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#1
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film caps age?
I have a neumann U67 microphone that has some 40 year old wima
polyester foil caps in the feedback path. Does anyone have any experience regarding degredation of sound in relationship to ageing in such caps?? The mic is very expensive and I want to solder new ones in only if it will make a difference in sound. Max |
#2
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maxdm wrote:
I have a neumann U67 microphone that has some 40 year old wima polyester foil caps in the feedback path. Does anyone have any experience regarding degredation of sound in relationship to ageing in such caps?? The old caps will work fine - they are sealed. The mic is very expensive and I want to solder new ones in only if it will make a difference in sound. It will probably make a difference in sound, as the new caps are different from the old ones. But it may not be an improvement. Best regards, Mikkel C. Simonsen |
#3
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Max,
Film caps such as the Wima are designed for severe service. Extended temperature, high frequency, and abusive currents. In your application, the caps see none of the above. In fact, they're loafing! Physical aging of the plastic dielectric would occur if exposed to UV rays, extended Temperature, Humidity, and Bias (THB) exposure, etc.. But the Wima has an opaque enclosure against UV rays and It is sealed from the bottom against THB. i.e. The cap will last longer than you or I! Carroll "maxdm" wrote in message m... I have a neumann U67 microphone that has some 40 year old wima polyester foil caps in the feedback path. Does anyone have any experience regarding degredation of sound in relationship to ageing in such caps?? The mic is very expensive and I want to solder new ones in only if it will make a difference in sound. Max |
#4
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#5
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maxdm wrote:
I have a neumann U67 microphone that has some 40 year old wima polyester foil caps in the feedback path. First of all cograts. You have a truly fine instrument that will give you decades of perfect service if well looked after. The components are all part of the overall design. Any change in kind (whithin reason even brand) will adversely affect the sound. So, don't be attempted to alter anything. The same holds true for the electrolytics. If any fail due to having dried out, don't be attempted to use modern boutique style caps but use NOS Wima, Ero (Roederstein), Siemens or Valvo (Philips) only. Resistors don't fail under normal circumstances. However, id you ever have to replace one, use only Siemens, Beyschlag or Roederstein carbon films as they will guarantee the lowest noise floor. Does anyone have any experience regarding degredation of sound in relationship to ageing in such caps?? They never fail. They're hermetically epoxy sealed, so don't worry. The mic is very expensive and I want to solder new ones in only if it will make a difference in sound. This is exactly the point. It's an expensive and now rare precision instrument. You don't want to jeopardize the sound properties of an U67 or any vintage microphone by haphazardly changing any of its components. Enjoy any and all of your recordings in the future! /Dieter Max |
#6
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The wima caps are early clear plastic/foil types.
I am worried about irregularity between layers as the plastic shrinks with age due to loss of plasticizer. they do shrink and crack, as I have seen some that were cracked and shorted in tube amps. of course the ones in the mic are in good condition, but plastic will harden and shrink over the years. |
#7
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I think what everyone has been saying is this...
Don't screw with it unless it starts screwing up. HOW will you know? Trust me, on this mic you WILL know. In the mean time, enjoy it. Regards, Spike On 28 Jul 2004 12:09:51 -0700, (maxdm) wrote: The wima caps are early clear plastic/foil types. I am worried about irregularity between layers as the plastic shrinks with age due to loss of plasticizer. they do shrink and crack, as I have seen some that were cracked and shorted in tube amps. of course the ones in the mic are in good condition, but plastic will harden and shrink over the years. |
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