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#1
Posted to rec.audio.pro,alt.true-crime
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Why do police criminal interviews/confessions always have such ****tyaudio?
I listened to part of Kip Kinkel's taped confession and parts of it
are largely unitelligible, not just because of Kinkel's blubbering but largely because of the atrocious recording quality. Others are similar - they set up an environment under the worst possible conditions for recording audio and use some pedestrian quality recording device or camcorder. Don't these people have A/V consultants? I realize they're not trying to win some Hi-Fi audio award but with something this important, you'd think they'd make some minimal efforts at bumping up the quality. |
#2
Posted to rec.audio.pro,alt.true-crime
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Why do police criminal interviews/confessions always have such****ty audio?
Spob wrote:
I listened to part of Kip Kinkel's taped confession and parts of it are largely unitelligible, not just because of Kinkel's blubbering but largely because of the atrocious recording quality. They're cops, not audio engineers :-) Others are similar - they set up an environment under the worst possible conditions for recording audio and use some pedestrian quality recording device or camcorder. Don't these people have A/V consultants? I realize they're not trying to win some Hi-Fi audio award but with something this important, you'd think they'd make some minimal efforts at bumping up the quality. Keep in mind that there are some things that would be good for a recording environment that wouldn't be good for police work. I'm sure someone would notice the Sonex on the walls and Schoeps hanging from the ceiling and conclude they might be recording what they say :-) |
#3
Posted to rec.audio.pro,alt.true-crime
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Why do police criminal interviews/confessions always have such ****ty audio?
On Tue, 17 Jun 2008 12:35:41 -0400, "Soundhaspriority"
wrote: "Spob" wrote in message ... I listened to part of Kip Kinkel's taped confession and parts of it are largely unitelligible, not just because of Kinkel's blubbering but largely because of the atrocious recording quality. Others are similar - they set up an environment under the worst possible conditions for recording audio and use some pedestrian quality recording device or camcorder. Don't these people have A/V consultants? I realize they're not trying to win some Hi-Fi audio award but with something this important, you'd think they'd make some minimal efforts at bumping up the quality. They're going for a film-noire feel But seriously, I think that part of the reason may be that the mikes are hidden, and the seating arrangment may be casual. Of course, the suspect is advised that he is being taped, but mikes in the face would disturb the delicate psychological atmosphere that leads to confession. You might ask, isn't it possible to get better sound with hidden mikes? I'm sure it is, but the level of sophistication, from use, to post-processing, is not justified. If I'm not mistaken, the taped confession has to be transcribed, and it is not valid unless the suspect signs the transcript. In that way, any ambiguities are removed. It's the same way with courtroom stenography. The stenographer has a little recording device, and the audio is just so-so, but such recordings are not part of the court record. Only the stenographic record is. And the stenographer will frequently break in and ask for a repeat, or clarification of what someone just said. Bob Morein (310) 237-6511 Interesting. I have a question and you seem to be the man to answer it. Is it true that court stenographers own the transcripts, and copies of transcripts must be purchased from the stenographer, who can set any price they want? |
#4
Posted to rec.audio.pro,alt.true-crime
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Why do police criminal interviews/confessions always have such ****ty audio?
On 2008-06-17, Romeo Rondeau wrote:
Keep in mind that there are some things that would be good for a recording environment that wouldn't be good for police work. I'm sure someone would notice the Sonex on the walls and Schoeps hanging from the ceiling and conclude they might be recording what they say :-) The image I have from UK police dramas is a big obvious tape machine and a boundary mic on the table, though that may not be the case. There are mics out there designed for discreet installation in rooms that are basic cardoids or omnis that are pretty flush with wall or ceiling. Some even offer phantom power as a feature. I'd have though you could get reasonable quality, although obviously not as good a say close micing. - Richard -- _/_/_/ _/_/_/ _/_/_/ Richard dot Corfield at gmail dot com _/ _/ _/ _/ _/_/ _/ _/ Time is a one way street, _/ _/ _/_/ _/_/_/ except in the Twilight Zone |
#5
Posted to rec.audio.pro
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Why do police criminal interviews/confessions always have such****ty audio?
Richard Corfield wrote:
On 2008-06-17, Romeo Rondeau wrote: Keep in mind that there are some things that would be good for a recording environment that wouldn't be good for police work. I'm sure someone would notice the Sonex on the walls and Schoeps hanging from the ceiling and conclude they might be recording what they say :-) The image I have from UK police dramas is a big obvious tape machine and a boundary mic on the table, though that may not be the case. That's the usual setup here in interview rooms. The tape machine is a dual cassette recorder, with one tape for the police & one for the interviewee, which is handed to him/ her in a sealed bag immediately after the interview, so that their lawyer can compare their copy with the police transcripts & evidence given in court. The system is mono, & the quality was only specified to be good enough for transcription. Auto level control & the like, so the police don't need to do any more than put the tapes in & push the record button, which is the only button on the unit. Some police forces now use video for interviews with a similar system of giving the interviewee a copy of the tape afterwards. -- Tciao for Now! John. |
#6
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Why do police criminal interviews/confessions always have such ****ty audio?
On 2008-06-20, John Williamson wrote:
That's the usual setup here in interview rooms. The tape machine is a dual cassette recorder, with one tape for the police & one for the interviewee, which is handed to him/ her in a sealed bag immediately after the interview, so that their lawyer can compare their copy with the police transcripts & evidence given in court. The system is mono, & the quality was only specified to be good enough for transcription. Auto level control & the like, so the police don't need to do any more than put the tapes in & push the record button, which is the only button on the unit. Some police forces now use video for interviews with a similar system of giving the interviewee a copy of the tape afterwards. It's good that the interviewee gets a copy. - Richard -- _/_/_/ _/_/_/ _/_/_/ Richard dot Corfield at gmail dot com _/ _/ _/ _/ _/_/ _/ _/ Time is a one way street, _/ _/ _/_/ _/_/_/ except in the Twilight Zone |
#7
Posted to rec.audio.pro,alt.true-crime
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Why do police criminal interviews/confessions always have such ****ty audio?
"Richard Corfield" wrote in message nal.littondale.dyndns.org... On 2008-06-17, Romeo Rondeau wrote: Keep in mind that there are some things that would be good for a recording environment that wouldn't be good for police work. I'm sure someone would notice the Sonex on the walls and Schoeps hanging from the ceiling and conclude they might be recording what they say :-) The image I have from UK police dramas is a big obvious tape machine and a boundary mic on the table, though that may not be the case. They use substandard equipment on purpose. Well - at least the copy used in court or that the defense gets is ****. The reason isn't price because there is some terribly good equipment out there for less than $100. |
#8
Posted to rec.audio.pro,alt.true-crime
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Why do police criminal interviews/confessions always have such ****ty audio?
On 2008-06-21, krp wrote:
Keep in mind that there are some things that would be good for a recording environment that wouldn't be good for police work. I'm sure someone would notice the Sonex on the walls and Schoeps hanging from the ceiling and conclude they might be recording what they say :-) The image I have from UK police dramas is a big obvious tape machine and a boundary mic on the table, though that may not be the case. They use substandard equipment on purpose. Well - at least the copy used in court or that the defense gets is ****. The reason isn't price because there is some terribly good equipment out there for less than $100. A guess, but I wonder if it's one of those industries where you have to use specially certified equipment - even if better equipment is available at lower cost. There was the story a while back about someone who happened to have a portable recorded in their pocket during an interview and used that recording in defense. - Richard -- _/_/_/ _/_/_/ _/_/_/ Richard dot Corfield at gmail dot com _/ _/ _/ _/ _/_/ _/ _/ Time is a one way street, _/ _/ _/_/ _/_/_/ except in the Twilight Zone |
#9
Posted to rec.audio.pro,alt.true-crime
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Why do police criminal interviews/confessions always have such ****ty audio?
"Richard Corfield" wrote in message nal.littondale.dyndns.org... Keep in mind that there are some things that would be good for a recording environment that wouldn't be good for police work. I'm sure someone would notice the Sonex on the walls and Schoeps hanging from the ceiling and conclude they might be recording what they say :-) The image I have from UK police dramas is a big obvious tape machine and a boundary mic on the table, though that may not be the case. They use substandard equipment on purpose. Well - at least the copy used in court or that the defense gets is ****. The reason isn't price because there is some terribly good equipment out there for less than $100. A guess, but I wonder if it's one of those industries where you have to use specially certified equipment - even if better equipment is available at lower cost. There was the story a while back about someone who happened to have a portable recorder in their pocket during an interview and used that recording in defense. You wouldn't suggest that the cops would EVER even consider "altering" a recording would you? Cops would NEVER "fake" a recording, would they? |
#10
Posted to rec.audio.pro,alt.true-crime
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Why do police criminal interviews/confessions always have such****ty audio?
krp wrote: "Richard Corfield" wrote in message nal.littondale.dyndns.org... There was the story a while back about someone who happened to have a portable recorder in their pocket during an interview and used that recording in defense. You wouldn't suggest that the cops would EVER even consider "altering" a recording would you? Cops would NEVER "fake" a recording, would they? Maybe not fake it, but losing it is a possibility. We had a case here (now in civil litigation) where the police had several digital video cameras on a situation involving alleged police mishandling of a possible suicide situation. It seems that only one of the cameras had any image on it.(Several others "weren't working" as they were using a new system and having difficulties with the cameras.) The surviving image was transferred to a computer.The original which was recorded on some form of internal card on the camera was erased to make space for further recording. Then, the copy on the computer which had been viewed by several people "disappeared". An IT person who worked for the city (conflict of interest?) tried to recover the files, but the files had been erased at a very low level in a spohisticated way and nothing was recoverable. I have recovered audio in situations that exonerated some people and convicted others. The truth is very powerful and the police and courts should make every effort to record and keep it accurate for everyone's protection. |
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