Confessions of an Iggerant 'Phile
Audio Empire wrote:
Actually, you need three identical channels )including speakers to
get these three- channel recordings to sound correct. They have
spectacular soundtage even though three omnidirectional mikes
(L-C-R) are wrongheaded in my opinion. X-Y or M-S or other true
stereo techniques is always the way to go for real stereophonic sound.
Uh-oh - I think we may have argued about this one before, but.... curious,
why would you characterize X-Y or M-S as "real" stereophonic sound? What
sort of theory of stereo are you operating under? Anything deeper than
Blumlein's patent?
Gary Eickmeier
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