Home |
Search |
Today's Posts |
|
#1
Posted to rec.audio.pro
|
|||
|
|||
teach a man to fish
i'm looking for a vocal mic for a nasal male voice. recommendations are
fine, but i'd like to know if anyone knows a way to analyze things and come up with a short list. or maybe a site that demos lots of mics on a male voice. could i take a look at a mic's freq response graph and then take a look at a rms spectral screen shot (or whatever that thing is called) of my voice. try to match the nasal peaks with dips in the mic? there are other things i suppose... response to transients, pickup pattern... thanks |
#2
Posted to rec.audio.pro
|
|||
|
|||
teach a man to fish
cporro wrote: i'm looking for a vocal mic for a nasal male voice. No mic will eliminate or significantly reduce the nasal sound. The voice will alway sound the way it sounds. Get another voice if you don't like that one. (even if it's yours) could i take a look at a mic's freq response graph and then take a look at a rms spectral screen shot (or whatever that thing is called) of my voice. try to match the nasal peaks with dips in the mic? Yes, if you could change it for every syllable and you have an accurate enough equalizer and measurement system. It's really completely impractical. |
#3
Posted to rec.audio.pro
|
|||
|
|||
teach a man to fish
cporro wrote:
i'm looking for a vocal mic for a nasal male voice. recommendations are fine, but i'd like to know if anyone knows a way to analyze things and come up with a short list. or maybe a site that demos lots of mics on a male voice. My short list starts with the Beyer M-500. To a lesser extent, a 421 can work on a nasal voice. The Beyer M-88 might be worth checking out too. could i take a look at a mic's freq response graph and then take a look at a rms spectral screen shot (or whatever that thing is called) of my voice. try to match the nasal peaks with dips in the mic? there are other things i suppose... response to transients, pickup pattern... No. There's no shortcut. I'll say, though, that mikes with a big presence peak are apt to help more than hurt. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
#4
Posted to rec.audio.pro
|
|||
|
|||
teach a man to fish
|
#5
Posted to rec.audio.pro
|
|||
|
|||
teach a man to fish
another voice. wow, there really aren't any short cuts.
|
#6
Posted to rec.audio.pro
|
|||
|
|||
teach a man to fish
On 22 Oct 2006 15:34:40 -0700, "cporro" wrote:
another voice. wow, there really aren't any short cuts. yeah I understand, but it ain't a perfect world. |
#7
Posted to rec.audio.pro
|
|||
|
|||
teach a man to fish
Julian wrote: On 22 Oct 2006 15:34:40 -0700, "cporro" wrote: another voice. wow, there really aren't any short cuts. yeah I understand, but it ain't a perfect world. But there are more voices than microphones, and you usually don't have to buy one first before you try it. g The trick is to figure out what will solve the problem. If the voice is just a little nasal but othewise pretty good, you can probably get it usable with EQ. If you can get it almost there with EQ but think you could do a little better, then maybe a different mic might be the right answer. But if it's just a bad voice, there's no point in trying to fix it with technology. Either make the song so that it takes advantage of the characteristics of the singer (people don't not buy Bob Dylan records because he sings like a dog with his leg caught in a barbed wire fence), or find someone else to sing the song that gets the sound and emotion that you want. It's no worse than hiring a studio musician to play an instrument or a part you want to include that you or someone in the band can't play. But if it's a narration and you can't stand the voice, forget trying to fix it. Replace it. |
#8
Posted to rec.audio.pro
|
|||
|
|||
teach a man to fish
Julian wrote:
On 22 Oct 2006 14:04:26 -0400, (Scott Dorsey) wrote: cporro wrote: i'm looking for a vocal mic for a nasal male voice. recommendations are fine, No. There's no shortcut. I'll say, though, that mikes with a big presence peak are apt to help more than hurt. Would you say a nasal voice is heavy in the 500 - 1,000 Hz range? therefore boosting 2 - 4 kHz is helpful? Maybe, but it's not that the boost (and it should be higher than 4 KC) is helpful at dealing with the honk, it just isn't harmful and it does make things more forward which is usually also important with a nasal voice. Seriously, try the M-500. It won't fix the honk, but it will make nasal voices sound good. If you want to get rid of the honk, try a vocal coach. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
#9
Posted to rec.audio.pro
|
|||
|
|||
teach a man to fish
Scott Dorsey wrote:
Julian wrote: Scott Dorsey wrote: cporro wrote: i'm looking for a vocal mic for a nasal male voice. recommendations are fine, No. There's no shortcut. I'll say, though, that mikes with a big presence peak are apt to help more than hurt. Would you say a nasal voice is heavy in the 500 - 1,000 Hz range? therefore boosting 2 - 4 kHz is helpful? Maybe, but it's not that the boost (and it should be higher than 4 KC) is helpful at dealing with the honk, it just isn't harmful and it does make things more forward which is usually also important with a nasal voice. Seriously, try the M-500. It won't fix the honk, but it will make nasal voices sound good. If you want to get rid of the honk, try a vocal coach. Must second the suggestion to try the Beyer M500; it can be very helpful with sone nasally sounding voices. -- ha |
#10
Posted to rec.audio.pro
|
|||
|
|||
teach a man to fish
|
#11
Posted to rec.audio.pro
|
|||
|
|||
teach a man to fish
Scott Dorsey wrote: could i take a look at a mic's freq response graph and then take a look at a rms spectral screen shot (or whatever that thing is called) of my voice. try to match the nasal peaks with dips in the mic? there are other things i suppose... response to transients, pickup pattern... No. There's no shortcut. I'll say, though, that mikes with a big presence peak are apt to help more than hurt. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." Agreed. Things like distance, angle, amd mic settings can make the same mic react good or bad for your situation. like I say all the time, "there is no wrong way to set up a mic, if it works for that situation". Try different mics, and try each one with different settings. "Luke..... use your ears, Luke" Doc Weaver |
#12
Posted to rec.audio.pro
|
|||
|
|||
teach a man to fish
cporro wrote: i'm looking for a vocal mic for a nasal male voice. recommendations are fine, but i'd like to know if anyone knows a way to analyze things and come up with a short list. or maybe a site that demos lots of mics on a male voice. could i take a look at a mic's freq response graph and then take a look at a rms spectral screen shot (or whatever that thing is called) of my voice. try to match the nasal peaks with dips in the mic? there are other things i suppose... response to transients, pickup pattern... thanks WHAT'S SO WRONG WITH A NASAL VOICE?!?!?! FOR THAT MATTER, WHAT'S SO WRONG WITH POO?!?!?! HOW COME NOBODY WANTS TO WATCH ME POO?!?!?! IS IT THE SMELL?!?!?!?!?!?! ....BECAUSE HEY I COULD EASILY ADD PERFUME IF THAT'S THE ISSUE!!!!!!!!! OH WHATEVER UGGGGGGGGGGGGGGGGGGGGN MASSIVE DUMPING SLIP SPLOOOSH SLOSH TOWEL PLZ |
Reply |
Thread Tools | |
Display Modes | |
|
|
Similar Threads | ||||
Thread | Forum | |||
I can teach anyone how to get what they want out of life. | Pro Audio | |||
I can teach anyone how to get what they want out of life. | Pro Audio | |||
I smell fish | Pro Audio | |||
Fishman's Fish car? | Car Audio |