Home |
Search |
Today's Posts |
#41
Posted to rec.audio.pro
|
|||
|
|||
Sue you, sue me blues
vdubreeze wrote:
Bill, Start a new thread if you want to rant more about BMI. This is way OT. But just to clear up some of your misstatements: I know that any song written after 1927 (84 years ago) can't be played by anybody in any establishment that makes any money selling anything to any customers. This is what I am "talking about". ??? You're leaving out the entire issue. If an establishment pays a set nominal fee they can play anything they want. If they insist they deserve the world for nothing (and maybe they're paying you nothing when you should be getting $300) they should try that with the AC installer. I guess you're saying that music, including your own, isn't worth paying for, but I've never been in that camp, as a player or as a business owner. I write a song, and want that song to be protected. So I join BMI and pay them dues to protect it for me, then I would agree with you. but that's not what's going on. ??? You don't pay any dues as a writer to be a BMI member, Bill. In fact, I don't think they have ANY dues except if you set up a publishing company for them to deal with, and that is the grand sum of a $150 one time fee. I'm a BMI member and I've never paid anything besides that fee 25 years ago. They bought the right to hasstle people over all songs written after 1927. And, the burden of proof is on you, and not BMI to prove that the song was written before then. IOW, all music written after 1927 is the property of BMI and they can hassle people who perform it anywhere that money changes hands for any reason. And you are happy with that? Ay yi yi. Let's take this elsewhere, Bill. But, and pardon the all caps, BMI DOES NOT OWN ANYTHING!!! EVER!!! THEY DON'T OWN MUSIC BEFORE, AFTER OR DURING 1927!!!!!! The song owners own them!! The writers!! The publishers!!! The songwriters who self publish!!! That's not even close enough to be an Urban Myth! : ) You're on Bizarro world with this one : ) But please start a new thread for further fun misfacts. v Why should I clear my subjects with you before I comment on them? Who the hell are you, anyway? Somebody wanted $1000 a year for my friend Blake to play dixieland music at our local Pizza joint once a month. That was too much for the owner to pay, so Blake lost the gig. I know this to be true. So, you can do all the hand waving you want, but I know what I know. If you want to join a moderated group, then do so. Otherwise, either kill file me, or carry on a rationasl conversation with me., But don't tell me what I am allowed to post on here. That is not your business. |
#42
Posted to rec.audio.pro
|
|||
|
|||
Sue you, sue me blues
Bill Graham wrote:
Why should I clear my subjects with you before I comment on them? Who the hell are you, anyway? Somebody wanted $1000 a year for my friend Blake to play dixieland music at our local Pizza joint once a month. That was too much for the owner to pay, so Blake lost the gig. I know this to be true. Have you ever played a game of telephone? Somebody tells the pizza store owner something, that owner tells Blake something, Blake tells you something and by the time it gets to the end of the chain the information has become totally distorted. But don't tell me what I am allowed to post on here. That is not your business. It's bad to post incorrect information, especially when you realize yourself that it's third-hand information and probably not so accurate. You might want to actually speak to the store owner and to the rep and see what really happened. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
#44
Posted to rec.audio.pro
|
|||
|
|||
Sue you, sue me blues
Scott Dorsey wrote:
hank alrich wrote: Bill Graham wrote: I know that any song written after 1927 (84 years ago) can't be played by anybody in any establishment that makes any money selling anything to any customers. So take it up with your elected representatives, just like Disney did, and get the law changed in your favor, just like Disney did. They lost a Senator from Disney in a skiing accident so your odss might be better than you'd otherwise expect. I gather that Mr. Graham is all het up over some stuff he heard from a venue owner who heard something from a BMI rep. Since the venue owner almost certainly misunderstood the situation, the fact that he is dealing with unreliable secondhand information would seem enough motivation for him to actually do a bit of research and figure out what really went on. But maybe he just likes being angry more than he likes solving problems. --scott No, I like watching idiots like you dismiss other people's problems until it comes around to restricting you from doing what turns you on, and then hearing you wimper about how bad things have become. Its easy for you to turn your backs on other people being screwed by the system. I sure wish I could be here to listen to you when the screwers get around to screwing you. |
#45
Posted to rec.audio.pro
|
|||
|
|||
Sue you, sue me blues
On May 19, 7:48*pm, "Little Willie" ranted:
*But don't tell me what I am allowed to post on here. That is not your business So you're telling him what he's allowed to post here! But it's not your business! Or is it? I guess it depends which orifice you're speaking out of. Either way, you're spewing utter ****e, mitigated only by the two feet that you've thrust in. Into two different orifices, apparently. Now, please, back to your ranting about your own ignorance and refusal to understand reality. After all, as you have boasted, utter stupidity is good enough for you. |
#46
Posted to rec.audio.pro
|
|||
|
|||
Sue you, sue me blues
Scott Dorsey wrote:
Bill Graham wrote: Why should I clear my subjects with you before I comment on them? Who the hell are you, anyway? Somebody wanted $1000 a year for my friend Blake to play dixieland music at our local Pizza joint once a month. That was too much for the owner to pay, so Blake lost the gig. I know this to be true. Have you ever played a game of telephone? Somebody tells the pizza store owner something, that owner tells Blake something, Blake tells you something and by the time it gets to the end of the chain the information has become totally distorted. But don't tell me what I am allowed to post on here. That is not your business. It's bad to post incorrect information, especially when you realize yourself that it's third-hand information and probably not so accurate. You might want to actually speak to the store owner and to the rep and see what really happened. --scott I agree. I should do that. But Blake tells me that if he played only songs that were written before 1927, then there would be no problem. Also, I have read on the internet, that the burden of proof is his. IOW, Blake would have to find sheet music for all the songs he plays that were published before 1927, so he could provide the proof that the music he playes was written before then. If true, this tells me that ALL music written after 1927 has been copyrighted by these people, whoever they are. |
#47
Posted to rec.audio.pro
|
|||
|
|||
Sue you, sue me blues
Bill Graham wrote:
vdubreeze wrote: Bill, Start a new thread if you want to rant more about BMI. This is way OT. But just to clear up some of your misstatements: I know that any song written after 1927 (84 years ago) can't be played by anybody in any establishment that makes any money selling anything to any customers. This is what I am "talking about". ??? You're leaving out the entire issue. If an establishment pays a set nominal fee they can play anything they want. If they insist they deserve the world for nothing (and maybe they're paying you nothing when you should be getting $300) they should try that with the AC installer. I guess you're saying that music, including your own, isn't worth paying for, but I've never been in that camp, as a player or as a business owner. I write a song, and want that song to be protected. So I join BMI and pay them dues to protect it for me, then I would agree with you. but that's not what's going on. ??? You don't pay any dues as a writer to be a BMI member, Bill. In fact, I don't think they have ANY dues except if you set up a publishing company for them to deal with, and that is the grand sum of a $150 one time fee. I'm a BMI member and I've never paid anything besides that fee 25 years ago. They bought the right to hasstle people over all songs written after 1927. And, the burden of proof is on you, and not BMI to prove that the song was written before then. IOW, all music written after 1927 is the property of BMI and they can hassle people who perform it anywhere that money changes hands for any reason. And you are happy with that? Ay yi yi. Let's take this elsewhere, Bill. But, and pardon the all caps, BMI DOES NOT OWN ANYTHING!!! EVER!!! THEY DON'T OWN MUSIC BEFORE, AFTER OR DURING 1927!!!!!! The song owners own them!! The writers!! The publishers!!! The songwriters who self publish!!! That's not even close enough to be an Urban Myth! : ) You're on Bizarro world with this one : ) But please start a new thread for further fun misfacts. v Why should I clear my subjects with you before I comment on them? Who the hell are you, anyway? Somebody wanted $1000 a year for my friend Blake to play dixieland music at our local Pizza joint once a month. That was too much for the owner to pay, so Blake lost the gig. I know this to be true. So, you can do all the hand waving you want, but I know what I know. If you want to join a moderated group, then do so. Otherwise, either kill file me, or carry on a rationasl conversation with me., But don't tell me what I am allowed to post on here. That is not your business. Hey, **** off, fool. You refuse to address the FACTS pointed your way. You talk **** like you know ****, but you don't know **** about the thing you're talking about. No matter what happened to your buddy and the situation at the restaurant you have the FACTS of the matter misconstrued, and you rant at windills thinking they're after you. Further, nobody at BMI owes your pal a job playing music. No composer and/or publisher owes you, your pal, or the restaurant anything, either. People have posted volumes of info here about it but obviously learning **** ain't your game. That, at least, is consistent throughout your ignorant blathering in this newsgroup. You are welcome to keep posting. We haven't had an idiot of your caliber here in quite a while. -- shut up and play your guitar * http://hankalrich.com/ http://www.youtube.com/watch?v=NpqXcV9DYAc http://www.sonicbids.com/HankandShaidri |
#48
Posted to rec.audio.pro
|
|||
|
|||
Sue you, sue me blues
Bill Graham wrote:
wrote: ONce again Bill Graham pollutes another thread. On 2011-05-18 said: You're deep into voluntary bull-headed ignorance. The actual facts have been explained to you, repeatedly, often by people who deal with these issues on a regular basis. But you don't care, you don't want to be educated. You haven't bothered to read and understand, even when you've been given good practical suggestions for how you can legally play dixieland music in your pizza pub, affordably or even free. But you don't care, because your goal is not to play dixieland music in the pizza pub. I'm not sure that the owner of the pizza joint isn't just using the agencies such as bmi to keep from telling this guy that his close mic'd trumpet with the octave pedal sounds like ****. HE's probably trying to be kind to this bullheaded deaf octogenarian. Your goal is to rant and whine, and prove to people who already know it, that you've decided to be an ignorant troll, and you won't bother to use any fragments of brain that may still remain in that block of concrete above your shoulders. Rather than understanding and trying to resolve your complaints with prefer perfectly reasonable explanations and work-arounds in, you obviously prefer whining about problems that are your own fault. No, I won't get off your lawn, Numpty. Are you happy with that? HE's too pig ignorant to understand what you're saying to him, which is why I killfiled MR. Graham months ago. HE's an obnoxious old geezer who doesn't have the guts to live up to his so-called principles. Richard webb, I understand that Blake, (who plays beautifully, without any electronic enhancements, by the way) cannot play his once a month appearances at our local pizza parlor because some chicken-**** outfit demands $1000 a year from the owner because some of the dixieland songs Blake's group plays were written after 1927. I also understand that 1927 was 84 years ago. I think this is a crock of ****, and I have the right to say so right here, on this forum, or anywhere else, for that matter. And, so I do. All you schills for the government, who are out there assuming that everything your reps do and the SCOTUS does is the cats whiskers can go to hell. I have lived here 75 years and I can tell you this. This country is going to hell in a handbasket and it won't be too long before none of you will be able to live free any more, or enjoy anything anymore. So you better listen to old geezers like me and try to change the direction we are headed before its too late. Either that, or you can go meekly into your assigned padded cells when the time comes. Nobody here is living "free", so again, you are blowing farts right out your mouth. Suck it up and learn something. Tell us what kind of "engineering" you did. Most of us ain't gonna listen to much you say until you show some sign of intelligent life. Are you drawing any retirement money? Social Security? A pension in any form? These simple questions can be handled with "yes" or "no", if that's not too much for you to manage. Why would I listen to a geezer like you when there are far smarter geezers almost everywhere I turn? Why follow somebody too stupid to learn when there are old folks about who still have active minds? -- shut up and play your guitar * http://hankalrich.com/ http://www.youtube.com/watch?v=NpqXcV9DYAc http://www.sonicbids.com/HankandShaidri |
#49
Posted to rec.audio.pro
|
|||
|
|||
Sue you, sue me blues
Bill Graham wrote:
Scott Dorsey wrote: hank alrich wrote: Bill Graham wrote: I know that any song written after 1927 (84 years ago) can't be played by anybody in any establishment that makes any money selling anything to any customers. So take it up with your elected representatives, just like Disney did, and get the law changed in your favor, just like Disney did. They lost a Senator from Disney in a skiing accident so your odss might be better than you'd otherwise expect. I gather that Mr. Graham is all het up over some stuff he heard from a venue owner who heard something from a BMI rep. Since the venue owner almost certainly misunderstood the situation, the fact that he is dealing with unreliable secondhand information would seem enough motivation for him to actually do a bit of research and figure out what really went on. But maybe he just likes being angry more than he likes solving problems. --scott No, I like watching idiots like you dismiss other people's problems until it comes around to restricting you from doing what turns you on, and then hearing you wimper about how bad things have become. Its easy for you to turn your backs on other people being screwed by the system. I sure wish I could be here to listen to you when the screwers get around to screwing you. You couldn't handle Scott's soldering iron, let alone stand a chance of making him look like an idiot. -- shut up and play your guitar * http://hankalrich.com/ http://www.youtube.com/watch?v=NpqXcV9DYAc http://www.sonicbids.com/HankandShaidri |
#50
Posted to rec.audio.pro
|
|||
|
|||
Sue you, sue me blues
On 2011-05-19 (hankalrich) said: HE's too pig ignorant to understand what you're saying to him, which is why I killfiled MR. Graham months ago. HE's an obnoxious old geezer who doesn't have the guts to live up to his so-called principles. Tell us what kind of "engineering" you did. Most of us ain't gonna listen to much you say until you show some sign of intelligent life. THink he's been asked that question before. I think he mentioned something about designing power supplies, I"d guess for rf stuff since I"m assuming it was military related, which means that on that subject he might actually know his onions. Are you drawing any retirement money? Social Security? A pension in any form? These simple questions can be handled with "yes" or "no", if that's not too much for you to manage. IF he is then he gives the lie to his own so-called principles. DOllars to donuts he is. Why would I listen to a geezer like you when there are far smarter geezers almost everywhere I turn? Why follow somebody too stupid to learn when there are old folks about who still have active minds? INdeed, and I interact with some of them every day. HE just doesn't happen to be one of them, which is why I only see his drivel when quoted by others. MIster libertarian says everybody oughta be able to make a buck, except songwriters, musicians, etc. THing is, after people like him would rip us off there's no safety net for us to rely on either. NIce guy huh? HE's welcome to post whatever he likes, but then he shouldn't complain when others call him on his bull****. CAlling MR. Dorsey an idiot, as I saw in another quoted reply ... Mr. DOrsey has been around here for years, and been in the industry for years. a year ago we hadn't heard of some doofus octogenarian nitwit named Bill Graham. Richard webb, replace anything before at with elspider ON site audio in the southland: see www.gatasound.com |
#51
Posted to rec.audio.pro
|
|||
|
|||
Sue you, sue me blues
wrote:
On 2011-05-19 (hankalrich) said: HE's too pig ignorant to understand what you're saying to him, which is why I killfiled MR. Graham months ago. HE's an obnoxious old geezer who doesn't have the guts to live up to his so-called principles. Tell us what kind of "engineering" you did. Most of us ain't gonna listen to much you say until you show some sign of intelligent life. THink he's been asked that question before. I think he mentioned something about designing power supplies, I"d guess for rf stuff since I"m assuming it was military related, which means that on that subject he might actually know his onions. Then he also ought to know plenty about "socialism", because the US military is a completely socialist rig. (If we exclude Blackwater. g) Are you drawing any retirement money? Social Security? A pension in any form? These simple questions can be handled with "yes" or "no", if that's not too much for you to manage. IF he is then he gives the lie to his own so-called principles. DOllars to donuts he is. Why would I listen to a geezer like you when there are far smarter geezers almost everywhere I turn? Why follow somebody too stupid to learn when there are old folks about who still have active minds? INdeed, and I interact with some of them every day. HE just doesn't happen to be one of them, which is why I only see his drivel when quoted by others. MIster libertarian says everybody oughta be able to make a buck, except songwriters, musicians, etc. THing is, after people like him would rip us off there's no safety net for us to rely on either. NIce guy huh? HE's welcome to post whatever he likes, but then he shouldn't complain when others call him on his bull****. CAlling MR. Dorsey an idiot, as I saw in another quoted reply ... Mr. DOrsey has been around here for years, and been in the industry for years. a year ago we hadn't heard of some doofus octogenarian nitwit named Bill Graham. Richard webb, replace anything before at with elspider ON site audio in the southland: see www.gatasound.com -- shut up and play your guitar * http://hankalrich.com/ http://www.youtube.com/watch?v=NpqXcV9DYAc http://www.sonicbids.com/HankandShaidri |
#52
Posted to rec.audio.pro
|
|||
|
|||
Sue you, sue me blues
Bill Graham wrote:
No, I like watching idiots like you dismiss other people's problems until it comes around to restricting you from doing what turns you on, and then hearing you wimper about how bad things have become. Its easy for you to turn your backs on other people being screwed by the system. I sure wish I could be here to listen to you when the screwers get around to screwing you. Bill, the reason why you're getting screwed is because you aren't doing anything about it. You're just sitting there whining instead of actually doing something about the problem. Consequently, people don't have a lot of sympathy for you. Since you have exhibited similar behaviours here before, you should not be surprised that the well of sympathy has gone dry. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
#53
Posted to rec.audio.pro
|
|||
|
|||
Sue you, sue me blues
Bill Graham wrote:
Scott Dorsey wrote: You might want to actually speak to the store owner and to the rep and see what really happened. I agree. I should do that. But Blake tells me that if he played only songs that were written before 1927, then there would be no problem. That's true but irrelevant. If he plays anything that is PD, he's fine, and that includes most of that music. If he plays anything that is copyrighted but not represented by BMI, he's fine from BMI's standpoint, but not really. Also, I have read on the internet, that the burden of proof is his. IOW, Blake would have to find sheet music for all the songs he plays that were published before 1927, so he could provide the proof that the music he playes was written before then. That's one possibility, but he can also go into the Harry Fox website and check the current status, which only takes a minute. He can also go to the BMI website and look in their database, though many songwriters are represented by ASCAP or SESAC instead. If true, this tells me that ALL music written after 1927 has been copyrighted by these people, whoever they are. No, not at all. All music written after 1927 has the possibility of being copyrighted. Some songwriters use BMI to represent their copyrighted material. Others don't. Most of that older material has fallen out of copyright, but some is still in copyright, and if so you will have to get permission from the folks who hold the rights. Let's say you want to play a modern piece like Satin Doll. You can go to http://www.harryfox.com/songfile/pub...blicsearch.jsp put in "Satin Doll" and it shows up as an Ellington piece. Currently owned by Sony/ATV Harmony. You can write them a letter and ask for rights to perform it, and they will often give them to you for free. Or you can license it through ASCAP (not BMI) online, which is easier but will cost a couple bucks. Or you can look at an Ellington record and it will show who wrote the original song and who represents them on the label. The record will say SATIN DOLL-- ELLINGTON (ASCAP) on it. Many venues get blanket licenses from ASCAP, BMI, and SESAC, which means performers don't have to worry about rights. You don't need to get a blanket license, but it makes life easier. The cost of the blanket license depends entirely on how good a negotiator you are and what you are performing. I have seen folks actually negotiate free ones for festival sites. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
#54
Posted to rec.audio.pro
|
|||
|
|||
Sue you, sue me blues
Scott Dorsey wrote:
Some songwriters use BMI to represent their copyrighted material. Others don't. Let's keep in view that BMI doesn't represent the material the way a pulisher might. BMI, along with ASCAP, SESAC, etc., is concerned with performance royalty collection. Many venues get blanket licenses from ASCAP, BMI, and SESAC, which means performers don't have to worry about rights. You don't need to get a blanket license, but it makes life easier. The cost of the blanket license depends entirely on how good a negotiator you are and what you are performing. I have seen folks actually negotiate free ones for festival sites. Long ago in a faraway time PRO's came to AWHQ with demands that would have immediately put us out of business. We negotiated reasonable rates and thereafter enjoyed productive relationships for the duration of the business. Basically you often start out dealing with a near-goon with the bearing of a collection agent, and if you have informed yourself (Graham's real problem right there) of their parameters and rules you quickly wind up dealing with a thinking human being who can help figure it out to everyone's benefit. But this takes work on one's own part and clearly some are not into that. Others are intimidated by the pseudogoon and freak out at the gitgo. -- shut up and play your guitar * http://hankalrich.com/ http://www.youtube.com/watch?v=NpqXcV9DYAc http://www.sonicbids.com/HankandShaidri |
#55
Posted to rec.audio.pro
|
|||
|
|||
Sue you, sue me blues
Scott Dorsey wrote:
Bill Graham wrote: No, I like watching idiots like you dismiss other people's problems until it comes around to restricting you from doing what turns you on, and then hearing you wimper about how bad things have become. Its easy for you to turn your backs on other people being screwed by the system. I sure wish I could be here to listen to you when the screwers get around to screwing you. Bill, the reason why you're getting screwed is because you aren't doing anything about it. You're just sitting there whining instead of actually doing something about the problem. Consequently, people don't have a lot of sympathy for you. Since you have exhibited similar behaviours here before, you should not be surprised that the well of sympathy has gone dry. Pump was delivered without a handle. -- shut up and play your guitar * http://hankalrich.com/ http://www.youtube.com/watch?v=NpqXcV9DYAc http://www.sonicbids.com/HankandShaidri |
#56
Posted to rec.audio.pro
|
|||
|
|||
Sue you, sue me blues
On May 20, 12:39*pm, (hank alrich) wrote:
Scott Dorsey wrote: Some songwriters use BMI to represent their copyrighted material. Others don't. * Let's keep in view that BMI doesn't represent the material the way a pulisher might. BMI, along with ASCAP, SESAC, etc., is concerned with performance royalty collection. Many venues get blanket licenses from ASCAP, BMI, and SESAC, which means performers don't have to worry about rights. *You don't need to get a blanket license, but it makes life easier. *The cost of the blanket license depends entirely on how good a negotiator you are and what you are performing. I have seen folks actually negotiate free ones for festival sites. Long ago in a faraway time PRO's came to AWHQ with demands that would have immediately put us out of business. We negotiated reasonable rates and thereafter enjoyed productive relationships for the duration of the business. Hank, that's a good point and there's also the other kind of club, where the owners plead poverty and claim the place can only function at a certain low level, but in fact they have been making enough to support multiple dwellings for both owners and their families, put their kids through college, and live a VERY high life. NYC folks will immediately think of the Bottom Line, where the owners (pretty much reviled for their uber stinginess, by the artists, who wanted a place to play when there was no other in NYC, and the staff, where even the nicest waitresses were renown for padding the checks to make up for their abuse. When their landlord NYU said "Enough of this far below market rent for decades. We're bringing it up to market value", and rather than negotiate for long, The Bottom Line claimed large club expenses past due and a few hundred thousand in other debts and closed. If you asked anyone who worked there how they could possibly cry such poverty and debt when they paid the artists (and I know, having both worked for a booking agency and played there) and staff next to nothing while paying way under market sweetheart rent for decades and charging top ticket and bar prices, you'll get a very big, sad laugh. Point of that tirade is that sometimes establishment owners simply lie about why they can't do this or that, or pay you for this, or why you can't do that here. Knowing that Hank's tale of negotiating is the actual way it goes, the next time a club lays that BS line on you that they can't afford to pay a performance fee, show them Hank's post and say "It actually won't cost more than the yearly dock fee for your boat in East Hampton" |
#57
Posted to rec.audio.pro
|
|||
|
|||
Sue you, sue me blues
|
#58
Posted to rec.audio.pro
|
|||
|
|||
Sue you, sue me blues
Scott Dorsey wrote:
Bill Graham wrote: No, I like watching idiots like you dismiss other people's problems until it comes around to restricting you from doing what turns you on, and then hearing you wimper about how bad things have become. Its easy for you to turn your backs on other people being screwed by the system. I sure wish I could be here to listen to you when the screwers get around to screwing you. Bill, the reason why you're getting screwed is because you aren't doing anything about it. You're just sitting there whining instead of actually doing something about the problem. Consequently, people don't have a lot of sympathy for you. Since you have exhibited similar behaviours here before, you should not be surprised that the well of sympathy has gone dry. --scott Exactly what shiould I do about a problem like this? I am 75, and have already gotten my education and spent my life in another field altogether. I can't go back and go to law school and petition SCOTUS to make changes in fields where I see problems. I am not asking for, "sympathy". All I am doing is calling to the attention of other people some of the things that I see as a problem with the laws. If you agree, then perhaps you will do something about them, or bring them to the attention of others who might do something. If you disagree, then say so and why, or just ignore me. God knows that I have been ignored many times before. I have a huge list of things that I believe should be changed. For example, do you know that every retiree is screwed out of one SS check by the Social Security administration? This amounts to 2-1/2 Billion dollars a year that the SS administration steals from us geezers. Someday YOU will be one of us. Are you happy with that? Are you at all interested? If not, then crawl back into your cocoon and ignore me. I am used to it. |
#59
Posted to rec.audio.pro
|
|||
|
|||
Sue you, sue me blues
On May 20, 8:28*pm, "Bill Graham" wrote:
Scott Dorsey wrote: Bill Graham wrote: Scott Dorsey wrote: You might want to actually speak to the store owner and to the rep and see what really happened. I agree. I should do that. But Blake tells me that if he played only songs that were written before 1927, then there would be no problem. That's true but irrelevant. *If he plays anything that is PD, he's fine, and that includes most of that music. *If he plays anything that is copyrighted but not represented by BMI, he's fine from BMI's standpoint, but not really. Also, I have read on the internet, that the burden of proof is his. IOW, Blake would have to find sheet music for all the songs he plays that were published before 1927, so he could provide the proof that the music he playes was written before then. That's one possibility, but he can also go into the Harry Fox website and check the current status, which only takes a minute. *He can also go to the BMI website and look in their database, though many songwriters are represented by ASCAP or SESAC instead. If true, this tells me that ALL music written after 1927 has been copyrighted by these people, whoever they are. No, not at all. *All music written after 1927 has the possibility of being copyrighted. *Some songwriters use BMI to represent their copyrighted material. Others don't. Most of that older material has fallen out of copyright, but some is still in copyright, and if so you will have to get permission from the folks who hold the rights. Let's say you want to play a modern piece like Satin Doll. *You can go tohttp://www.harryfox.com/songfile/public/publicsearch.jsp put in "Satin Doll" and it shows up as an Ellington piece. *Currently owned by Sony/ATV Harmony. *You can write them a letter and ask for rights to perform it, and they will often give them to you for free. *Or you can license it through ASCAP (not BMI) online, which is easier but will cost a couple bucks. Or you can look at an Ellington record and it will show who wrote the original song and who represents them on the label. *The record will say SATIN DOLL-- ELLINGTON (ASCAP) on it. Many venues get blanket licenses from ASCAP, BMI, and SESAC, which means performers don't have to worry about rights. *You don't need to get a blanket license, but it makes life easier. *The cost of the blanket license depends entirely on how good a negotiator you are and what you are performing. I have seen folks actually negotiate free ones for festival sites. --scott I have no bitch against the writers of music copyrighting their works and benefitting from them. But 1927 was 84 years ago. None of the original writers of that music are still alive. I think the year should be: Later than that, and: Move up a year every year, rather than be fixed at that one year that continues to grow older and older and more and more ridiculous. But apparently, I am the only one on this Earth that thinks that. Or, if some others agree with me, they are too wimpey to say so. I'll take the check, please. |
#60
Posted to rec.audio.pro
|
|||
|
|||
Sue you, sue me blues
Bill Graham wrote:
I have no bitch against the writers of music copyrighting their works and benefitting from them. But 1927 was 84 years ago. None of the original writers of that music are still alive. Yes, and consequently (even in spite of Disney), almost all of the music from that era is PD. Not all of it is, but most of it is. The stuff that is, you can play without worrying. The stuff that isn't, you need to get rights for. You can get rights a bunch of different ways, some of them free, some of them expensive. For the most part, the free ways require a lot of time, the expensive ones save time. That's how the world works. I think the year should be: Later than that, and: Move up a year every year, rather than be fixed at that one year that continues to grow older and older and more and more ridiculous. But apparently, I am the only one on this Earth that thinks that. Or, if some others agree with me, they are too wimpey to say so. Oh, I'd be in favor of shortening the term of copyright, but that's irrelevant and really doesn't have anything to do with your problem, you know. You keep going on and on about this when it really does not bear on the issue of making sure you have rights to play whatever you play. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
#61
Posted to rec.audio.pro
|
|||
|
|||
Sue you, sue me blues
On 2011-05-20 (ScottDorsey) said: You can get rights a bunch of different ways, some of them free, some of them expensive. For the most part, the free ways require a lot of time, the expensive ones save time. That's how the world works. INdeed, and those methods work, but sitting here on a usenet group populated by many who earn their daily bread thanks to the rights systems already in place is counterproductive. THose of us who aren't writers ourselves benefit from the business those folks bring us. SOMe hobbyist who took up music as a hobby in his dotage coming to us telling us that we should cheer him on for wanting to throw out the systems which help us get paid, or at least are the best we can hope for, because he doesn't understand them isn't going to gain much traction here. Using methods already available to you to get what you want might get you results, and then the old geezers can again play dixieland at the pizza joint. OTherwise, MR. Graham doesn't have a dog in this hunt. HE is not an audio professional, nor a professional musician, nor a songwriter or publisher. What he thinks systems which ensure that rights holders get paid should look like is irrelevant. But there again, he spouts off about his so-called libertarian principles and neglects the cornerstone of libertarianism, I ought to be able to set a price for my goods and/or services that assures me of a profit without interference from government or those who don't have a legitimate interest in them. Bill, Mr. DOrsey has given you some good pointers to move forward with the owner of the pizza joint and BMI. THat's the only game in town if you want to assist your associate with this one. It also works reliably, if you use it. Richard webb, replace anything before at with elspider ON site audio in the southland: see www.gatasound.com |
#62
Posted to rec.audio.pro
|
|||
|
|||
Sue you, sue me blues
IN a previous article I wrote:
cornerstone of libertarianism, I ought to be able to set a price for my goods and/or services that assures me of a profit without interference from government or those who don't have a legitimate interest in them. THIs is why there are two major agencies doing rights collection, Ascap and BMI. BMI is the later comer to that game, and was started because Ascap did not meet the needs of many songwriters and publishers. Iirc back in the day Ascap was more highbrow and didn't really offer their services to the writers of country and other popular forms of music. Scott Dorsey has pointed you toward solutions, including attempting to deal with the rights holders individually for the songs you wish rights for. DOn't like those options? Too bad, those are the ones you have, plus one more. That one is to start up an organization such as Ascap and BMI that improves the process. IF it improves the process for the writers and publishers they'll use your agency. IF it doesn't, then you're out of luck. But wading in here as an old diletante spouting off about what you don't know hasn't won you many friends here. Richard -- | Remove .my.foot for email | via Waldo's Place USA Fidonet-Internet Gateway Site | Standard disclaimer: The views of this user are strictly his own. |
#63
Posted to rec.audio.pro
|
|||
|
|||
Sue you, sue me blues
Scott Dorsey wrote:
Bill Graham wrote: I have no bitch against the writers of music copyrighting their works and benefitting from them. But 1927 was 84 years ago. None of the original writers of that music are still alive. Yes, and consequently (even in spite of Disney), almost all of the music from that era is PD. Not all of it is, but most of it is. The stuff that is, you can play without worrying. The stuff that isn't, you need to get rights for. You can get rights a bunch of different ways, some of them free, some of them expensive. For the most part, the free ways require a lot of time, the expensive ones save time. That's how the world works. I think the year should be: Later than that, and: Move up a year every year, rather than be fixed at that one year that continues to grow older and older and more and more ridiculous. But apparently, I am the only one on this Earth that thinks that. Or, if some others agree with me, they are too wimpey to say so. Oh, I'd be in favor of shortening the term of copyright, but that's irrelevant and really doesn't have anything to do with your problem, you know. You keep going on and on about this when it really does not bear on the issue of making sure you have rights to play whatever you play. --scott Why do you think that, "That doesn't have anything to do with my problem?" Of course it does. I will be dead and gone before I can play the music I love In the local Pizza house. That impacts me directly. This music was written in the thirties and forties. Playing music is my only skill and hobby. I must either defy BMI or curl up and die. As a matter orf fact, the older I get, the more I must either defy sombody or other, or curl up and die. I can't wait until this, or something similar happens to you. As a libertarian, I believe that the only purpose for a law is to protect someone's rights from someone else. But more and more, I see laws that are made just to steal money from someone to give it to someone else, and individual rights be damned. |
#64
Posted to rec.audio.pro
|
|||
|
|||
Sue you, sue me blues
wrote:
On 2011-05-20 (ScottDorsey) said: You can get rights a bunch of different ways, some of them free, some of them expensive. For the most part, the free ways require a lot of time, the expensive ones save time. That's how the world works. INdeed, and those methods work, but sitting here on a usenet group populated by many who earn their daily bread thanks to the rights systems already in place is counterproductive. THose of us who aren't writers ourselves benefit from the business those folks bring us. SOMe hobbyist who took up music as a hobby in his dotage coming to us telling us that we should cheer him on for wanting to throw out the systems which help us get paid, or at least are the best we can hope for, because he doesn't understand them isn't going to gain much traction here. Using methods already available to you to get what you want might get you results, and then the old geezers can again play dixieland at the pizza joint. OTherwise, MR. Graham doesn't have a dog in this hunt. HE is not an audio professional, nor a professional musician, nor a songwriter or publisher. What he thinks systems which ensure that rights holders get paid should look like is irrelevant. But there again, he spouts off about his so-called libertarian principles and neglects the cornerstone of libertarianism, I ought to be able to set a price for my goods and/or services that assures me of a profit without interference from government or those who don't have a legitimate interest in them. In a true libertarian society, government wouldn't be allowed to give the rights to anyone for all the music written after 1927 out of hand. this is not libertarianism by any stretch of the imagination. |
#65
Posted to rec.audio.pro
|
|||
|
|||
Sue you, sue me blues
On May 22, 5:17*pm, "Bill Graham" wrote:
Playing music is my only skill and hobby. That's your own choice, so don't whine to everyone else about it. Do something about it, or accept it. I must either defy BMI or curl up and die. Actually, other reasonable options have been pointed out, but you're just to much of a ****ing moron to acknowlege that. The real problem here is that you're an insufferable asshole. |
#66
Posted to rec.audio.pro
|
|||
|
|||
Sue you, sue me blues
On May 22, 5:40*pm, "Bill Graham" wrote:
In a true libertarian society, There is no such society. government wouldn't be allowed to give the rights to anyone for all the music written after 1927 out of hand. And governement has not done so. Your brain is stuck on stupid, and it seems that no amount of fact correction will get through to you. You're a hopeless idiot, and apparently you're happy with that. Maybe you should consider the curl-up-and-die option,. |
#67
Posted to rec.audio.pro
|
|||
|
|||
Sue you, sue me blues
On 2011-05-22 said: On May 22, 5:40ÿpm, "Bill Graham" wrote: In a true libertarian society, There is no such society. government wouldn't be allowed to give the rights to anyone for all the music written after 1927 out of hand. wtf is this dude talking about? One of the guiding principles of libertarianism is that I should be able to protect what is mine from intrusion by others. tHe protection of private property is one of the cornerstones as it were. And governement has not done so. Your brain is stuck on stupid, and it seems that no amount of fact correction will get through to you. THis is indeed true. You're a hopeless idiot, and apparently you're happy with that. THe sad fact is that he's not politically astute enough to realize that his quibble is with the laws as they stand, and that's a matter to bring to his congress critters. That one's going to be an uphill battle for him or the mythical pizza joint owner as there are some folks with some mighty deep pockets want the status quo, or even more onerous laws. But being a pig ignorant old fossil he doesn't have that good a grasp of reality. GUess it must be the meds he's taking or something. Maybe you should consider the curl-up-and-die option,. We have a second!!! Richard webb, replace anything before at with elspider ON site audio in the southland: see www.gatasound.com |
#68
Posted to rec.audio.pro
|
|||
|
|||
Sue you, sue me blues
wrote:
On 2011-05-22 said: On May 22, 5:40ÿpm, "Bill Graham" wrote: In a true libertarian society, There is no such society. government wouldn't be allowed to give the rights to anyone for all the music written after 1927 out of hand. wtf is this dude talking about? One of the guiding principles of libertarianism is that I should be able to protect what is mine from intrusion by others. tHe protection of private property is one of the cornerstones as it were. And governement has not done so. Your brain is stuck on stupid, and it seems that no amount of fact correction will get through to you. THis is indeed true. You're a hopeless idiot, and apparently you're happy with that. THe sad fact is that he's not politically astute enough to realize that his quibble is with the laws as they stand, and that's a matter to bring to his congress critters. That one's going to be an uphill battle for him or the mythical pizza joint owner as there are some folks with some mighty deep pockets want the status quo, or even more onerous laws. But being a pig ignorant old fossil he doesn't have that good a grasp of reality. GUess it must be the meds he's taking or something. Maybe you should consider the curl-up-and-die option,. We have a second!!! Richard webb, replace anything before at with elspider ON site audio in the southland: see www.gatasound.com You will get and deserve the world you accept without question. |
#69
Posted to rec.audio.pro
|
|||
|
|||
Sue you, sue me blues
On May 22, 9:54*pm, "Little Willie" wrote:
You will get and deserve the world you accept without question. Someone fed you a bunch of utter ******** about BMI, and you accepted it without question. And you got what you deserve: contempt and ridicule. And nobody has to listen to you play any more. Didn't everyone get what they deserve here? You don't get to use other people's music fo business purposes for free. That's what you deserve, Little Willie. Write your own music, stop being such a leech. |
#70
Posted to rec.audio.pro
|
|||
|
|||
Sue you, sue me blues
Bill Graham wrote:
Why do you think that, "That doesn't have anything to do with my problem?" Of course it does. I will be dead and gone before I can play the music I love In the local Pizza house. That impacts me directly. This music was written in the thirties and forties. Playing music is my only skill and hobby. I must either defy BMI or curl up and die. As a matter orf fact, the older I get, the more I must either defy sombody or other, or curl up and die. I can't wait until this, or something similar happens to you. If you made a couple phone calls you could be playing that music today, but instead of finding out what the problem is and solving it, you are obsessing over an irrelevant detail. As long as you keep thinking the term of copyright is your problem, you aren't going to get anywhere. Until you figure out what your problem is, you can't solve it. You seem much more interested in beating your fist on the floor like a twelve-year-old than actually playing that music. If you really wanted to play that music, you'd be on the phone to the venue owner right now. But you don't care about anything other than caging sympathy. As a libertarian, I believe that the only purpose for a law is to protect someone's rights from someone else. But more and more, I see laws that are made just to steal money from someone to give it to someone else, and individual rights be damned. In this case, it's clear you don't understand what the law is or how it works. You need to figure this out before you can justifiably complain about the law. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
#71
Posted to rec.audio.pro
|
|||
|
|||
Sue you, sue me blues
Bill Graham wrote:
In a true libertarian society, government wouldn't be allowed to give the rights to anyone for all the music written after 1927 out of hand. this is not libertarianism by any stretch of the imagination. But nobody ever did that. It is a figment of your imagination. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
#72
Posted to rec.audio.pro
|
|||
|
|||
Sue you, sue me blues
Scott Dorsey wrote:
Bill Graham wrote: In a true libertarian society, government wouldn't be allowed to give the rights to anyone for all the music written after 1927 out of hand. this is not libertarianism by any stretch of the imagination. But nobody ever did that. It is a figment of your imagination. --scott I don't think so. The laws stopped my friend from playing, even though he got nothing for it. I have heard that those laws have stopped others in a similar way, too. I believe that you are just another liberal schill for the government. Anything they do is right in your eyes, and you will defend it against all odds. I know that my liberties have been seriously compromized in the last 50 years, and I can see the direction our government is going and I don't like it. Someday, you too will live to not like it, but I will be dead and gone by then. |
#73
Posted to rec.audio.pro
|
|||
|
|||
Sue you, sue me blues
Bill Graham wrote:
I don't think so. The laws stopped my friend from playing, even though he got nothing for it. I have heard that those laws have stopped others in a similar way, too. I believe that you are just another liberal schill for the government. And now it's the government? Why don't you actually go and figure out what happened and stop acting like a child? Anything they do is right in your eyes, and you will defend it against all odds. I know that my liberties have been seriously compromized in the last 50 years, and I can see the direction our government is going and I don't like it. Someday, you too will live to not like it, but I will be dead and gone by then. This might well be true, but it has absolutely nothing to do with why your friend can't play at the restaurant. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
#74
Posted to rec.audio.pro
|
|||
|
|||
Sue you, sue me blues
Scott Dorsey wrote:
But you don't care about anything other than caging sympathy. Ah, finally I get it. He's in a cage. Now it all makes sense. Mores the pity. -- shut up and play your guitar * http://hankalrich.com/ http://www.youtube.com/watch?v=NpqXcV9DYAc http://www.sonicbids.com/HankandShaidri |
#75
Posted to rec.audio.pro
|
|||
|
|||
Sue you, sue me blues
On Mon, 23 May 2011 08:11:41 -0700, (hank alrich)
wrote: Scott Dorsey wrote: But you don't care about anything other than caging sympathy. Ah, finally I get it. He's in a cage. Now it all makes sense. Mores the pity. If he wants free music to perform, he should write some and give it away. Otherwise, he should shut the **** up. Rick Ruskin Lion Dog Music - Seattle WA http://www.liondogmusic.com |
#76
Posted to rec.audio.pro
|
|||
|
|||
Sue you, sue me blues
On 2011-05-23 said: Ah, finally I get it. He's in a cage. Now it all makes sense. Mores the pity. If he wants free music to perform, he should write some and give it away. Otherwise, he should shut the **** up. That probably isn't simple enough for him Rick. I think he should choose the "curl up and die" option from the menu of choices he presented earlier. sOmebody else could use that perfectly good food water and oxygen that's obviously wasted on him. Richard webb, replace anything before at with elspider ON site audio in the southland: see www.gatasound.com |
#77
Posted to rec.audio.pro
|
|||
|
|||
Sue you, sue me blues
On Mon, 23 May 2011 08:18:15 -0700, Rick Ruskin
wrote: On Mon, 23 May 2011 08:11:41 -0700, (hank alrich) wrote: Scott Dorsey wrote: But you don't care about anything other than caging sympathy. Ah, finally I get it. He's in a cage. Now it all makes sense. Mores the pity. If he wants free music to perform, he should write some and give it away. It's enough to make one go baroque. Otherwise, he should shut the **** up. Rick Ruskin Lion Dog Music - Seattle WA http://www.liondogmusic.com |
#78
Posted to rec.audio.pro
|
|||
|
|||
Sue you, sue me blues
Ben Bradley wrote:
On Mon, 23 May 2011 08:18:15 -0700, Rick Ruskin wrote: On Mon, 23 May 2011 08:11:41 -0700, (hank alrich) wrote: Scott Dorsey wrote: But you don't care about anything other than caging sympathy. Ah, finally I get it. He's in a cage. Now it all makes sense. Mores the pity. If he wants free music to perform, he should write some and give it away. It's enough to make one go baroque. Otherwise, he should shut the **** up. That music was written like 60 years ago. The people who wrote it are all dead and gone. BMI has no business collecting a dime for any of it. It should all be in the public domain. Instead of a fixed year, (like 1927) the year before which music enters the public domain should go up a year every year. Maqybe 1927 was a good cut-off point 30 years ago, but today it should be 30 years after that, or 1957. If BMI collects money for its performance, then who do they give that money to? Do you suppose they keep it for themselves? I think they do. I think they are just a bunch of lawyers lining their own pockets with money they are stealing from the public. |
#79
Posted to rec.audio.pro
|
|||
|
|||
Sue you, sue me blues
On May 26, 1:25*am, "Bill Graham" wrote:
If BMI collects money for its performance, then who do they give that money to? Do you suppose they keep it for themselves? I think they do. You might talk to a real musician who has written something covered by BMI before saying that. I have friends who have composed music and registered it with BMI, and once a month they get a check from BMI. Not a huge one -- their stuff is niche material, not mass market -- but a real check they can deposit. I have some quarrels with BMI and how their royalties are calculated, but the fact is they do pay the composers that register with them, and I gather the percent of operating expenses deducted is surprisingly small. Peace, Paul |
#80
Posted to rec.audio.pro
|
|||
|
|||
Sue you, sue me blues
Bill Graham wrote:
Ben Bradley wrote: On Mon, 23 May 2011 08:18:15 -0700, Rick Ruskin wrote: On Mon, 23 May 2011 08:11:41 -0700, (hank alrich) wrote: Scott Dorsey wrote: But you don't care about anything other than caging sympathy. Ah, finally I get it. He's in a cage. Now it all makes sense. Mores the pity. If he wants free music to perform, he should write some and give it away. It's enough to make one go baroque. Otherwise, he should shut the **** up. That music was written like 60 years ago. The people who wrote it are all dead and gone. BMI has no business collecting a dime for any of it. It should all be in the public domain. Instead of a fixed year, (like 1927) the year before which music enters the public domain should go up a year every year. Maqybe 1927 was a good cut-off point 30 years ago, but today it should be 30 years after that, or 1957. If BMI collects money for its performance, then who do they give that money to? Do you suppose they keep it for themselves? I think they do. I think they are just a bunch of lawyers lining their own pockets with money they are stealing from the public. You're in a loop and you can't get out, because your mind is closed and your mouth is open. See Mose Allison for help. -- shut up and play your guitar * http://hankalrich.com/ http://www.youtube.com/watch?v=NpqXcV9DYAc http://www.sonicbids.com/HankandShaidri |
Reply |
Thread Tools | |
Display Modes | |
|
|
Similar Threads | ||||
Thread | Forum | |||
NY CD Blues | Pro Audio | |||
NY CD Blues | Tech | |||
HHB CD-R blues | Pro Audio | |||
Next-day blues | Pro Audio | |||
BLUES ON PBS | High End Audio |