them have regulated high-voltage rails. It's only a question of "how much" does the output voltage droop. If the output droops the amp will have more than power problems. I think you mean DC supply droops... yet the KSA (the Krell I am most familiar with) has plenty of current reserve to prevent this. You say Krell underrates their 8 ohm capability... You're wrong. Have you ever seen a review of a Krell when their power output is actually measured? Sheesh, the ignorance! Provide a reference Arny... I mean Dizzy. I say QSC overrates theirs. What an idiot like you says means nothing. Which would you prefer.. an underrated amp or an overrated amp? We should not be surprised you'd ask such a stupid question. and you provide no answers... just noise. ScottW |
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A Comparison
"dizzy" wrote in message
On 20 Oct 2005 15:00:13 -0700, "ScottW" wrote: BS... Sander's right No, he's not. and only cheap ass amps whose max output voltage diminishes as a function of load need do this. What a moron. You forgot the bull-headed part. Essentially ALL audio power amps do that, since essentially NONE of them have regulated high-voltage rails. It's only a question of "how much" does the output voltage droop. Exactly. You say Krell underrates their 8 ohm capability... You're wrong. Have you ever seen a review of a Krell when their power output is actually measured? Sheesh, the ignorance! You heard that old statement "Ignorance is Bliss"? Scotty should be very happy! I've been trying to educate Scotty about audio for years, and its like trying to teach a pig to sing. All I did is **** off the pig. I say QSC overrates theirs. What an idiot like you says means nothing. I think Scotty is a software guy. It seems like he saved up his sheckels and paid too much for some pretty good speakers, and now he thinks he's John Atkinson. Which would you prefer.. an underrated amp or an overrated amp? We should not be surprised you'd ask such a stupid question. Again agreed. What we want is amps that get the job done for a price we want to pay. Sometimes you have to spend a little money - that QSC PLX isn't exactly cheap. But the Krell is not about good audio, its about bragging rights for the new rich. |
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A Comparison
"Arny Krueger" said:
It's pretty well known in the industry that the Krell ratings sheet has been juggled by Krell. The 8 ohm power rating was backed off, to create the impression that it is an ideal amp and puts out twice the power into 4 ohms. If the Krell amp were rated more conventionally based on those tests that Sander's buddy Middius hates, there would be a different story. You're forgetting that the Krell also doubles current in 2 ohms. The 8 ohms power ratings must be way, way underrated then. The input impedance of the QSC amp is rather low, something to keep in mind when driving it directly from an opamp's output. Most conventional audio-grade opamps have absolutely no problem driving a 1K load to 5 volts rms, let alone just 2. Ditto for modern preamps, whether vacuum tube or SS. Then why does e.g. Sony advise to load their CD players with at least 50 kohms? Their output capacitors are at least 47 uF, so a low frequency rollof wouldn't be a problem (for the math challenged, the -3 dB frequency is then around 0.5 Hz). The input sensitivity should have nothing to do with the output load impedance, is this a typo, a mistake or does the amp use such a high amount of global feedback that the load has influence on the input? In the latter case, problems might arise with strongly reactive loads, and this may make for a different sounding amplifier. I also noticed the DF isn't specified. Shows that Sander can't see that the amps input sensitivity is scaled to its output ratings into various load impedances. ********. A good amp is a constant voltage source, regardless the load. That means the load should be of no consequence to the input level. If there is influence, it's a bad design. Simple as that. There are more issues to discuss, but that would require more information about both amps, and, preferably, the schematics. Looks like having Sander comment on power amps is like engaging the proverbial loose cannon. You think the specs Mike gave are enough to determine whether these amps will sound the same in a DBT, regardless the load? Don't make me laugh. Taking technical comments about SS amps at face value from a tube advocate like Sander is very risky. Taking technical comments about anything regarding audio on an Usenet forum is very risky, no matter who the source is. But given © that you seem to think of yourself as the "bearer of Light" on audio newsgroups, I don't expect you to adhere to this view. Party on, dude. -- "Audio as a serious hobby is going down the tubes." - Howard Ferstler, 25/4/2005 |
#32
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A Comparison
"Sander deWaal" wrote in message
"Arny Krueger" said: It's pretty well known in the industry that the Krell ratings sheet has been juggled by Krell. The 8 ohm power rating was backed off, to create the impression that it is an ideal amp and puts out twice the power into 4 ohms. If the Krell amp were rated more conventionally based on those tests that Sander's buddy Middius hates, there would be a different story. You're forgetting that the Krell also doubles current in 2 ohms. The point is that what doubles is not the amps maximum current output but the amps spec. The 8 ohms power ratings must be way, way underrated then. Yup. If you derated the QSC in a similar fashion, it would still be more powerful by far. The input impedance of the QSC amp is rather low, something to keep in mind when driving it directly from an opamp's output. Most conventional audio-grade opamps have absolutely no problem driving a 1K load to 5 volts rms, let alone just 2. Ditto for modern preamps, whether vacuum tube or SS. Then why does e.g. Sony advise to load their CD players with at least 50 kohms? They like to use small output coupling caps? Real men use the digital outputs of optical players, anyway. Their output capacitors are at least 47 uF, so a low frequency rollof wouldn't be a problem (for the math challenged, the -3 dB frequency is then around 0.5 Hz). I seem to recall that the output caps of my Sony CD player were 47 uF, for maybe the first year... ;-) The input sensitivity should have nothing to do with the output load impedance, is this a typo, a mistake or does the amp use such a high amount of global feedback that the load has influence on the input? In the latter case, problems might arise with strongly reactive loads, and this may make for a different sounding amplifier. I also noticed the DF isn't specified. Shows that Sander can't see that the amps input sensitivity is scaled to its output ratings into various load impedances. ********. Do the math. A good amp is a constant voltage source, regardless the load. Agreed, as is the QSC. That means the load should be of no consequence to the input level. If there is influence, it's a bad design. Simple as that. You're misinterpreting the spec. There are more issues to discuss, but that would require more information about both amps, and, preferably, the schematics. Looks like having Sander comment on power amps is like engaging the proverbial loose cannon. You think the specs Mike gave are enough to determine whether these amps will sound the same in a DBT, regardless the load? Nope, but I've measured enough QSC amps to know how the unspecified performance areas are. Don't make me laugh. Well Sander, I can't get you to even do simple math.... |
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A Comparison
On Fri, 21 Oct 2005 18:21:35 +0200, Sander deWaal
wrote: A good amp is a constant voltage source, regardless the load. That means the load should be of no consequence to the input level. If there is influence, it's a bad design. Simple as that. You are without a clue. Simple as that. No amp can do that, unless the high-voltage rails to the output stage are regulated. Essentially none do that, because it would be STUPID to do so. It would reduce the peak output voltage/power for no purpose AT ALL other than to satisfy idiots who think that amplifiers should be a "constant voltage source regardless of load". |
#34
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A Comparison
"dizzy" wrote in message
On Fri, 21 Oct 2005 18:21:35 +0200, Sander deWaal wrote: A good amp is a constant voltage source, regardless the load. That means the load should be of no consequence to the input level. If there is influence, it's a bad design. Simple as that. You are without a clue. Simple as that. Let's put it this way - Sander is a vacuum tube uber alles proponent and a friend of Ge0rge Middius. No amp can do that, unless the high-voltage rails to the output stage are regulated. Even that extreme design feature would not ensure that the amp was a constant voltage source on the bench, because as the output current goes up, the voltage drop across various components in series with the load go up. Essentially none do that, because it would be STUPID to do so. The regulator would cause some loss of power all by itself. It would reduce the peak output voltage/power for no purpose AT ALL other than to satisfy idiots who think that amplifiers should be a "constant voltage source regardless of load". Agreed. |
#35
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A Comparison
dizzy said:
A good amp is a constant voltage source, regardless the load. That means the load should be of no consequence to the input level. If there is influence, it's a bad design. Simple as that. You are without a clue. Simple as that. Really? I'm sure I'll stay up worrying this night, son. No amp can do that, unless the high-voltage rails to the output stage are regulated. Essentially none do that, because it would be STUPID to do so. It would reduce the peak output voltage/power for no purpose AT ALL other than to satisfy idiots who think that amplifiers should be a "constant voltage source regardless of load". So you're using current sources to drive your speakers? Interesting. Be sure to brief everyone at the next AES meeting and be ready to receive a design award. BTW think of the consequences: pentode amps withouf GNFB could be used without worrying about silly old dogmas like damping factor. One of the major concerns with tube amps wiped away, just like that! 500 watt amplifiers fed by 9 V batteries in series, driving Apogee Duettas. Oh, the opportunities! It's a pity you chose to post here anonymously, I bet your real name is Michaelson or De Paravicini or something :-) -- "Audio as a serious hobby is going down the tubes." - Howard Ferstler, 25/4/2005 |
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A Comparison
"Sander deWaal" wrote in message ... " said: Krell 350 Watt monoblocks @ $17,500.00 per pair 350 watts wpc @ 8 Ohms 700 wpc @4 Ohms 1400 wpc @ 2 Ohms Signal to noise = 118db 95 db @ 2.83 V THD = .05% 20 Hz - 20 kHz Input Impedance = 100 K Ohms Input Sensitivity = 2.6v RMS for max power Voltage gain = 26.4 db --------------------------------------------------------------------------------- QSC PLX 3402 Stereo amp $1200.00 700 wpc @ 8 Ohms 1100 wpc @ 4 ohms 1700 wpc @ 2 ohms Signal to noise 107 db THD = .03% 20 Hz - 20 kHz Input Impedance = 6 K ohms Input sensitivity = 1.9 Volts @ 8 ohms Voltage gain = 32 db One of the things that I noticed immediately is the ability of the Krell to deliver twice the power (meaning current) in half the load, up to 2 ohms. I suspect that even in 1 ohm the figure would be close to the required 2800W, be it for a brief period of time. The QSC has only marginally more power into 2 ohms (not that those insanely high wattages have any meaningful use, you will note). Also, the current doesn't double with half the load. This means the Krell has a stiffer power supply, despite the lower average wattage. It is a true constant voltage source. You've jumped to a conclusion that's not borne out by the figures. The power output into a variety of load impedances is simply part of the spec. It does not mean that the power output of the Krell will double just by changing the load from 8 to 4 ohms. In other words, it has nothing to do with the "stiffness" of the power supply. What it DOES mean, on the other hand, is that the Krell is a 1400W amplifier designed for optimum performance into a load of 2 ohms or less. Since the output is voltage limited, it's an inefficient amplifier choice for an 8 ohm speaker. Norm Strong |
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#38
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A Comparison
"ScottW" wrote in message oups.com... wrote: "Sander deWaal" wrote in message ... " said: Krell 350 Watt monoblocks @ $17,500.00 per pair 350 watts wpc @ 8 Ohms 700 wpc @4 Ohms 1400 wpc @ 2 Ohms Signal to noise = 118db 95 db @ 2.83 V THD = .05% 20 Hz - 20 kHz Input Impedance = 100 K Ohms Input Sensitivity = 2.6v RMS for max power Voltage gain = 26.4 db --------------------------------------------------------------------------------- QSC PLX 3402 Stereo amp $1200.00 700 wpc @ 8 Ohms 1100 wpc @ 4 ohms 1700 wpc @ 2 ohms Signal to noise 107 db THD = .03% 20 Hz - 20 kHz Input Impedance = 6 K ohms Input sensitivity = 1.9 Volts @ 8 ohms Voltage gain = 32 db One of the things that I noticed immediately is the ability of the Krell to deliver twice the power (meaning current) in half the load, up to 2 ohms. I suspect that even in 1 ohm the figure would be close to the required 2800W, be it for a brief period of time. The QSC has only marginally more power into 2 ohms (not that those insanely high wattages have any meaningful use, you will note). Also, the current doesn't double with half the load. This means the Krell has a stiffer power supply, despite the lower average wattage. It is a true constant voltage source. You've jumped to a conclusion that's not borne out by the figures. The power output into a variety of load impedances is simply part of the spec. It does not mean that the power output of the Krell will double just by changing the load from 8 to 4 ohms. BS. Power output is either current limited or voltage limited. Obviously into an 8 ohm load the amp is voltage limited. The QSC is also voltage limited into 8 ohms but becomes current limited into 4 ohms. IF the QSC is driven to max output into 8 ohms with 1.9 V rms input it will suddenly find itself current clipping if that load is increased to 4 ohms. The max input is now only 1.7 V rms. Since the gain is the same the useful dynamic range of the amp is reduced. In other words, it has nothing to do with the "stiffness" of the power supply. I guess we differ on the meaning of "stiffness". In my opinion... the power (current and voltage) capability of an amp is very dependent on its power supply. What it DOES mean, on the other hand, is that the Krell is a 1400W amplifier designed for optimum performance into a load of 2 ohms or less. Since the output is voltage limited, it's an inefficient amplifier choice for an 8 ohm speaker. Excess current capacity may bother you, I like it. It makes the amp more versatile and acceptable for use with virtually any speaker. The QSC suffers degraded dynamic range with load and the specs also show it suffer increased THD into 4 ohm loads as well. ScottW Here's the whole list. 8 ohms 20 Hz-20 kHz 0.03% THD 200W 300W 425W 550W 700W 4 ohms 20 Hz-20 kHz 0.05% THD 325W 500W 700W 900W 1100W 2 ohms 1 kHz 1% THD 600W 800W 1200W 1500W 1700W BRIDGE MONO MODE 16 ohms 20 Hz-20 kHz 0.1% THD 400W 600W 850W 1100W 1400W 8 ohms 20 Hz-20 kHz 0.1% THD 700W 1100W 1500W 2000W 2200W 4 ohms 1 kHz 1% THD 1200W 1600W 2400W 3000W 3400W Signal to Noise (20 Hz-20 kHz) -106 dB -107 dB -108 dB -107 dB -107 dB Input Sensitivity @ 8 ohms 1.0Vrms 1.2Vrms 1.5Vrms 1.7Vrms 1.9Vrms Input Sensitivity @ 4 ohms 0.9Vrms 1.1Vrms 1.3Vrms 1.5Vrms 1.7Vrms Voltage Gain 40x (32 dB) 40x (32 dB) 40x (32 dB) 40x (32 dB) 40x (32 dB) Output Circuitry AB AB 2-Step Class H 2-Step Class H 2-Step Class H Power Requirements (1/8 Power Pink Noise @ 4 Ohm) 6A 10A 8A 10A 12A ALL MODELS Distortion (SMPTE-IM) Less than 0.01% Distortion (Typical) 20 Hz-20 kHz: 10 dB below rated power 1.0 kHz and below: full rated power Less than 0.01% THD Less than 0.01% THD Frequency Response 20 Hz-20 kHz, +/- 0.2 dB / 8 Hz-50 kHz, +0, -3 dB Damping Factor Greater than 500 Input Impedance 6 k ohms unbalanced, 12 k ohms balanced Input Clipping 10 Vrms (+22 dB) Cooling Variable-speed fan, rear-to-front air flow Connectors, each channel Input: 3-pin XLR & 1/4" TRS balanced Output: Neutrik Speakon(TM) and touch-proof binding posts Amplifier Protection Full short circuit, open circuit, thermal, ultrasonic, and RF protection Stable into reactive or mismatched loads Load Protection On/off muting, DC-fault power supply shutdown Dimensions 19" (48.3 cm) rack mounting, 3.5" (8.9 cm) tall (2 rack spaces) 13.25" (33.7 cm) deep (from front mounting rails) Gain 40x (32 dB) Weight 21 lb (9.5 kg) net, 27 lb (12.3 kg) shipping |
#39
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A Comparison
"ScottW" wrote in message
oups.com You've jumped to a conclusion that's not borne out by the figures. The power output into a variety of load impedances is simply part of the spec. It does not mean that the power output of the Krell will double just by changing the load from 8 to 4 ohms. BS. Power output is either current limited or voltage limited. You're one young naive puppy, Scotty. When you're talking spec sheet power output, the operative limit is in the mind of the guy writing the spec sheed. Obviously into an 8 ohm load the amp is voltage limited. If you put them on the bench, you'll no doubt find that they are spec sheet limited. *every* power amp I've ever tested in the past 10 years beat its specs on the test bench. The QSC is also voltage limited into 8 ohms but becomes current limited into 4 ohms. If you're talking about what happens on the test bench then yes, that could be said. OTOH, if you want to be pedantic, the power amp is voltage limited in both cases. It's just that with the lower load impedance, the voltage limit is lower because the power supply puts out less voltage when more current is drawn from it. The amp is still clipping because the output stage is attempting to exceed an internal voltage limit. IOW, the output transistors are saturating because their VCE is too low. This is actually a real-world distinction because power amps typically have some kind of current limiting. With 4 and 8 ohm loads its exceedingly rare for the current limiting to come into play. The chances that the QSC's current limiters are being activated in a standard bench test at rated power with a 4 ohm resistive load is approximately zero. Its only slightly more probable that current limiting is being activated with a 2 ohm load. IF the QSC is driven to max output into 8 ohms with 1.9 V rms input it will suddenly find itself current clipping if that load is increased to 4 ohms. Exactly. Thus, the input voltage required to drive the amp to a lower rated output voltage is lower. Get it now? The max input is now only 1.7 V rms. Since the gain is the same the useful dynamic range of the amp is reduced. Depends on how you talk about dynamic range. The usual convention is to rate the dynamic range of a power amp based on power output into the stated load. Since the amp can put out more undistorted power into the lower load impeance, most people would say it has more dynamic range. In other words, it has nothing to do with the "stiffness" of the power supply. I guess we differ on the meaning of "stiffness". In my opinion... the power (current and voltage) capability of an amp is very dependent on its power supply. Not always. Since you mentioned current limiting, we've got to remember that current limiting circuits operate pretty much independent of the power supply. What it DOES mean, on the other hand, is that the Krell is a 1400W amplifier designed for optimum performance into a load of 2 ohms or less. More correctly, its designed for acceptable performance into a load of 2 ohms or less. Since the output is voltage limited, it's an inefficient amplifier choice for an 8 ohm speaker. Compared to what? All good amps are generally voltage limited. Excess current capacity may bother you, I like it. It makes the amp more versatile and acceptable for use with virtually any speaker. The QSC is rated to put out more current into low impedance loads than the Krell because, because of its higher power rating - 1700 watts versus 1400 watts. I suspect that on the bench the same ordering continues. The QSC suffers degraded dynamic range with load and the specs also show it suffer increased THD into 4 ohm loads as well. Actually there's no evidence to base this conclusion on. Any comparison of the two spec sheets is a comparison of the fantasies or marketing guys. You'd have to measure them yourself to know whats *really* happening. |
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A Comparison
Arny Krueger wrote: "ScottW" wrote in message oups.com You've jumped to a conclusion that's not borne out by the figures. The power output into a variety of load impedances is simply part of the spec. It does not mean that the power output of the Krell will double just by changing the load from 8 to 4 ohms. BS. Power output is either current limited or voltage limited. You're one young naive puppy, Scotty. When you're talking spec sheet power output, the operative limit is in the mind of the guy writing the spec sheed. Obviously into an 8 ohm load the amp is voltage limited. If you put them on the bench, you'll no doubt find that they are spec sheet limited. *every* power amp I've ever tested in the past 10 years beat its specs on the test bench. Its called margin. The QSC is also voltage limited into 8 ohms but becomes current limited into 4 ohms. If you're talking about what happens on the test bench then yes, that could be said. OTOH, if you want to be pedantic, the power amp is voltage limited in both cases. It's just that with the lower load impedance, the voltage limit is lower because the power supply puts out less voltage when more current is drawn from it. BS... this doesn't happen until you have exceeded its current capacity. The amp is still clipping because the output stage is attempting to exceed an internal voltage limit. IOW, the output transistors are saturating because their VCE is too low. This is actually a real-world distinction because power amps typically have some kind of current limiting. With 4 and 8 ohm loads its exceedingly rare for the current limiting to come into play. The chances that the QSC's current limiters are being activated in a standard bench test at rated power with a 4 ohm resistive load is approximately zero. Then you have no valid explanation for the reduced sensitivity or less than double 8 ohm load power output. You just keep spinning yourself into a hole. Its only slightly more probable that current limiting is being activated with a 2 ohm load. IF the QSC is driven to max output into 8 ohms with 1.9 V rms input it will suddenly find itself current clipping if that load is increased to 4 ohms. Exactly. Thus, the input voltage required to drive the amp to a lower rated output voltage is lower. Get it now? Yeah.. I got it. and effective dynamic range is also reduced as the noise floor is probably relatively fixed. The max input is now only 1.7 V rms. Since the gain is the same the useful dynamic range of the amp is reduced. Depends on how you talk about dynamic range. The usual convention is to rate the dynamic range of a power amp based on power output into the stated load. Since the amp can put out more undistorted power into the lower load impeance, most people would say it has more dynamic range. You measuring noise floor in power? I don't think so. In other words, it has nothing to do with the "stiffness" of the power supply. I guess we differ on the meaning of "stiffness". In my opinion... the power (current and voltage) capability of an amp is very dependent on its power supply. Not always. Since you mentioned current limiting, we've got to remember that current limiting circuits operate pretty much independent of the power supply. So much for the drooping bandwagon you jumped on. What it DOES mean, on the other hand, is that the Krell is a 1400W amplifier designed for optimum performance into a load of 2 ohms or less. More correctly, its designed for acceptable performance into a load of 2 ohms or less. Since the output is voltage limited, it's an inefficient amplifier choice for an 8 ohm speaker. Compared to what? All good amps are generally voltage limited. Lost track of who you're responding to again I see. Excess current capacity may bother you, I like it. It makes the amp more versatile and acceptable for use with virtually any speaker. The QSC is rated to put out more current into low impedance loads than the Krell because, because of its higher power rating - 1700 watts versus 1400 watts. I suspect that on the bench the same ordering continues. The QSC suffers degraded dynamic range with load and the specs also show it suffer increased THD into 4 ohm loads as well. Actually there's no evidence to base this conclusion on. Any comparison of the two spec sheets is a comparison of the fantasies or marketing guys. You'd have to measure them yourself to know whats *really* happening. and you'd have a sample of 1. I'm sure QSC isn't report increased THD into 4 ohm loads because they think it sounds cool. ScottW |
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comparison article - old octal triodes vs new noval triodes | Vacuum Tubes | |||
here are some preamp comparison results | Pro Audio |